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DeliKuvveti

Knob Twiddlers
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  1. My first ever album - released by Active Listeners Club - is out. Boomkat draws comparisons with Jim O’Rourke, Marcus Schmickler, Xenakis, Cameron Shafii and Sote. Those into drones that blend with electronics might find something to like. Cheers! https://boomkat.com/products/even-after-da6b03a6-3722-4fa5-8610-2ec5ff564d5e
  2. The nucleus is the sequencing in Max/MSP, which is always the hardest and most time taking part for me when making tracks like this: Introduce "weird" sequences that vary with some randomness for each synth and somehow inter-relate the sequences.
  3. It looks like I have not posted here a while - back with a track that is based on soft synths that are sequenced in a messed up way 😛 https://delikuvveti.bandcamp.com/track/iiiiiiiii
  4. Hi folks! Those of you that are signed to label - could you share your experience? How did you find a label that fits your style or were you found/discovered? 🙂 Were you introduced to each other via common networks? Tell us about your experience! I think most of us are eager to get their music heard more. We can utilize this thread to recommend labels that are looking for artists based on genre as well.
  5. This would be nice! I think there is a number of people (including myself) that could benefit from folks' experiences on finding a label that fits them. I actually created a thread:
  6. I personally like off-the-grid/irregular beats. There is a beat structure but it is not conventional, I am deliberately deconstructing it continuously. For more "structured" beats, you can check out Ikeda's works, I think his tracks sound pretty loyal to the grid in terms of beats. You're welcome, thanks for listening!
  7. I had briefly explored the sonic territory with pulsating sine waves that the likes of Ryoji Ikeda and Aoki Takomasa mastered. I still use such sounds in my tracks, mostly for textures. I had made a short EP that is all based on pulsating sine waves (and some FM as well), most of this was done in Max/MSP with small sequencing and layering touches.
  8. Processed the hell out of a short guitar recording thru different shades of static and some granular processing. I like the melancholic vibes it ended up having.
  9. The breaks in the first track are spot-on. I imagine a lot of micro-editing going into that. This is by no means to say "A for effort" though 🙂, I think it sounds pretty good, too!
  10. Getting nice dub vibes out of this one. Good job!
  11. This piece started off with me making drones out of a short bass recording. On top of the bass drones, I added some barely-there orchestration using IRCAM's Orchidea (a Max/MSP patch). I also generated some gestures using FM/physical modeling/granular synthesis for a sense of adventure. For FM synthesis I hacked an existing Max/MSP patch of mine. For physical modeling, I used IRCAM's Modalys lib. Only a witch cat can close a door...
  12. "What did I just hear?" "Did I already hear that pattern or is it slightly different?" With this album, I am attempting to provoke the listener to ask both of these questions and to take them out of their current context. Composed using Max/MSP + ppooll mostly. Thanks!
  13. I like his electronic stuff quite a bit, "I'm Happy and I'm Singing and a 1, 2, 3, 4" is just great to me (which is not available on Spotify or Bandcamp 😞) Also this one (a collab with Kassel Jaeger) is just amazing:
  14. Did anyone get a chance to hear the full thing yet? The previews on Boomkat sounds awesome! https://boomkat.com/products/too-compliment
  15. If you're into the more "unstructured" mode of Autechre (which I am a huge fan of), you might like this recent track of mine: https://delikuvveti.bandcamp.com/track/a-lo
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