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Al N Aafiysh

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    phases & stages

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  1. - i keep hitting refresh on the "Everywhere at the end of time" Bandcamp page.
  2. somewhat OT - but very cool. https://archive.org/details/georgeblood .
  3. I really enjoy the Ovuca "bonus" disc. Which I understand is not "pure" Colundi, but more like an Esperanto hybrid. https://aleksiperala.bandcamp.com/album/ovuca-bonus .
  4. Hello, Has anyone had any recent experience with the FS1R editor called ZeeEdit? Both in terms of recently purchasing the editor, and/or recently using it? I was given an old HP desktop box that I was thinking about using as a dedicated box to edit the FS1R with. I would be using an M-Audio MidiSport 4x4 to communicate with the FS1R. Also, it would be nice to send the FS1R simple musical sequences while editing the sound parameters, so I would imagine I would need some sort of midi merger thingie? Thanks for reading, Al
  5. you can tell from expressions that he makes public that he suffers from a badly broken heart he smiles as he feeds the afternoon pigeons yet he cries as he walks the night streets of St. Mark
  6. I have always said that podcasts on iTunes should be in the Apple Lossless format. This mix sounds great.
  7. Well, “Chasing the Shadow of Bryn Jones” would make a great digital dump for sure. A vinyl release of the entire AFx cloud dump might be titled “Trainspotting the Taint of The Tuss”, perhaps. https://soundcloud.com/user48736353001/bimbongo https://soundcloud.com/user48736353001/4-bonkophone2 .
  8. https://www.youtube.com/watch?v=GOcPN3Qx1q8
  9. saw Twilight Circus (aka Ryan Moore) at the Phoenix Landing in Cambridge back around 2002.
  10. i like how at the end of "Bimbongo" he is using the same sample of Clare Torry singing as on the subsequent song, just really [slo]...
  11. as someone who lives in the Sates and thus cannot use the BBC's iPlayer, I am curious. Does the BBC let users download content through the iPlayer in the same way that a user can download podcasts on iTunes, or is the iPlayer streaming only? thanks.
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