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silentvision

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Everything posted by silentvision

  1. 1. Dub Schneider 06:07 2. Dachtekker 05:19 3. Matchpoint 05:46 4. Double Standard 05:56 5. The Bills 05:38 6. Stomp 05:40 7. Small Stone S700 05:34 We Are The Music Makers | Volume One by Various
  2. Full stream went live. We Are The Music Makers | Volume One by Various
  3. 1. A Perfect Circle - Kindred 2. Puscifer - No Angel 3. Primus - Pablo's Hippos (featuring Maynard James Keenan) https://sessantalive.com/
  4. https://jlin.bandcamp.com/live/akoma-listening-party
  5. Third time reaching out was a charm. Got this response: Yeah the vinyl was on pre-order and the plan was to ship out in 90 days but we never sold enough. Unfortunately, at this point we're still 24 short on the number needed to press. It doesn't seem like a huge amount but it is too much for me to shoulder myself at the moment. Some other folks have been unhappy about the delay and reported me to PayPal which didn't help either as it reduced the sale number again. I was planning on making a decision at the end of this month that if there still wasn't enough sales then I'd be issuing refunds. However, I'm happy to refund you at the moment and again apologise about this. It's been a bit of a disaster to be honest.
  6. Have attempted to reach out to Ambidextrous Records through bandcamp twice - radio silence.
  7. https://www.instagram.com/p/C4NJwNMo9z5/
  8. Messages from hannah-warprecords [MOD] during bandcamp listening party February 29, 2024. "I’ll be sharing some insight from Squarepusher for each track off of the album. Please enjoy." 1. Arkteon 1 “This piece was performed using a long-scale electric guitar, which I prefer to the regular type as it offers increased clarity and sustain. The sound is a mixture of its piezo and magnetic pickups, recorded through an Eventide H8000 running custom processing, on this occasion just adding some eq and a bit of reverb.” 2. Enbounce “This track started out as a live mixdown of an extensive array of hardware, including a Yamaha CS-80 and a Roland V-Synth XT, with a Roland TB-303 bassline alongside Roland TR-909 and TR-707 percussion. The guitar was then overdubbed using the same set-up as 'Arkteon 1' to provide distortion, whilst also triggering a custom monosynth that adds ring modulation on the string bends. The material is adapted from a piece originally made for my BBC Daydreams soundtrack.” 3. Wendorlan “’Wendorlan' was created on an entirely digital system, a development of what I called System 4, which was used to realise Damogen Furies during 2014. The 'Wendorlan Sunday 16th October' vocal is from a pirate radio advert for a rave at the London Astoria, broadcast in 1993. Towards the end of the video, text appears saying, 'Sung by David Bowie on a sinking raft: "Talisman Red said he thought it was the break into the future."' This describes an event in a dream I had shortly before the video was finished.” 4. Duneray “This tune uses a custom gate-reverb that I put together whilst working on Be Up a Hello. It can most obviously be heard on 'Vortrack (Fracture Remix)' and this piece was recorded not long after that, also using a TB-303 (here in combination with a Roland SH-101 for tonal variety and polyphony). The hardware aspect of the sound sources can be heard clearly at the end once the percussion stops, with the compression-swell bringing up the background noise as the synth notes decay.” 5. Kronmec “Mellotron samples are used in this track with alternate chords being pitched up by a microtonal interval. The monosynth bass sound is a recent iteration of my ongoing part-time efforts to programme a TB-303 copy, obviously building in more flexibility. Anyone who has tried this might agree it's a challenge to approximate the square wave, though it helps to use pitch-correlated variation in the pulse width. In this you can hear the pulse width being pushed towards 0% -- not possible on the original machine.” 