Draft78

I had already posted it. and I forgot ... repetae iuvant

it's still not clear to me if they record on a single file (therefore ready for mastering but no longer mixable) or if they have the possibility of recording on separate tracks, with the automations open (in this case the work would be much longer, but they could intervene on the mix, correcting where necessary - for example removing the presumably mic feedback of the Greek date). As for the set, for me it was beyond any possible expectation. I don't go back to the helsinki file too often because it's of such a density that I can't hear it while I'm doing anything else, but when I'm able to face it, it's a monster that seems to have more faces than I can see

a dish that is served cold autechre (1 1) is

not having had this problem, indeed, complaining of a too low volume, I wonder if my ears have lost those frequencies too, if not something more. And the answer is yes, I've abused my ears for decades

among the many things that bookworms has published, I particularly liked those 2: https://bookworms.bandcamp.com/album/xanthan-gum https://bookworms.bandcamp.com/album/alternative-group

I'll have to distinguish the 0 from the x, and whether it's the bass or the rhythmic line. But at 3 in the morning, that's too ambitious an undertaking

time signature? tomorrow, with my mind on, I will try to solve the arcane

actually I was waiting for the thing to have an outcome

a new cover by Franz Cardone: this time it follows every nuance of Carefree Counter Dronal ...glad Sean talked about him on twitch, what this guy can do is is out of this world

coincidentally just last night I tried to download onesix (Dublin) because the files are saved in a HD that I don't have at hand. Nothing to do, they are not available. So, even though I bought them, I had to download from soulseek. lol.

personally I have the impression that the 2nd London was a thing in itself: having so much material ready, they decided to do a different thing for the second show, with something more "dub", without this necessarily indicating the direction of future dates. The bootleg reveals something less "abstract" than their trajectory (assuming they have one): we'll see if I'm wrong, but I suspect that what comes in the future will be even more alien than we've had so far, while the second date of London will remain as a unicum (which will still be published, I hope)... well, let's see

even the 14/15 set had big changes: the last ones summarized the original part in 20 minutes, and then expanded in new directions, yet the soundboards came out only when all the material was archived. This makes me think that the same thing will happen with the current set: they will do new dates, with a lot of news, but there will always be a point of contact with the 2022 dates, and the soundboards will be released when they decide to work on a completely new set. However, the Helsinki file has created a historical precedent, and in the wake of this accidental fact, they may come to publish the other dates without the "publish only archived material" orthodoxy

the Ita state TV (RAI) has a program that, every day, recalls the historical events of the current date, in the course of history. Yesterday (March 24), among other events, was the date of the coup d'état in Argentina in 1976. When the narration became more specific (and tragic), on the name of Videla and the numbers of those who disappeared, the notes of Altibzz raise (at 9:40)

...ordered from ae_store, which I assume is in the UK as well... this is the first time I've had this tax blast. In previous orders, given the waiting times (the package were sent regularly, the delay was all borne by the post office; I wonder, then, what they made of Descent) they did not have the guts to add taxes... but they left the package in the garden. Under the rain.

The package finally arrived: the reprints are impeccable, and the shirts are also cool (plus good quality), especially confield, even if it has a classic design. Less impeccable shipping costs. For the €25 shipment with acknowledgment of receipt, another €34 in taxes. I'm not particularly lucky with shipping. No. Lp5/chiastic took more than 5 months to arrive, so I thought they were lost in the transition. Exm (descent) never arrived. And now the news of taxes.

something a bit out of the ordinary: https://nathanho.bandcamp.com/track/paradise the same guy has a youtube channel, mostly with technical videos; this one has microtonal scales that vary, making for interesting passages

we should all think about a penal code that introduces the crime of apostasy

https://www.youtube.com/@guiltfactory/videos

why not open a specific thread where users can spam their shit? I know there is an area dedicated to this in the forum, but here it could be circumstantial to Ae direct influence, not generic IDM or so

I now find out that Plotkin recently opened a yt channel: from time to time he uploads drafts with modular stuff (Buchla). Here are the ones most relevant to this topic: this recalls some Sign moments (gr4) https://www.youtube.com/watch?v=SNPx0XLem6s n cur vibes here: https://www.youtube.com/watch?v=fdzfdJZxFY4 https://www.youtube.com/watch?v=lcmJh90Ch2k&t=4s

unlike the other thread this one is very specific... I don't know what to list (I would have to look outside the limits of electronics... Ligeti Chamber concerto or clocks and clouds I would say), but I agree with Plotkin: when Lo Flux Tube was published (...91' ) was like discovering a new continent. A Strange Perplexing is one of the things that made me travel the most ... "soaring towards" and "the wrong context" cannot be found online, but Plunge is there and deserves to be listened: Then this moment of magic, where things combine and mess up creating patterns and rhythms in perpetual transformation that not even Xenakis..:

with the difference that evil dead 2 does not even get to comb the hair of the ass at evil dead

hold on