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Hexahedral

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Posts posted by Hexahedral

  1.  

    I got mine! The whole thing is lush. But customs burned an additional 75 dollar hole in my pocket :(

     

    Anecdotally seeing a few people being hit by customs charges in the US. Pretty rough considering the high price in the first place.

     

    Yes - I got dinged ~$56 CAD via Aramex (the broker handling the Ochre/DPD shipment upon its entry into Canada).

     

    So to anyone in Canada (and USA as well), heads up that it is likely there will be some hefty brokerage and duty to pay unfortunately if you chose the Ochre (and in the case of Aramex; you pay your duty in advance, online, via Credit Card only) method rather than FedEx (though I'm assuming FedEx is equally as hefty a fee).

  2. If someone could confirm limiteds are gone so I can stop pressing refresh that would be lush.

    They are not gone.

     

    I had one in my basket and it was still present when the Aphex Twin bleepstore briefly reconnected.

     

    I doubt many people have been able to get beyond adding it to their basket at this point.

     

    It also appears as if it will be distributed elsewhere outside of Bleep (i.e. Norman Records).

  3. this is kind of what nineFLY sounds like to me, except with way more liquid movement and things moving inside the honey more:

     

     

    I feel this way about nineFly as well [it is my favourite piece from Session 3].

     

    The synesthesia that it provokes within me is a warm, dense space with no ambient light at all, filled with a mass of molten glass/metal amalgam that is both becoming more liquid and more solid as it forms and deforms, flowing with the rhythm.

     

    There is also a very refractive quality to it; a gravitational lensing of sorts - bright white and red/orange/amber light being bent into very sharp points via the morphing material, and diffuse forms as well, but never becoming completely nebulous. It smells and tastes very glassy and metallic as well, and a bit sugary.

     

    Overall it is very pleasing - as have all the other tracks been. There are textures here that I have never heard anywhere else before, and combinations of textures that feel very uncanny and yet physically very alien and implausible.

  4. I just need to know how long I can leave this before putting my order in. I could really do with waiting until next payday which is 3 weeks away.

     

     

    I am waiting until the end of the month myself.

     

    I don’t want to assume that this is definitely the process that Warp are going forward with, but for a project of this scale (12 LPs as one box-set or four separate 3xLP sets) it would be a wise decision to take pre-orders first in order to better determine how many copies should be pressed, and then go forward with the pressing of the records/CDs and the manufacturing of the sleeves/packaging.

     

    I wouldn’t build up too much FOMO, as I am sure that all who want it will be able to secure a copy.

  5.  

     

     

    Can anyone identify the rattly percussion sound that starts going off at 2:00 and 3:05 in 2x202? Sounds very familiar but I can't place it. Some old bit of gear. I think I think I remember it from an old Emu sound library disc labeled Electro Percussion that had samples of the 808, Dr rhythm, juno drums, ppg, and some other stuff.

    Simmons Clap Trap

    ooh yeah, spot on!

     

    This clap caught my attention too. I was thinking it sounds like Elektron Analog Rytm clap? With lfo filter sweep or something. Also some kinda rimshot flam/fill at 1;58 lurking low in the 2x202 mix?

     

    Elektron AR Clap demo at 12:25.

     

    All percussion throughout the release sounds like TR9090 (909 clone) - very nice Cirklon sequencing techniques used to make it more alien (extreme flam and so on).

     

    Don't think it's RYTM as within the credits it is mentioned that the version of his studio used to create these pieces was pre-Syro, and RYTM is a much more recent bit of kit.

  6. If he got his filthy fingers on this rom I might expect some nice formant sounding vocals on the EP...

     

    Would be dope.

     

    What the unit sounds like:

     

  7. Ok guys, this is obviously some kind of hoax.

     

     

    No.

     

    Different location [Source]:

     

    CkRRE15XEAAKKdv.jpg

     

    Another different location [Source]:

     

    20160606-aphextwin03.jpg

     

    inb4 'flattened out the crease and moved it to another surface'

    inb4 'took the photo with a different device'

     

    Marble countertop advertising conspiracy 2016.

  8. Fade in to a macro of an active clothing dryer vent outdoors. Lint at the lip of the vent is violently fluttering in the warm breeze generated from within the dryer.



    An arduously slow zoom-out reveals an approaching feral cat. For one reason or another the cat decides it is a good idea to lick the swiftly fluttering chunk of lint and a large portion of it gets stuck on the cat’s tongue.



