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Everything posted by Draft78

  1. Draft78

    confield art

    Demo, if I may say, generally nothing here is directed ad personam or intended to be hostile (i mean, after all it is a forum that deals with a rather neutral thing, like music), more than anything else you will find non-formal communication , and when it is harsh, it is to be understood below in the harmless spectrum of irony, including "he gets worked up about new members". If we lower our defenses and welcome this way, everything is framed in a light way and without reason for resentment. This my own intervention will get me ridiculed, but that's okay
  2. beautiful : https://delikuvveti.bandcamp.com/album/glinting
  3. they dreamed of a future of sex and money, but something went wrong, and they fell in a nightmare of over 40s obsessed with white noise who spend their days deciphering black rectangles swearing to find Conway
  4. really need a from enslavement to obliteration remix: autechre pls
  5. Over the years they have made some mention of psychoactive substances, but it seems to me that this is the first time they have been so specific. Here in the forum the topic has never been addressed, at least since I frequented it, but it is an aspect close enough to the perception of music, that it might deserve a discussion, especially now that they have introduced the thing. In recent years I have significantly reduced the use of psychoactives for reasons of mere contingency, but it is true that it was a very significant chapter in my life, and that it was an influential component of my approach to music. For example, I am surprised by their appreciation for speed, which is an inappropriate substance for contemplation and concentration - what more than their music requires these two requirements? - and, above all, it is little associated with other substances, rather tending to overwhelm them, reducing their effect. I agree with what they write about MDMA, but it is true that, if combined with something else - like ketamine - it amplifies its effects in a surprising way.
  6. ...the fact is that Ylm0 is on MOT not Overs... welcome senility!
  7. considering the reaction times for detected the interview posted, I'm the one who's scared: wtf !, the big brother ... I felt comfortable shooting bullshit here and there, but be careful: it's all put on the record 👁️
  8. I also believe that the intentionality of the bridge between the two is made evident by the graphics and format, in fact we are inclined to talk about the - huge - differences they have, which for the other albums is not necessary because it's radically explicit
  9. it could be that Ovesteps has opened the tradition of marking the beginning of each new decade with a transcendent act ... we have to wait ten years to verify it ... the substantial difference between Ovesteps and Sign, apart from the general atmosphere (Overs : glacial , Sign : warm), it seems to me that it is in the approach: the first was maximalist (there was talk of a return to the origins but I found the opposite: ok, Ovesteps is not aggressive but more things happen there than in gantz graf... it's an endless movement) while Sign works in subtraction. Strange the disappointment for know (1), that rough crepitating solo that dominates the "harpsichord", screamed against the creation, seems to me to be autechre to the maximum degree
  10. it's true, untilted and oversteps represent the two opposite poles, yet they are the two albums apparently more dense with hidden ideas. Fermium, unlike the other Unt tracks, is perhaps a bit treacherous: he prepares this slow climb, moreover with fairly classic solutions, and then, where it could start playing hard, it simply ends. After the traveling in the absurd that augmatic is, the only piece that can stand up to it is sublimit. Oversteps ... probably the album I've listened to the most. Even now I can discover something new in the skein of fugues, and although each piece opens up a different scenario, the coherence and intensity is constant as I have never perceived in other albums. Last week I listened to Yim0 isolated from the rest, which has never happened before because it seemed more like an intermission before the finale (yuop), and I've never put in other playlists; yet, despite having listened to it hundreds of times, only now i realized the elegance and the multiplicity of melodies that make up the carpet, and how there are sudden bursts that change the mood to the flow, raising the bar of unpredictability as I never suspected. As always, the least direct and flashy things are those that hide the most
  11. cep puiqMX is another magistral closing... and yes, i have an addiction for all end ⚰️
  12. in spite of any skepticism, we have the photos of all the pages ... but the curvature of the pages and the reflections of light have eaten away pieces of text ... more than an interview it has the thickness of an essay. For convenience I uploaded the pages here, but you can also find them in the thread on fb https://we.tl/t-bQW08KkvVq
  13. draft->exai was the era of micro details to be identified and related in matryoshkas of possibility, which is the cornerstone of "oh! i get it!" after a year of ear work... AE_LIVE is the eruption of Krakatoa, stop running and surrender to the lava river that is overwhelming you. I conceive Elseq and NTS as a rationalization, which presents a series of scenarios in which to be in contemplation, although this is clearly a simplification: there are many cases in which the evolving "narrative" plays a dominant role, such as 13ctrl or latentcall
  14. ..he answered 😊 "Scan upload soon. May be low qualty. Hold on. I promise"
  15. good! thanks joseph! at this point it would be enough to have the scan of the magazine .. I will ask the guy if he can post at least that ...
  16. ... I must have had an excess of optimism in writing the post ... apparently the guy from fb initially talked about a translation, then retracted with a transcript (we would have found ourselves in the hands of the translator's algorithm, which would have done to the words of Ae what the Ae do with sound, but it would have already been something), and then leave no trace ... let's hope something happens, even if after all this time the shadow of defeat begins to be seriously dark...
  17. the turning point, for me, is ep7, what happened before - even if already intense and full of very high moments ... laughing quarter is still a peak) I am inclined to see it as a preparatory phase for what would later be was a unique identity. And if it is true that the confield-draft-untilted phase is perhaps the one that has left an indelible mark in the history of electronics, AE_LIVE is for me the definitive jump in the elsewhere.
  18. there are aspects that, for natural reasons of change and renewal, have been lost today ... I'm fine, they have left room for new ideas and possibilities, but I don't deny it: I miss them a little
  19. missing the questions, now it is difficult to understand if the answers all refer to onesix or even to a new set ... from what I remember he was talking about the new set saying about Rob working on the intro ... as to onesix he was saying that Rob was doing the mastering, but obviously I could be wrong (all work and no play make Rob a dull boy) ... Participation in Terraforma is definitely proof of a new set: after 4 years since onesix, a new album and revamped system, it's quite clear that they will present something completely new. What I hope, unlikely as it is, is that thanks to such a long time of forced suspensin, they have concentrated on something extremely rich in detail and variations and for the first time a longer set ... 2 hours of diving: Rob&Sam plus
  20. yeah, it's more evident in the second part... it have something in common with P:NTL
  21. they are still confirmed for terraforma, here in Italy, but I honestly think that until the vaccine is extended to all age groups (for now there is a worrying delay), an electronics festival will not be possible ... wait and see ...
  22. a fucking cold shower. The concomitance with the autechre collaboration (a small satisfaction that she got five years late and a week before leaving) makes it particularly shocking (from my mere perceptive point of course)
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