silentvision

https://www.qobuz.com/us-en/album/maelstrom-gak/yfsqiusuw62qb

https://furthurelectronix.bandcamp.com/album/tusken-raiders-bundle-100-copies-only-coloured-vinyl

https://recordstoreday.com/upc/842812175534

https://soundcipher.bandcamp.com/album/all-that-syncs-must-diverge

This has been in regular rotation. Solid album.

The Bros slated to be broadcast on Coachella's livestream today. Channel 2 (Outdoor Theater) Schedule (All times listed in Pacific Standard Time) *schedule is subject to change Friday, April 14, 2023 4:00 PM - Saba 4:55 PM - Yungblud 6:10 PM - SG Lewis 7:30 PM - Kaytranada 9:50 PM - The Chemical Brothers

01. Fatalist 04:18 02. Fake XPO 03:22 03. Weniger Ist Mehr 03:43 04. Didn't Run 02:46 05. Five Alive 04:58 06. DD Falling 04:33 07. Stacwobsev 03:11 08. DPO Envy 04:04 09. No-One Could Tell Me Who to Support 04:04 10. May Day 2014 02:09 11. 28Fiver 04:16 12. Step Away from the Kerb 03:07 13. Menvmfum 03:57 14. I Will Cross Any Bridge 03:40 Cylob is an electronic music producer from the UK. Active since 1993, he has released 17 singles and 16 albums since then, on the labels Rephlex, Breakin' Records, Power Vacuum and his own Cylob Industries imprint. Although Cylob's music is predominantly instrumental, ranging from ambient styles to aggressive dance-floor sonics via pop pastiche and electronic funk, his most well known tracks have been the underground hits "Rewind" and "Cut The Midrange, Drop The Bass", which pioneered computer-generated rapping and singing on top of signature Cylob beats. His remix credits include reworkings for Mogwai, Aphex Twin, Soulwax (2 many DJs), Cristian Vogel and Mike Flowers Pops. "I Will Cross Any Bridge" is a new 14 track studio album marking Cylob's 30th year since his debut release. Developed from works in progress posted on SoundCloud over the last 18 months, the tracks encompass vocoder songs, abstract sonic exploration, acid in unusual time signatures and contemplative ambience in addition to some more straightforward analog jams. I Will Cross Any Bridge by Cylob

1. Grid Incursion 2. Ransomwar 3. Church Turing 4. Permissive Action Link 5. God Mode 6. Entropy Pool Listeners and innocent bystanders have reported spiritual resemblances to the experimental German scene of the 70s with traces of Can, Faust, Neu and early Kraftwerk, the dark manic rumble of Peter Gabriel’s early work and the complex digital hardcore first birthed by Aphex Twin and Squarepusher, all of it wrapped in an unsettling atmosphere that verily reeks of familiar ingredients: a tumbling machine-tight groove, a wash of analog synths direct from your midnight movie memories, a snippet from your grandpa’s old Louis Armstrong records stretched across miles of fizzling voltage and contorted into barely recognizable and altogether quite mind-altering new shapes. https://royalpotatofamily.com/product/sound-cipher-all-that-syncs/ https://metalinjection.net/new-music/primus-les-claypool-alumni-link-up-to-form-sound-cipher-stream-new-track-grid-incursion

Great stuff. There should be a return to Gary's House where he goes wild, part II electric boogaloo.

1. FMsquared [royal wavetable mellodies A] 2. copperfeel 3. WSsquared [royal wavetable mellodies B] 4. good endgar 5. FMsquared [epiloggy] [beauvine bonus perc version] 6. LANsqape4 [short_oneTake] Royal Wavetable Mellodies & Old TDKs by Brainwaltzera

This couldn't land soon enough.

https://www.daftpunk.com/

https://laylo.com/serenade/ToBW7 #digitalvinyls

1. ‘H.O.M.E' 2. ‘Why Can You Be In Two Places At Once When You're Not Anywhere At All' 3. ‘A Ghetto Love Story' 4. ‘Picking Tea Leaves & Chasing Butterflies' 5. 'Tiger' 6. ‘Dragon Of The Oceans' 7. ‘The Beginning Of The End' 8. ‘Living In Recycled Times' 9. ‘Prism On ‘Prism’, released 28th April via Cooking Vinyl, The Orb’s pulsating discography grows ever more huge, with their 18th album, and 3rd helmed by core duo Alex Paterson and Michael Rendall. Despite the connotations of its title, here they continue to rollick freely without inhibition across ambient, house and dub, but also tangent into poetry, pop, full-blown drum ‘n’ bass and actual reggae. To celebrate the official album announcement, The Orb are pleased to share the video for their killer new single ‘Living In Recycled Times’, released 25th January, – a blistering, ten minutes plus, drum & bass floorfiller. The LP features electronic musicians David Harrow (whose CV includes Anne Clarke, Psychic TV, Razormaid, Adrian Sherwood and Andy Weatherall) and Gaudi (whose credits include Max Romeo, Capleton, Johnny Clarke and Desmond Dekker). Other guests include Orb regular Youth, violinist Violeta Vicci, Kompakt records alumnus Leonardo Fresco, Metamono man Jono Podmore, Guitarist and Alex’s old schoolchum David Lofts, plus vocalists Eric Von Skywalker, Andy Cain and Rachel D’arcy. ‘Prism’ begins with the epic winding journey of ‘H.O.M.E’, which features a poem by Paterson, and traverses through dark ambient into star-surfing Fingers-style house, before ‘Why Can You Be In Two Places At Once…’ kicks into a funked-up, afrobeaty chug. With Paterson’s decades-long love for Jamaican music and output oft drenched in the dubwise, it should come as little surprise that The Orb have now gone full reggae, on the ebullient nostalgia tale of Von Skywalker’s youthful romance, ‘A Ghetto Love Story’. The album then disappears down a wormhole of rubadub head-music called ‘Picking Tea & Chasing Butterfiles’, which sounds like Colourbox meets Popul Vuh in Shanghai, and also echoes back to Weatherall’s Ultrabass II remix of ‘Perpetual Dawn’. Flipping the script entirely, by sprinkling a large bag of disco dust, is the slinky boogie wonderland of ‘Tiger’ (the name and nickname of Paterson’s son and late brother respectively), which juxtaposes but somehow coheres with the melodica-tinged thunderous bass music of ‘Dragon Of Oceans’ and it’s Sirius B gazing wordplay. The expertly-executed, floaty 90s trance dance of ‘The Beginning Of The End’ works very nicely within its own familiar parameters; which contrasts sharply with ‘Living In Recycled Times’, which ignites over ten plus minutes into fully-fledged, rave-ready D&B fire, which although out of their comfort zone still sounds very Orb. Music for the ‘Prism’ of your mind, the album ends with its title track – a big ambient epic in done in fine style – as awe inspiring as the cold, infinite expanse from whence it came. https://orb.tmstor.es/

Captures from a recent re-airing: