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  1. New album out from Japan's awesome tokinogake. This is full of DSP abuse using Max/MSP + Supercollider. Enjoy 😊
  2. https://evel.bandcamp.com/track/matter-of-chance (A track of mine from my release with EVEL records)
  3. Hi friends! I have a new album out today from Barcelona's Evel Records. If broken beats, glitched-out ambience appeal to you, you might want to check it out πŸ€—
  4. If you have an itch for breakcore recently, Hitori Tori's latest from Evel Records is most probably your cure 😊
  5. An awesome experimental electronic treat from the very cool record label Tokinogake - for 0$! Chock full of creative sounds, this one deserves multiple spins.
  6. My first ever album - released by Active Listeners Club - is out. Boomkat draws comparisons with Jim O’Rourke, Marcus Schmickler, Xenakis, Cameron Shafii and Sote. Those into drones that blend with electronics might find something to like. Cheers! https://boomkat.com/products/even-after-da6b03a6-3722-4fa5-8610-2ec5ff564d5e
  7. The nucleus is the sequencing in Max/MSP, which is always the hardest and most time taking part for me when making tracks like this: Introduce "weird" sequences that vary with some randomness for each synth and somehow inter-relate the sequences.
  8. It looks like I have not posted here a while - back with a track that is based on soft synths that are sequenced in a messed up way πŸ˜› https://delikuvveti.bandcamp.com/track/iiiiiiiii
  9. Hi folks! Those of you that are signed to label - could you share your experience? How did you find a label that fits your style or were you found/discovered? πŸ™‚ Were you introduced to each other via common networks? Tell us about your experience! I think most of us are eager to get their music heard more. We can utilize this thread to recommend labels that are looking for artists based on genre as well.
  10. This would be nice! I think there is a number of people (including myself) that could benefit from folks' experiences on finding a label that fits them. I actually created a thread:
  11. I personally like off-the-grid/irregular beats. There is a beat structure but it is not conventional, I am deliberately deconstructing it continuously. For more "structured" beats, you can check out Ikeda's works, I think his tracks sound pretty loyal to the grid in terms of beats. You're welcome, thanks for listening!
  12. I had briefly explored the sonic territory with pulsating sine waves that the likes of Ryoji Ikeda and Aoki Takomasa mastered. I still use such sounds in my tracks, mostly for textures. I had made a short EP that is all based on pulsating sine waves (and some FM as well), most of this was done in Max/MSP with small sequencing and layering touches.
  13. Processed the hell out of a short guitar recording thru different shades of static and some granular processing. I like the melancholic vibes it ended up having.
  14. The breaks in the first track are spot-on. I imagine a lot of micro-editing going into that. This is by no means to say "A for effort" though πŸ™‚, I think it sounds pretty good, too!
  15. Getting nice dub vibes out of this one. Good job!
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