6. Arkteon 2 “This piece uses the same set-up as 'Arkteon 1', however, the guitar is tuned differently. It uses the regular E-A-D-G-B-E as a basis, and the top E is tuned at regular pitch -- but down from there successive strings are tuned up by increasing microtonal intervals. This was achieved by putting a g-clamp on the tremolo bridge to force it to remain static at a specific positive deflection. Not convenient for playing, but it worked.” 7. Holorform “This is the oldest track of the set, with the original version recorded in 2018, and subsequently remixed last year. It was put together using the same approach as, for example, 'The Coathanger' from Just a Souvenir. The basic method involves taking an instrumental performance (in this instance a guitar solo) and then adding processing step-by-step, progressing in time, thereby controlling effects in a way far more complex and precise than would be possible live. The persistent notion impelling this approach is how I picture a kind of futuristic sci-fi musicianship.” 8. Akkranen “The starting point of this piece was the famous ravestab used in detuned form on 'Droid' from Torque on No U-Turn, though I didn't manage to retain the minimal approach of Ed Rush & co. Like the other hardware-based pieces it was recorded directly to 2-track, so it was a case of nailing the real-time adjustments all in one go. It uses the same gate-reverb & TB-303 combination as 'Duneray', and, in particular, it was essential to get the filter tweaking right so the reverb stood out at the appropriate moments.” 9. Stromcor “This track was great fun to play at shows and is an unashamed bit of bass-shred, though the studio recording differs in places from how it was performed live. It was recorded using my modified Music Man 6-string bass processed by the same H8000 set-up that was used for the guitar on 'Arkteon 1', this time featuring some ring modulation and a wah effect from an H9 pedal. In the intro a TR-909 can be heard processed through external amplitude envelopes.” 10. Domelash “Like with 'Akkranen', a hint of No U-Turn paranoid minimalism kicks this one off, though, again, it ends up going maximalist. It uses a custom sequencer I put together bit by bit over several years, which is also used on 'Wendorlan' and 'Stromcor'. Amongst other things it enables me to detach sequences from the main tempo whilst retaining control of that detachment, which you can hear clearly on the break programming in the opening section. The custom gate-reverb is also used throughout.” 11. Heliobat “Various bits of hardware were meticulously tuned and programmed for this track, which also features the long-scale guitar of 'Arkteon 1'. An SH-101 can be heard in parts of the melody, and a Yamaha FS1R generates a fair amount of the polyphonic material. The intro section uses a form of pitch intonation such that the major 3rds are (unlike in equal temperament) a whole-number ratio of the corresponding root note.“ 12. Arkteon 3 “This piece uses the same set-up as 'Arkteon 2', including the tuning. I originally intended other instruments to accompany the guitar performance but in the end thought it made more sense as a solo piece. There is also an 'Arkteon 4', but somehow it just didn't fit the album. Despite spending hours varying signal routing, cable configuration and playing position in relation to sources of interference, in the pauses 50hz mains hum can be heard. Along with the other 'Arkteon' pieces, it was recorded in autumn of '22 after a busy summer of playing live shows.”
