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Sean Ae

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Everything posted by Sean Ae

  1. *bump* oh yeah, prolly should have mentioned: i mashed a couple o tracks together into one file, yes. ok, last attempt b4 i gtg to bed. it's like 5 snippets in 3 minutes or so, if it's too bothersome i'd be reeeeeeealllyy grateful if you'd at least check out the first tune, ever since you played it on that radio programme i've been trying to track it down, in vain D: ... anyway, thanks alot for doing this, tis been a ride, already looking forward to wading through the rest tomorrow. the 'chre <3 <3 (_O_) <3 ok so track 1: http://www.discogs.com/Aki-Tsuyuko-Ongakushitsu/master/58282 track 2: http://www.discogs.com/Fred-Frith-Guitar-Solos/master/54796 track 3: http://www.discogs.com/Simple-Minds-Promised-You-A-Miracle-Theme-For-Great-Cities/release/324282 track 4 is scorn i think but i can't rem which one (awep might know) track 5 i dunno, rob what's this? i think that's the american one, not sure i thought they used a sticker for our name but maybe it's a later edition it's a bit weakening how licensees sometimes fuck up artwork, you have to just kind of sign off and hope for the best really it's american the front says ae production booth/brown p+c 1998 warp records ltd published by warp music/ electric music industries released under exlusive license to nothing records limited inc. manufactured in the united states by carolne distribution all rights reserved. printed in the united states unauthorized reproduction of this recording is prohibited by federal law and subject to criminal prosecution mastered by frank arkwright recorded in england fucking lol bought it in a belgium shop! haha what wonder how that happened, weird
  2. was it at temple bar? played there a few times, i thought it was alright in soundcheck but that place changes a lot when it's full, so i dunno yeah it kind of grew out of the live set err matthew Yea, Temple Bar Music Centre, now Button Factory. Yea, was at a Clark gig there a few months before you played, the sound was really waek (maybe that was just Clark tho..jk) Must've got a better set up or sound engineer! ah yeah i seem to rem them having some teething trouble with a new setup, vaguely the guy was the same tho, at least i think he rem'd us or soemthing v hazy tho maybe rob knows
  3. was it at temple bar? played there a few times, i thought it was alright in soundcheck but that place changes a lot when it's full, so i dunno yeah it kind of grew out of the live set err matthew Well this is my recording from upstairs of the Temple Bar set.. sounds great to me. Sean, Rob.... PLEASE say high to my italian friind Guliamo who is mad for you guys and is "yay" ing all over this recording.... he'd fucking die... In fact can you name his first child? http://www.youtube.com/watch?v=_PK3IL-Pw_w hi guliamo, thanks for shouting all over this bootleg :D
  4. i think that's the american one, not sure i thought they used a sticker for our name but maybe it's a later edition it's a bit weakening how licensees sometimes fuck up artwork, you have to just kind of sign off and hope for the best really
  5. no way its fully 'sit down with headphones and nothing else machine'. try to get into the 2d sequencing , gateandstep shit. sean likes the special rez it has. alas no noise source. always made me a little sad. and no noise for LFO. still wonderful machine. see - this is why i never make any tracks. worrying about the lack of noise on a 30 year old box. please tell me that you still have your 202 and would never, ever sell it. ha yeah still got it
  6. yeah think of it like a game of dominoes once u got your head round the 12 -24 notelength thing its easy, and u can start doing weirder timings, just takes a bit of arithmetic :) and the cool thing is accent and portamento patterns (which obv u can't do on a 101) tbh it was all we had for about a year so we know it inside out it's worth learning imo, helps with max programming anyway
  7. i still wish they'd had the balls to release the original but i guess we still could ourselves sometime When you say, "the original" do you mean like alternate versions of the tracks? If I'm right, the first track in that live video of you guys from 1991 is the song Cavity Job and around the 1:31 mark where this girl takes a sip of her beer, this awesome melody comes in. If that is the original version of the track, I have to hear this because that melody has been stuck in my head for two weeks! yeah the released one has that melody but the filter is different, not as good imo
  8. yeah i saw it a bit ago, i dunno, kind of crap i like this tho
