leastconcern

i recall this pretty much every time i listen to pendulu hv moda. gold

exactly. this is valid for a lot of tracks on elseq. it is quite different this time from anything actually else they've released at least since draft, or probably ever (i'm just not that familiar with their output 4th to the 6th lp). even subrange 6-36 had just enough unexpected substantial turns to sustain a sense of an evolving environment. so. i take elseq as collections of scattered and isolated ae_live satellites on various orbits, microworlds, some life-sustaining, some self-indulgent, some stillborn, some precious and enveloping, you name it.

i concur

so essentially the structure of those catalogue numbers is 5-12-1, 5-12-2, 5-12-3, 5-12-4, 5-12-5

'e' is the 5th letter, 'l' is the 12th. elseq — 512 sequence: 5 parts, the 12th collection

yeh, let's do. didn't they already state concerning past records the flac was the actual release? i think it's a cool statement fitting what they always were about: the music, exclusively. like playing live in complete darkness. not that i wouldn't enjoy a well made artwork like the next man but tbh usually i just shelf the vinyl indefinitely and listen to them 24-bits instead (yeah, i'm an idiot) anyway.

here here / agreed. buy the really expensive super high quality WAVs and burn them to a dvd or something if you need a physical object. they've given you the option to buy the record in high quality wav for a reason ... and the same goes for high quality artwork

pendulu hv moda has reminded me of SYptixed

Maybe. Interesting to note that "c16 deep tread" is basically an extended fragment of one of the Ae_Live sets tho. But somehow I think this might be a permanent departure from the traditional hard copy studio release under Warp, given their trends from the last six months. which makes the overlaps between the two releases negligible. and they both have unique warp catalogue numbers

or elseq in its as yet unclear entirety

AE_LIVE is the 12th long play, and elseq 1-5 is the 13th. now ain't 'em