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Tame Impala is artist of the decade.

I love the sound of the drums on It Might Be Time. It has a real slow attack on the compression on the cymbals like a classic 70’s sound like maybe John Bonham but in an over-the-top way.

How many cents have you made off of Spotify?

Why would someone who is great need to talk like this?

Chaos Flutter (Cello Stretch 6-2) - Really beautiful how during the intense passage the audio sounds like it's breaking apart, it gives it a very organic quality. Then when things get quiet again it the howlings sounds so gentle by comparison.

Peers - Very lush and filmic, I'm imagining a long period of time passing in a heavy blizzard. Gitty Up - I like the variations but it is essentially one bassline, I think it could do with a B and C part, then when you bring the menacing bassline back in it hits harder.

I'm digging the sinister vocal qualities in the bass sounds.

Come Together - Nice reggae bounce, the panning that you do on those snare rushes is cool - I feel like that's probably your signature motif for the track given that the bassline, which is also prominent, closely resembles the original. When you repeat the line "feel his disease" this could be a cue for the track to get momentarily more distorted or dissonant to support the theme of the lyric. The way you bring in the repeated electric guitar wailing over the "spinal cracker" part near the end is climactic, I could imagine a beatles-esque string section part mimicking that lick would make it even more-so.

Planetx - I like the variety of snare sounds and the rapid fire pace at which you bring elements in and out. Aurevoir - The way one resonant synth line trails behind the brighter synth line, sometimes in unison, sometimes with an added melody is so Aphex in a good way.

The Pink Anvil album called Halloween party samples old horror films. It’s BOCish at times.

What happens with the Analord clear sleeves? All mine are in those sleeves.