    The rest of the film consists of the cat tediously attempting to remove the lint from its tongue. It is not revealed whether the cat succeeds in this or not.



    At some points the lint ends up on the cat’s back. It tries to get rid of it but the lint once again finds itself on the cat’s tongue and it continues to lick with a slight increase in the bluster and chaos of its licking pace. This segment occurs with tense sound effects and music which starts with great immediacy and stops just as suddenly and awkwardly as it began.



    The films ends in an instant after nine aggravating hours with no fades or credits.



    It is entitled “Nine Hours, Nine Lives”.



    The cat is actually two costumed actors and the dryer vent is the size of a garage door. The head is played - and the tongue puppeteered, with an astringent attitude of haste - by Meryl Streep, and the hind quarters is Danny DeVito, wearing cheap fur coat and a tail with a small bell on the tip. He’s also eating a sandwich during the whole nine hours. The sandwich happens to be cut into nine, roughly cubic, slices. He takes small bites with his little finger extended. The sandwich is cucumber.


  9. Especially of note, for me, is that there is a lot of emotional content in here that feels very warm and dream / lucid-dream like. Perhaps it is just that I've taken Valerian and am half awake but it is notably deep emotionally. It has been some time since I have been this directly shaken by music.

     

    For a synaesthete it is a lot of information, almost an overload, at first listen so I will need more time to absorb every detail and feeling, but the mind/dream/etc-scapes that it generates within me are immediately vivid and feel like they have one foot inside this world's door, and the rest very much outside.

  10.  

     

     

    ouch

     

    klee7bT.png

    Not seeing that here.

     

    Hey, what did all this mean btw? (There were a few others.)

     

    I don't mean, "Is RDJ's face in there somewhere?", I just mean: Can a person w/ knowledge explain what this means to a non-musician? I noticed some ppl described minipops as "loud," and someone posted about why the person who did the mastering may have chosen to do it that way... hopefully this doesn't make it a stupid question. Can someone explain something beyond "it means the song sounds loud"?

     

     

    Some audiophiles here have this idea that the song is mastered badly because of the clipping, that there are some transients cut off at unity - in layman's terms, music levels are backwards, we talk about negative decibels and the loudest a song can be is 0db. Anything going above that is cut off and disintegrated, so that's what you see in the bottom and top of the pic, parts of the waveform aren't there. Limiters and compressors push the sound up towards that limit, and this is almost a necessity to have a competitive volume level in this day and age, but if it is excessive, you hear audible distortion, and that is a negative. I look at a lot of these and the truth is that this is nothing in 2014, track sounds fine. The picture is zoomed out from the waveform quite a lot so it can be rather misleading.

     

    My (worthless) opinion is that the song is mixed and mastered well but not fantastic, aside from the shakers it's well balanced, lots going on on the lower registers without it being muddy and a pleasing sound overall - the song is loud and there is a little audible clipping, but there's less harsh treble than most electronic music these days. A good ear can hear that analog summing gear hard at work. But I listen to a lot of EDM and bass music that's ridiculously loud, so I don't judge it by the same standards as someone who might be used to quieter music.

     

     

    Agreed. The other important factor is that RDJ probably would not have approved something he didn't like or didn't feel was appropriate for his music. The artists' preference for mastering comes first, not the fans'.

  11.  

     

    ouch

     

    klee7bT.png

    Not seeing that here.

     

    Hey, what did all this mean btw? (There were a few others.)

     

    I don't mean, "Is RDJ's face in there somewhere?", I just mean: Can a person w/ knowledge explain what this means to a non-musician? I noticed some ppl described minipops as "loud," and someone posted about why the person who did the mastering may have chosen to do it that way... hopefully this doesn't make it a stupid question. Can someone explain something beyond "it means the song sounds loud"?

     

     

    The waveform, when zoomed in, displays clipping in louder elements of the music (kicks, bass, and so on), which indicates heavier compression and/or limiting on the master.

     

    See http://en.wikipedia.org/wiki/Loudness_war

     

    Though with minipops the result is still audibly very nice despite the clipping. The engineer did a great job.