  9. was it at temple bar? played there a few times, i thought it was alright in soundcheck but that place changes a lot when it's full, so i dunno yeah it kind of grew out of the live set err matthew
  10. It's called the Large Helical Device in Japan. It spins 100 million degree hydrogen plasma around. Here is a video: aw lush
  11. right now it's a) but it prob won't last and will eventual become b) i sometimes wish it was c) - and when i'm away from home i pretend that it is
  12. the original cd packaging was meant to be an extension of the standard grey-backed jewel case design popular in the 80s, but with the front cover also being grey - cos as far as we know, that hadn't been done before but in america it was repackaged cos nothing records didn't want to spend money on getting a special case made but mine has black font on white paper and and there is a barcode on the back lael and i believe there is nothing on the cd either also no tracklist haha do i have the superlimited ultra special edition? i'm telling this cause i was quit shocked when i found it in the records store that it looked so bad (also shocked the album was so good ) all the best you guys!!! i dunno - maybe you have the usa release but without the sticker or something tbh i can't rem exactly how it looked, i think i might not even have a copy
  13. yeah void's a wicked album never heard photodementia, sounding p good tho, i like the way the hats freeze it up oh what shit that looks amazing
  14. the original cd packaging was meant to be an extension of the standard grey-backed jewel case design popular in the 80s, but with the front cover also being grey - cos as far as we know, that hadn't been done before but in america it was repackaged cos nothing records didn't want to spend money on getting a special case made ah man, that would have been cool as shit yeah we managed it in the uk and eu, and the first run of the japanese ones the only label that chickened out were nothing records
  15. yeah sometimes, it's easy when you can save versions or if you already finished and it's all in the gear still
  16. i was doing tons of stuttering as it goes, making beats that way as well ah most of my mates are within 20 square miles, there's quite a few of us and like, i dunno these are the people our music grew out of to begin with so theres tons of overlaps, we all go the same parties etc i mean our music is very north manchester (if thats a thing)
  17. the original cd packaging was meant to be an extension of the standard grey-backed jewel case design popular in the 80s, but with the front cover also being grey - cos as far as we know, that hadn't been done before but in america it was repackaged cos nothing records didn't want to spend money on getting a special case made
  18. i like oxygene and equinoxe and i even like zoolook but he's a right cheesy fucker isn't he
  19. 2) i dunno much about what's good i have a habit of using absolutely anything 3) your guitar is now called enrico 2) What would you use to record a soft, silent sound close to you (say a squeaky coffee pot), but at the same time you dont want louder distant noises to be recorded (clocks, cars)? Are there recorders that might filter that out? Or do you have to do that with software? 3) Enrico who? i dunno i'd just use whatever shit mic i had to hand and then eq it out later :D jx-3p's are ace, did u get a controller? those things are so cute your jx-3p is now called brian your eurorack is now called galactor Unfortunately, I don't have the controller. I'm planning on installing the KiwiTechnics mod at some point (hopefully in the near future). It's a pretty rad mod, pretty much replaces the original CPU, giving things like MIDI control to all parameters, broader range LFO's (an additional LFO, too, I believe), being able to adjust the on-board chorus, stuff like that. So I could just use a knob box instead of the controller, though, as you say, the programmer is pretty cute. Details here: http://kiwitechnics.com/jx3pupgrade.htm. I'm hoping I don't mess up Brian's guts when I do that. But yeah, it was a super cheap pawn shop buy, going to be replacing its volume pot tomorrow after years of having to have it in a certain position for it to be able to play. Always loved it since I got it, though. Galactor's guts are still being put together. Do either of you have children? I'm a father myself. My sons love playing with my gear. My older one (he's 5) made a track on Audiotool.com the other night. I think he's going in the right direction with it. ;) tbh what you're doing there is gonna be way better than some cute controller, pls disregard me rob does, i don't
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