kichiguy

nice to see these classics reissued! will defo cop this. something related that might potentially be of interest:

Nice do report back! True true, but imagine that feeling veering over into nightmare territory. Its a challenging watch to say the least.

Damn I missed it!

You won't be disappointed. Another recentish one which pops into mind is Speak No Evil in case you haven't seen it yet.

What's an L38?

Beautiful work, full of earworms that stay with you long after the album has ended. Some additional context:

Really nice stuff.

Indeed, this one stayed with me for a bit! True story too.

Last album was so good! https://diffusereality.bandcamp.com/album/yaporigami-music-speaks-therefore-music-is-te0107

We Are The Music Makers | Volume One by Various Drifting, hanging, holding. Hoping, seeking, searching. And then finding. Mark Van Hoen's ninth album as Locust is a cosmic whisper, a tender touch, where candid songwriting commingles with the afterimage of trip-hop and jungle. Across eight tracks, spectral melodies dance between languid breakbeats, and a formless murmur drifts through the ether, seeking a common thread. Layered in strata, "The First Cause" reveals itself anew with each listen. Delicate tones share space with bass weight. Drums crunch, and rhythms cascade. Voices loop and intone, bodiless. What at first seems melancholy, you may later find reoriented—toward promise.We seek solace in each other, and we seek solace in sound. Kinship isn't easy to come by. When a record offers its kind embrace to us as this one does, without reservation, we should take heed. Track previews and UK/EU vinyl pre-orders available at Space Cadets

MEMORIES OF MUSIC: 40% BATTERY LIFE EDITION https://we.tl/t-zRJKJIRor0

Need to spend a little more time with it as well, but was pretty underwhelmed on first listen.

Enjoyable listen

That write up's got me wet. Psyched!

We Are The Music Makers | Volume One by Various Ivan Pavlov aka CoH characterizes his latest solo work, 'Radiant Faults', as “the recording of a dialogue,” rather than a set of compositions. Crafted using a rare new synthesizer, the Silhouette Eins, Pavlov’s first encounter with the instrument across a long, late night session resulted in a continuous set of textures, patterns, and subliminal melodies. At some point during the process, he realized he was not alone: “It was as if something was speaking to me through the gear – the feeling was very intense. No matter how determined and specific I attempted to be, the results were something else. They felt like 'responses.’ This instantly reminded me of ELpH.” ELpH is the name coined by Coil for a “celestial entity” that emanates from electronic equipment at mysterious moments, altering the creative process in unforeseen ways. They devised the term during studio sessions back in 1994, during which sustained software accidents ultimately seemed possessed of supernatural intelligence, spawning its own mythos. As a longtime member of Coil’s inner circle, Pavlov is steeped in ELpH’s ideology and influence – and highly qualified to identify an encounter of his own. Radiant Faults offers a compelling addition to the ELpH canon, at the threshold of music and manifestation, embracing the “divine quality of error.” The Silhouette Eins is a unique instrument combining the 1920's concept of an "optical soundtrack" with a hardware synth interface to Pure Data: a visual programming language for producing interactive music, using real- time video signal in its synthesis of sound. Pavlov’s attempted manipulations were answered by indecipherable transmissions from some distant, unknowable place. Stark waveforms drone and bend against skeletal metronomes; murmured pulses flicker down empty corridors; high fluorescent tones gleam and glitch in zero gravity – the mood throughout is one of generative whispers, hidden sentience, and ghosts in the machinery. A post-human terrain of scaffolding, shadows, and semi-conscious circuitry, rippling with veiled energies. Authorship aside, Pavlov’s process is transformative: “What we perceive as an error or mistake could very well be a message coming through. And while we are not able to decipher the message, sometimes – just like from a crack in a surface, or a tear in fabric – a light unexpectedly seeps through.” Releases October 20, 2023 Recorded with Silhouette Eins at Olivier Lebeau studio, December 2022 Music & Artwork by CoH ~~ "ask" is exclusive to CD "protection" is exclusive to CD & Digital ~~ International pre-orders at: found.ee/RadiantFaults

Brilliant album! Strong Xerrox vibes as already mentioned here, but also some nu nu ish. Radiation Mechanics is life.

I used to bang an art hoe from NID.

Can't believe Hamas attacked a psytrance rave killing 260 in the desert. Not very PLUR at all.

So, are the strings / orchestral bits in the first track samples?

Does anyone have high resolution scans (300 DPI or thereabouts) of the Garista or Hessian album artwork? Or even the ZF logo?

Is there a recommended distributor to order this, stateside?

Sounds like this might be quite the pairing.

A3 too!

B3 is sublime

Out now. This is pre-vulvaland material, dont' sleep yall.