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aiueo

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  1. aiueo

    Yaporigami

    Hi lovely people, Any idea(s) about which label should I release/send this new album on/to...? Best, Yu
  2. aiueo

    Yaporigami

    DICED GARDEN Visual: Shinya Kanamori / Ryosuke Takeuchi / Ryo Asakura / Masaki Nakamura
  3. aiueo

    Yaporigami

    Artist: Yaporigami Title: IDMMXX Label: The Collection Artaud (thecollectionartaud.com) Cat #: TCA 33 Format: Cassette (Chrome) / CD / Digital Release Date: 25 Sep 2020 - TRACKLIST A1. Lotus Bloom A2. Piano Prays A3. Diced Garden A4. 8,000,000 A5. Cherub, Eve and Adam B1. Music Box Film B2. Dual Feathers B3. Sacred Tree Ring B4. Infinity Under Palace B5. I Care Because (I Sense) You Do - CREDITS Written & Produced by Yaporigami Mastering by Yu Miyashita at Underarrow (underarrow.com) Artwork by Vladimir Mitrović (brutalism.rs)
  4. aiueo

    Yaporigami

    I have been trying to visualize my music lately and would like to share a small outcome with people here.
  5. aiueo

    Yaporigami

    New MV out. As well as the album "Decoded Sphere". https://virginbabylonrecords.bandcamp.com/album/decoded-sphere
  6. aiueo

    Yaporigami

    Yes! I am based in Berlin. I will be performing AV live for this event in March. https://www.facebook.com/events/433103910908223/ with Defasten. https://www.defasten.com/#/decoded-sphere/ Another track preview from the upcoming album.
  7. aiueo

    Yaporigami

    NEW ALBUM "DECODED SPHERE" OUT ON 29 FEB 2020. Self-notes about the album "Decoded Sphere" When we perceive this world through each of our filters (or rather, we tend only to recognise it that way), it is within such a worldview that emerges. This album was named Decoded Sphere with the meaning of "a representation of the world seen through coloured eyeglasses." It can feel very obvious when you reflect upon it. You can often be overwhelmed by the fact that there are different worlds as many as the world's population. I have been very attracted to music that can be listened to easily, and whilst has an infiniteness within the structure that reveals itself when we concentrate to listen. For example, in the Bible, there is a layer that functions as a story, and another layer that can be overwhelmingly deeply interpreted if read by an earnest person like Luther. I am very interested in making music with such a pyramid structure. To talk about the time structure a little, all songs are in 6/4. In many cases, the rhythm elements are constructed with "6/4 x 2" and the melody elements with "8/8 x 3". It's not my intention that the words I'm writing now work to keep my thoughts "here". Rather, it is my intention that words take off from "here" and function so as to bring out new meanings, interpretations, and the worlds. Finally, to quote Ionesco's word, "let the words say what the word never meant before." I want this album to work that way.
  8. aiueo

    Yaporigami

    Hi Watmm people, Here's a Watmm track from me. ? Btw, any of you here in Berlin...? Best, Yu
  9. Hi, Very nice finding this thread. Thank you for your interest. :) Actually I was not referring to any of Autechre / Plaid stuff when I was making the album. Also I did not sample any of the melodies from them either... Could you clarify which of my tracks and which of Autechre / Plaid tracks sound very similar? So that I can avoid ending up similar melodies in a future! Best, Yu
  10. aiueo

    Yaporigami

    Thought this could be interesting for you guys...! (Let me know if I'm spamming too much here...) [AV Installation Archive] Music : Yaporigami Visual : Kezzardrix installation piece for audio-visual exhibition “Chromesthesia Resonance” Curator: YEH Ting-Hao Exhibition Dates: 2018-09-01 ~ 2018-11-18 Place: Digiark Gallery, National Taiwan Museum Of Fine Arts [Description] We will challenge to present a work focusing on the collapse and formation of rhythm by music and images. The Gestalt collapse is known as a both auditory and visual phenomenon in which you lose cognition of ‘form’ such as rhythms once properly recognised. In ancient Greece, the rhythm was called rhythmos which refers to the formation of ‘forms’ in a wide range of fields including placement of objects and/or establishment of humanity. When recognising the rhythm, the human nature or personal emotions can be evoked. When losing the rhythm, those are put in an ambiguous state until new ‘form’ can be found. Fluctuation on this boundary has a mysterious charm. Through the collapse and formation of rhythm on the time axis, we would like to question how ambiguous our perceptions are.
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