misuta Go
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Everything posted by misuta Go
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i mostly agree, but to me that is a good thing, this new direction. we've had way too much "proper" material from the boys, with "clear" compositions and great ideas, right now i am hugely intrigued by the possibilities that lie ahead with the "live" setup. the fact alone that the last gigs lasted half an hour longer has me pumped for the next european tour...
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So just to be clear. Sharing opinions in the form of writing is ok, but sharing while talking on yt is not?!? i see a huge difference between a forum and the stupid-talking-to-a-fuckin-camera kind of sharing, so yeah. i already mentioned, maybe i'm too old... Ah come on then, lets get in the bath you big flirt you ! i'm lighting the candles, press play on parallel suns and let's, yeah...
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guys you know the difference between sharing opinions (while listening to music most probably) on a forum and talking first person on youtube, right? you've seen the millions of hipsters talking about bullshit in this format, right? right? (don't need a hug, need to bathe first...)
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who the fuck watches a fuckin youtube moneytizing twart talking on camera about fuckin music? i guess he doesn't have any mates or maybe i'm too old, i don't know, but it's sad...
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wtf is this shit?
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Jazz is shit. Faktreally! Imo :) excellent stuff! to add to the mayhem before i go back to nts...
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nice one...
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so, this happens in Athens tomorrow https://www.facebook.com/events/247297682508257/ imagine mixing violvoic with japanese 80s...
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greatest work music ever...
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utter sillyness obviously, except that t11 makes so much more sense now. the funkiness at 06:25 onwards is pure bliss...
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fLh, 7:08, when that sound from arch carrier starts playin, i start headbanging harder...
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nineFly and icari are all-time top 10 material...
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this. must be the same peoples that were seating like lazy bastards throughout the whole london gig. geezus...
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9 chr0, be like:
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the way i see these tracks where "not much is going on" is like we get to dive to a microscopic level of ae compositions where everything stretches the fuck out and time, of course, slows down from a bangin' raver to a hip hop jam. it has always been about data/second with ae for me and now this release adds a new fascination. like ae cram all the details and you imagine what this hip hop jam might be as you float further from it. for example, convert violvoic to 8min 30 sec and you got a fuckin' banger. but you lose all the trempling bass that you can appreciate in the "zoomed in" original version...
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considering he sells his own stuff in 24 bit as well it's probably not about the "humans can't tell difference anyway" thing. anyhow i don't quite get the point, it's like "wagner yeah, 5 points for the music, -3 because he's an antisemite." Your example isn't really comparable, discogs is the place for finding out about cut quality as much as about music. Sure there could be a Holocaust music lovers site, where they rate nazi loyalty level. Needless to say, rating habits are differ, some are giving 1-stars to the best stuff and don't give much of a fuck, at least Mathieu left a note. So what's wrong with 24-bit version then? Any non-humans? He's on same path now. He is going to release 12 CDs of his music and raised 12K euros for it via kickstarter. well, in his own words... http://createdigitalmusic.com/2016/05/hours-and-hours-and-hours-of-autechre/#comment-2691309030
