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Everything posted by eclipsis
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Shackleton - Departing Like Rivers (Woe To The Septic Heart!)
eclipsis replied to dcom's topic in New & Upcoming Releases
How do you know how it sounds? I can't find any snippets.- 34 replies
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- Shackleton
- Woe To The Septic Heart
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this must be a sign
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I always wanted to get into Coil and today I randomly remembered this band so I think it might be the right time. What are some of the essential albums? I did listen to a few of their records for a bit but it was years ago so you can consider me pretty much new to Coil.
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is this out yet?
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Alessandro Cortini - SCURO CHIARO [Mute]
eclipsis replied to Scaramouche's topic in New & Upcoming Releases
idk how he does that but his sound design is always sooo pleasing to the ears and just extremely soothing. i imagine this is how ASMR affects most ppl (i personally can't stand ASMR, it sounds creepy and just unpleasant to me). when people talk about analogue warmth, well, this is as warm as the most comfy blanket i can imagine.- 8 replies
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tried i believe four different dissos years back but music always sounded like shit on dissos for me unfortunately now lysergamides - that's a completely different story
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Andy Stott - Never The Right Time
eclipsis replied to species8472's topic in New & Upcoming Releases
I loved his (slow)techno stuff but then he kinda lost me after Luxury Problems. It Should Be Us was nice tho. That being said, the single is somewhat meh. But it's admirable he didn't get stuck doing the same thing over and over again I guess. -
Sean was so high that poor Rob had to save the day and answer questions this time.
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well, early 00s design is shit altogether
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Terminal 11 - Eyes Pressed Up Against the Glass (Opal Tapes)
eclipsis replied to Extralife's topic in New & Upcoming Releases
Oh, there's new T11, noice! -
You're right about the long span between EP7 and Gantz Graf release dates but Gantz Graf was recorded during the same time period as was mentioned in the AAA thread.
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you guys scared Sean away with your fanboism. lol
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You can click through the whole thing on Bleep.
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Not a fan of Exai? If I had to choose Exai would be the number one for me.
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Confield onwards. So new millennium era I guess. Exai -> NTS Sessions is the soft spot.
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i had to google whether it's an old remix or new remix of some late 80s electro... and it's a new-ish remix of kinda a temporary track lol
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to me the consistency is no "surface illusion" because i myself didn't mean that each track is the same by that but that the album sequencing (position of the tracks) is top notch and thus has a really nice flow so the whole thing sounds like a consistent piece that justifies the album format. it sounds like a concept album (for lack of better words) unlike PLUS which sounds like a collection of songs sometimes almost in random order.
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What is this Gescom stuff? Is it new material?
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sorry, totally forgot about this thread... i've listened to your samples and Motas-6 sounds lovely for sure i went with the Pro 3 (now waiting for it to arrive), apart from making weird electronic music i play in a post-rock band. i play mostly guitar but i've been using 1010music BlackBox to trigger some beats and synth sequences and wanted to pair it with some mono synth beast with keys (i.e. w/o the need for a controller). Pro 3 is ideal for this because of its immediacy + the onboard effects are very handy, otherwise i'd have to remove my Ventris from the pedal board and use it with the synth. also bonus points for how stunning it will look on the stage lol.
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F7 is total punk
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i've read some hate on esc desc (not here) and i was like wha- how?! it's probably my most fave track of the whole SIGN/PLUS bunch. i don't usually like overly melodic AE tracks that much but esc desc is epic af. (i've never liked see on see but love esc desc, is that weird?)
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i've never got into his other works much but this record is essential
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that looks amazing! just recently i randomly snapped a pic of a standard black vinyl record with the flash on and it did an interesting effect. looks kinda similar lol
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I always thought irlite (get 0) is what jazz would sound like if jazz musicians would keep up with new technology like Davis used to throughout the decades of his work.