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Posts posted by mcbpete
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5 minutes ago, cruising for burgers said:
@mcbpeteat least post the link to the dump in the op...
the dump was THE DUMP...
new tracks are just "new material" even if they've been done long before some of the dump stuff...
xoxo
u ok hun ?
Are you talking about me unpinning the mega link ? There's literally nowt in it anymore - https://mega.nz/folder/HMcAgABI#TXaiAlHSGTno2ki_TuoJPQ
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Didn't he get into modular stuff, maybe he's got caught up in all the wires Tetsuo style ?
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1 minute ago, Mattthegoone said:
The sleeve on my vinyl is shit too,
Woah really, I thought it was meant to be that fancy pants foldout thing and why it cost mega-bucks for just 14 minutes of digital vinals?
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I don't think any of us are saying it's necessarily a bad thing, just that it's not something worthy of 'losing/loosing our shit' about and don't really see it as 'brutal af'.
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38 minutes ago, IDEM said:
I dunno, I have to say it didn't blow me away as much as I thought it would ... the end result felt a bit too close to those X-Mix videos from the 90s or some clever foobar visualizer. Don't know if I'm alone with this,
Yeah definitely reminded me of Winamp type visualisations too, that or those 4/8/64 kilobyte demoscene thingamies:
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Yeah I'm wondering if it got mastered onto [cassette maybe?] tape for full on old-skool sound vibes ? Or recorded deliberately 'hot' for the end crunch and hiss
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Is it my ears/headphones going wonky or is there some clipping/saturation near the end of the title track (from around 3:50 till around 4:20 - more noticeable on the 'Aphex Mastered' version (track 5)) ? Perhaps it's just resonating with my headphone .... whateveryoucallit ... speakers ?
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Not just Spizzle finding it a bit ... whatevs -
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Even though this thread has existed for 6 years, every time it's bumped to the top (and so appears in the headline section of General) I keep thinking it's news about a third volume of this coming out:
Blamp pls xxx
p.s Absolutely wild to see the progress of ai image generation contained within this thread. This is where we were back in page 2:
On 5/24/2019 at 3:04 AM, zlemflolia said:These images are created by a GAN (Generative Adversarial Network)
https://en.wikipedia.org/wiki/Generative_adversarial_network
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Unpinned as it looks like 99% of the stuff is now deleted
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On 7/23/2023 at 11:29 PM, purlieu said:
There are a couple of later tracks which I could imagine being on one of the Environment 7 FSOL albums, which is pretty bizarre given how four-to-the-floor it all starts.
Yeah definitely the last two tracks on there are a bit of an anomaly compared to the rest, especially the last one (or kinda two as there's that 10 second gap after 2m45) - As you say they definitely sound more Environment-y (or From The Archive-y) than Humanoid-y
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That's, woah - Just looked it up and it was released back in 2006 so really surprised no-one seems to have mentioned it in the past 17 years !- 3
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A possible (me just speculating based on the trailer music) Humanoid remix of JNSN CODE GL16 out this Friday. Something from the Or-Ticker-Tape sisters anyways -
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14 minutes ago, source_rec said:
redux is nice but i'm not onboard with how it's forced to use phrases instead of patterns which i'm used to in renoise.
Ah really, dang I had no idea that was the case. I assumed it was exactly how you had wanted it to be where pattern launching was mapped to midi notes!
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Have you looked into using Redux with Ableton ?
My tracker -> live workflow (from Buzz -> Ableton) was to export loops of the patterns and save them as wavs. Then stick all the drum patterns in one Ableton track, synths in another, sfx in another and arrange them in a sort of chronological order of the set in the scene view. That way you could have sections of the track playing as long as you like, introduce bits from other tracks into the existing one and just have a play on the day. I also had two 'live' tracks with a VSTi on each of them for live jammin'
I then had an effects chain on the master channel with each effect mapped to a midi device for some global shenanigans
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Wonder if he's still doing music stuff or has moved onto other projects - Don't think he's released anything for about 10 years now right ?
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2 hours ago, silentvision said:
It's like they tried to recreate the idea of Let Forever Be, but didn't know how to do any of the Gondry wizardry
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You can just enter anything there and the next page (when you press 'Continue') should be your download links
(ps it's not made clear but Pulsar (not sure about the others) is a vst3)
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All of Recluse Audio's plugins are now (at time of writing anyway!) free - https://recluse-audio.com/
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Woah, that's great work - Well done man
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Yeah absolutely, great he's trying such a different styles and track durations in these pieces. As much as I adore his lovely-longform-gassy-ambient clouds (and I really do!) sometimes your ears want something less amorphous to focus on
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A little different ? - This is like a hardcore gabber noise album in comparison to his previous releases
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