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Cheers mate

Am I right in thinking Warp heard this and said something to the effect of “you’re not ready yet”? Unbelievable if so.

I was expecting this to be more primitive like a demo tape lol but this is great! Would purchase.

Yesss, was waitin’ for those jungle breaks!

Mark Pritchard’s unreleased mix about to start!

Thanks Mozex, BCM and bitchroast! 👍 For the braindance tracks, I’m making them on a RS7000 work-station where the smart card reader is broken, so I can’t save tracks. Rather than leave the machine on for days wasting power, I try to finish the track in one session of about 2-3 hours. So sometimes the structure of the track is a bit under-developed but I see it as a challenge to finish something in one session. I take inspiration from the Aphex quote where he said he had thousands of tracks because he often made several in a day. There’s a fluidity of production you can develop by working that way I think. On the other hand I have been doing some Max/MSP tutorials and it will take me months and months of perseverance to get to the stage of making my own sounds with that (if ever...) So I do have the laborious tedium angle covered as well.😉

More braindance jams.

Soo phat, a morbidly obese track! All those slow triangle LFOs modulating the pitch gives it a warm beery wooziness.

1 RM1.23 - Serious fucking laser music from the future.

Really excellent chilled-out delicate sounds, very inventive too in the way the pads evolve. I don't know why you wouldn't want to post it public, it's a great track.

I like the separation in the sound stage between the main beats and bass being in the middle and then the more experimental scratchy mid-range sounds being panned left and right. It's a treat for the ears!

They're getting better and more ecstatic.

Love the harmonic progressions in this, there's a sense of spy-movie intrigue and lurking danger. However at times it's like there are two different basslines (the smooth one and the fuzzy one) fighting for space in the lower-mid sound spectrum. The hi-hat pattern is a welcome introduction at 3:36 but it goes away - I felt like that tied it all all together finally.

Ed Would II - Those psychedelic time warp effects add a cartoonish dimension to the deliriously demented dialogue. That beat in the later half scratches an odd-time itch in the brain. Lots of ideas here, this is like several tracks in one. Drene< - >Pleno - Nice way to make a memento from your flight but if my plane sounded like this I might be worried!

The arcade game sounds when the beat comes in are crazy, I keep waiting for them to come back. The distortion and compression on the drums gives this a really lively and driving propulsion which goes well with the spasmodic beats. Love those gaps in the beats too.