  9. Catalogue #ZIQ465 per latest Planet Mu email. Post from Tyrone Williams: https://www.instagram.com/p/C32IGwoI36w/?igsh=YnZybDdnZTl2OHl0
  10. https://www.urbandictionary.com/define.php?term=grush
  11. https://www.facebook.com/uziquziquziq/posts/1097207781519753:1097207781519753
  12. 1. mythrality 06:58 2. necunoscut 10:40 3. mythralität 07:44 MYTHRALITY: the inherent power or energy that emerges from the fusion of mythical and tangible elements. it represents the harmonious blending of the extraordinary and the everyday, where enchantment intertwines with reality. mythrality manifests as a captivating force that sparks imagination, fuels dreams, and encourages the exploration of hidden realms within our own world. IMMINENT has a prominent position at the nexus of formidable technoid industrial music and sophisticated electronic compositions. olivier moreau, the creative force behind the project, employs a sonic spectrum characterized by incessant technoid rhythms, intricate electronic noise, and cold, sinister atmospheric textures. one of the defining features of IMMINENT's sound is its meticulous attention to detail in crafting intricate rhythms and forceful distorted sequences devoid of inhibition. the beats are often relentless, driving the listener into a hypnotic trance that is both captivating and exhilarating. https://ant-zen.bandcamp.com/album/mythrality
  13. Bandcamp announcement from PITP: In 2024, the burden of inflation and soaring living costs is undeniable. For PITP and fellow labels in our ambient community, alongside indie labels at large, escalating production expenses, notably in vinyl production, have posed significant challenges. Recent updates from our pressing plants reveal staggering cost hikes, despite our best efforts to negotiate and maintain quality standards. Regrettably, we couldn't find a sustainable solution. This marks the fifth consecutive year of price hikes from our pressing partners, surpassing our expectations due to skyrocketing raw material costs—a trend mirrored across industries. Coupled with escalating postal service fees, including a hefty 30%-50% rise in record mailer and other packaging costs, the situation is daunting. Given these circumstances, we've made the difficult decision to halt vinyl production for the remainder of the year. Inflation and steep production costs have emerged victorious, albeit breaking our hearts. Nevertheless, we're resilient and eager to pivot. For 2024, we're shifting our focus to premium packaged CDs and cassettes, partnering with providers committed to top-notch quality. We're exploring innovative avenues to ensure these releases are exceptional, with exciting surprises in store throughout the year. While the future of vinyl remains uncertain, we humbly request your unwavering support. We're committed to keeping costs as low as possible, enabling you to continue enjoying physical copies of our albums. With love, Zach, Kevin, Cynthia, Nick, Drew, and James
  14. Special edition Blu-ray presented in a 3mm acrylic slipcase, line bent to shape, screen printed to the front face and housing a clear PETg PCB holder. The PCB (AKA Printed Circuit Board) houses a pulsing Green LED light that is powered by 2 AAA batteries (not included) and printed with logo marques. Presented in a Brown corrugated cardboard presentation box with the slipcase internally housed in White Stratocell foam. Includes fold out booklet signed and numbered by Daniel Lopatin • All audio available in Dolby Atmos & Stereo • Includes 4 music videos • Atmos mix by Mike Dean, Tommy Rush & Sean Solymar The images shown are taken at prototype stage. There may be small differences in the finished edition. https://bleep.com/merch/439881-oneohtrix-point-never-again-special-edition-blu-ray
  15. Did anyone scoop up this comp by Jon Savage on Caroline True Records? Contains "Utopia 3" aka "8 Upotia [brain floss mix]" https://carolinetruerecords.com/products/jon-savages-ambient-90s-limited-to-300-double-vinyl-lp-a4-artprint https://www.discogs.com/master/3324493-Jon-Savage-Jon-Savages-Ambient-90s
  16. 1. Dust Acid 05:40 2. Magnetic Acid Two 06:54 3. Wanna Show U Acid 04:41 4. Magnetic Acid Four 05:15 Acid 1 by Pye Corner Audio 1. Stegan Acid 04:37 2. Magnetic Acid Three 05:45 3. Thermionic Acid 05:29 4. Magnetic Audio One 07:22 Acid 2 by Pye Corner Audio Pye Corner Audio presents his debut for the label with 2 EPs of Acid touched live jams. Martin Jenkins main electronic project, here he detours that on-going journey, the mysterious current of foggy soundtrack inspirations and fragments of techno, deep and dark 303 fuelled experiments, that are oft aimed at dark dancefloors. After decades of experience working in London recording studios, his recent time near the South Coast has born fruition, with releases on a who’s who of electronic labels – Ghost Box, Type, Ecstatic and Lapsus – that showcased a fragility of electronics, mixing Radiophonic and Library sounds, touches of post punk aesthetics and the deep pulse of the 4/4, Jenkins (aka The Head Technician) has offered a series of timeless albums notable the heralded Black Mill Tape series. Recording while the world was in lockdown, these EPs update Jenkins moody, retro-futuristic sound with a clear love of Acid House that can be traced back to halcyon raves of his youth. The sparse sounds and spatial dub are all there, the favoured stripped back collection of equipment, often including the very first synth he owned, were pulled even further to be the crucial Roland RE-501 (Space Echo), Roland TR-06 and TR-08 drum machine, the audio alchemy of the Make Noise Stada and the all-important Cyclone TT-303. Recorded live to reel-to-reel, then bounced back at half speed, lightly edited and transposed down an octave, the dark and murky acidtronics join the signature audio visual meets vintage touch. From the pure club acid trax of opener Stregan Acid and Thermionic Acid to the deep 303 experiments of the aptly titled, Magnetic Acid One and Magnetic Acid Three, Pye Corner Audio covers the cinematic, the psychedelic, to the dark, the basement throb, as only this master technician dreams.
