#1
Posted 11 March 2011 - 03:46 PM
I hated it. I could barely get through it once. I loved the title track and Iambic 9 Poetry and that was it. I didn't listen to it again.
Until a couple of days ago, I was waiting for the bus, and kinda bored, and in the mood for something fast and loud, so I thought I'd give it another go. It sounds like a completely different album to me now! I love when this happens, had the same thing with Cornelius' Fantasma... it's like a revelation, I can't stop listening to it now!
#2
Posted 11 March 2011 - 03:49 PM
#3
Posted 11 March 2011 - 06:34 PM
#4
Posted 11 March 2011 - 06:56 PM
#5
Posted 11 March 2011 - 08:22 PM
#6
Posted 11 March 2011 - 09:29 PM
#7
Posted 12 March 2011 - 03:06 AM
it sounds like he's jamming a lot, it sounds like a live album though it isn't
Isn't that the idea? Crowd samples n all?
#8
Posted 12 March 2011 - 03:19 AM
#9
Posted 12 March 2011 - 04:11 AM
#10
Posted 12 March 2011 - 10:16 AM
Yeah
It works, it flows, it jumps between your ears and makes love to your mind all night long, 'til you fall asleep with a feeling of being part of the Universe and part of your own body. Yes. SIMULTANEOUSLY.
This is an experience. And I basically never heard something like this. Quite unique.
Thanks.
#11
Posted 12 March 2011 - 09:52 PM
his best effort : )
#12
Posted 13 March 2011 - 08:38 AM
Interestingly enough, when I play electronic music around my parents, they usually don't like it much because they think it is lacking a "human element". But my dad instantly loved Ultravisitor.
#13
Posted 13 March 2011 - 08:51 AM
Interestingly enough, when I play electronic music around my parents, they usually don't like it much because they think it is lacking a "human element". But my dad instantly loved Ultravisitor.
This is cool. Amongst all the Squarepusher I own, and amongst approx. all the electronic albums I own, my parents really can't stand Ultravisitor, except the most "mellow" tracks (Iambic 9 Poetry). Same thing goes with my friends, even when they're into electronic stuff and sometimes into Squarepusher : I guess Ultravisitor sounds too unusual for 'em. For sure the album has its identity, giving it this strength, but to me that's a good thing. Maybe that's why it needs a bit more time to "click" with the listener, I don't know. But it's clearly not as easy as Hello Everything, for example.
Edited by StocKo, 13 March 2011 - 08:52 AM.
#14
Posted 13 March 2011 - 08:53 AM
#15
Posted 13 March 2011 - 05:34 PM
#16
Posted 13 March 2011 - 06:55 PM
#17
Posted 14 March 2011 - 06:10 AM
but i don't own it (record) :(
WHAT DA HELL ARE YOU WAITING FOR ?
#18
Posted 14 March 2011 - 09:44 AM
record. i own the cd...
but i don't own it (record) :(
WHAT DA HELL ARE YOU WAITING FOR ?
#19
Posted 14 March 2011 - 02:38 PM
#20
Posted 14 March 2011 - 09:04 PM
i still don't particularly like this album. it's just too... chewed over. like on Menelec, this long-winded intro, meh. but these drums, sure, i'll take that. that bassline is nice. but where's it going?? no!! stop those annoying tiny little edits! i don't care!! ARGH
You need to think of where the album is going, not the tracks (well, not all of them at least).
#21
Posted 14 March 2011 - 10:05 PM
#22
Posted 15 March 2011 - 04:31 AM
Particularly blinding white light and CO2 for "Steinbolt" made you really feel that you were on another planet... as you were utterly surrounded by pure white fog. A planet that was about to eat you!!!
#23
Posted 15 March 2011 - 05:28 AM
#24
Posted 15 March 2011 - 10:26 AM
furthermore, i find the spanish guitar/acoustic/etc crap boring as hell, and there's a lot of it on ultravisitor. but that's not tom's fault -- i'm not a huge fan of most of the drukqs piano trax either. i like drum machines
edit: i just found out venus no. 17 is from ultravisitor era? i love venus no. 17.... why can't ultravisitor be like THAT?
Edited by hahathhat, 15 March 2011 - 10:27 AM.
#25
Posted 15 March 2011 - 11:02 AM
fuck you if you want a coherent song to hum along to instead of some pretentious astral voyage to uranus.
That's the reason I decide to listen to Ultravisitor. The album happens to be a very specific and extreme permutation of musical composition that certainly has no agenda of trying to cover every musical angle. It's a very specialized kind of music that one listens to for a certain kind of release that you sure aren't going to find anywhere else.
I don't think there's anything pretentious about this album. It seems that whenever anyone uses the word pretentious they're doing it in a way that suggests the accused person is not able to be the thing they may be projecting themselves as. As if they're some sort of poser. I think Tom deliberate in not presenting himself as anything other than a very dedicated musician; one who happens to be pushing the limits of his imagination and virtuosity.
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