eclipsis

You're right about the long span between EP7 and Gantz Graf release dates but Gantz Graf was recorded during the same time period as was mentioned in the AAA thread.

you guys scared Sean away with your fanboism. lol

You can click through the whole thing on Bleep.

Not a fan of Exai? If I had to choose Exai would be the number one for me.

Confield onwards. So new millennium era I guess. Exai -> NTS Sessions is the soft spot.

i had to google whether it's an old remix or new remix of some late 80s electro... and it's a new-ish remix of kinda a temporary track lol

to me the consistency is no "surface illusion" because i myself didn't mean that each track is the same by that but that the album sequencing (position of the tracks) is top notch and thus has a really nice flow so the whole thing sounds like a consistent piece that justifies the album format. it sounds like a concept album (for lack of better words) unlike PLUS which sounds like a collection of songs sometimes almost in random order.

What is this Gescom stuff? Is it new material?

thanks for bringing this to attention. i haven't listened to SIGN/PLUS for weeks, i needed the break (as always) but because of this thread(a) i've listened to the track individually just now and found a new appreciation for it

sorry, totally forgot about this thread... i've listened to your samples and Motas-6 sounds lovely for sure i went with the Pro 3 (now waiting for it to arrive), apart from making weird electronic music i play in a post-rock band. i play mostly guitar but i've been using 1010music BlackBox to trigger some beats and synth sequences and wanted to pair it with some mono synth beast with keys (i.e. w/o the need for a controller). Pro 3 is ideal for this because of its immediacy + the onboard effects are very handy, otherwise i'd have to remove my Ventris from the pedal board and use it with t

F7 is total punk

i've read some hate on esc desc (not here) and i was like wha- how?! it's probably my most fave track of the whole SIGN/PLUS bunch. i don't usually like overly melodic AE tracks that much but esc desc is epic af. (i've never liked see on see but love esc desc, is that weird?)

i've never got into his other works much but this record is essential

that looks amazing! just recently i randomly snapped a pic of a standard black vinyl record with the flash on and it did an interesting effect. looks kinda similar lol

I always thought irlite (get 0) is what jazz would sound like if jazz musicians would keep up with new technology like Davis used to throughout the decades of his work.