  17. 01. Se Hai Timore Del Vero 02. La Chiave Del Mio Amor 03. Sulla Via Della Gloria 04. Nel Nome Del Codice 05. Lode Al Disco Sacro 06. Il Paradiso Dell'Anima 07. La Voce Del Destino 08. Che Sia Vita O Morte 09. Sempre Nel Mio Pensiero Keygen Church, the brainchild of technologist/songwriter Victor Love (Vittorio D'Amore), have digitized their new album, 'Nel Nome Del Codice', for Metal Blade Records. Love, also of 8-bit phenoms Master Boot Record (MBR), is a one-person outfit, writing and recording via undisclosed real-time stream events, where the dedicated (and lucky) bear witness to Keygen Church's spontaneous creative process. Like previous alt code/text art-titled albums, 'Nel Nome Del Codice' is a modern-primitive love letter to doom/gothic/black metal with foundations in Baroque-era Classical and Romantic-era music. This time, however, Love has refined his sonic tool kit - "the complete set of sounds," he says - the aftereffect of which is computerized big-hall libations like "La Chiave Del Mio Amor," "Nel Nome Del Codice," and "Lode Al Disco Sacro." Preorders https://www.metalblade.com/keygenchurch/
  18. 1. One Kiss ('One Kiss' EP) 04:46 2. Nobata's Theme ('One Kiss' EP) 02:56 3. The Scream ('One Kiss' EP) 03:31 4. Bonfa Punk ('One Kiss' EP) 03:46 5. Silas 00:48 6. Misery, Got'a leave man 04:17 7. Kuya & I 03:09 8. Trip to the Turkish Shop 03:33 9. 23 Sundays 03:41 10. Tokyo 02:30 11. Sheriff 02:23 12. Keep on movin' y'all 05:45 13. If I could wait for today 05:41 Gordon McQuilten (Gordy) was an OG member of The Avalanches. All these tracks were recorded by him from around 2000-2008. https://gordy1.bandcamp.com/album/double-stack-imac
  19. Who is Ecustacu Linh? Linked fb site from their store: https://www.facebook.com/orbital/
  20. 1. Willow 2. Billings, MT 3. Full Mammoth 4. First Rodeo 5. Second Rodeo 6. Agave 7. Range 8. Ten Paces 9. Starcharger 10. The Cowboy Way The atmospheric & sprawling debut from Cowboy Sadness - a new collaborative project from The Antlers, Bing & Ruth, & Port St. Willow - is the sound of the desert’s vast, ragged landscape. The stylistic signatures of each member - Moore’s heavy, undulating organs, Silberman’s melancholic guitars, & Principe’s galloping, hypnotic drums - form thick textures, cavernous spaces, & deep grooves. https://cowboysadness.bandcamp.com/album/selected-jambient-works-vol-1
  21. Bleep has a x/100 limited Jlin mix on cassette by Paradinas. Double whammy. https://bleep.com/release/429704-jlin-akoma
  22. One of a kind binder. https://www.ebay.com/itm/355388080548?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=7wj3lklJSma&sssrc=2047675&ssuid=&widget_ver=artemis&media=COPY
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