  12. Transcribed the list:

     

     

     

    A Designs Reddi

    A Designs Pacifica

    ADT Toolkit x4

    Akai S950HXC

    AKG BX25

    AKG Contact Mics

    Alice Mixer

    Allen Heath Mix Wizard

    Allen Organ Spring Reverb

    AMS RM10

    API 3124+

    API 550A

    API 550 orig

    API 550B

    API 560

    API 8200A

    ARP 2500

    Atari 1040 + Midi Expansion + HXC

    Avedis E27

    Bode Vocoder

    Boss BX16

    Boss BX8

    Boss GE7

    Buzz Audio Arc1.1

    Calrec Minimixer

    Calrec RQP3200

    Casio FZ10 + F220M + HXC

    Chandler Delay Black

    Chandler Delay Cream

    Chandler Zoner Limiter

    Cirklon Sequencer

    Court Acoustics Graphic

    Crumar Bit01 White

    Cwejman RES4 x3

    Cwejman VCO6

    Disklavier MKIV Pro Custom

    DPA 4052

    Drawmer Stereo Gate

    Dytronics FS1

    Elysia Mpressor

    EML 101. Modded

    EMS 2000 Vocoder

    EMT 140 Plate/Stereo/Tube

    EMT 240 Gold Foil

    EMT 252 FX

    EMT 258 x4 Filters

    Ensoniq ASR10

    Eventide DSP4000

    Eventide H3000 DSE

    Eventide H949 x4

    Focusrite ISA110 Orig x8

    Focusrite ISA430

    Fulltone Tape Echo

    Harrison 32EQ GR500

    HAT Mechanical Drums

    Helios x2

    Intellijel Rubicon

    JH Arp Quadra Phaser

    JH Storm Tide Flanger x2

    JH Tau Phaser

    Jomox Sunsyn V1 x2

    Kawai K5000R

    Klark Teknik DN780

    Korg DS8

    Korg Minipops7 Midi, sepouts

    Korg PS3200

    Korg PS3300 x3

    Lexicon 480L

    Lexicon PCM70

    LPG

    Lynx Aurora 16

    Make Noise DPO

    Marion PROSynth x2

    Meinl Water UDU

    Micmix Dynaflanger

    Micmix Masteroom 2

    Midas Venice Desk

    Midimoogs x2

    Modular Systems/Eurorack

    Moog Memory Lintronics

    MTI Ensemble

    Mum&Dad Vocals

    Musicmaid Claptrap x4

    Nagra IV-S

    Neotek Elite 64 Channel Custom

    Neumann U473 x2

    Oberheim OBX, racked

    Oberheim Modular SEMs, racked

    Orla DSE24

    Pearl SC40

    Pearl Syncussion, racked/midi/mod x4

    Plugins, various

    Pultec EQP-1A3

    Quad Eight 248 x2

    Quantec Room Simulator

    Retro Instruments Powerstrip

    Rhodes Chroma

    RME Fireface800

    RMI Harmonic Synth

    Roland 101e, modded

    Roland CE1

    Roland D550

    Roland MKS50

    Roland MKS70

    Roland R8/R8M

    Roland TR606, modded

    Roland TR606

    Sci Prophet VS

    Sci Prophet5, racked/keyboard

    Sennheiser VSM201

    Sergio Modular 9-panel

    Shure Auxpander

    Siemens V78 x2

    Simmons SDS3

    SM Pro PEQ505

    Songbird Trichorus x2

    Sound Devices 722

    Soundcraft Ghost

    Soundworkshop 262

    SPL TD4

    SSL 4000 Channel Strips x5

    SSL X desk

    Studio Electronics Code8 Full

    Synthoma Elkorus

    Synton Syntovox 221 x2

    Tantek Flanger/Delay

    TC1210

    Tongue Drums

    TR727

    TR9090

    Valley People Gain Brains

    Valley People Kepex x10

    Wildlife

    Yamaha CS80

    Yamaha D5000

    Yamaha DX100, modded

    Yamaha DX11

    Yamaha EX42

    Yamaha FS1R

    Yamaha RX11

    Yamaha TX16W x2

    Zither AFX-scale

    Bank Thin Room

    Basement

    Bedroom

    Big Room

    C-Shape

    Lodge

    Mod Room

     

     

     

    Google doc for the dots maybe?

     

  13. Confirmation that "aisatsana" is the Barbican piano track:

     

    Wondering Sound track-by-track [Source]:

     

     

    12. “aisatsana [102]“

     

    The album’s finale is the pretty solo piano piece James debuted at London’s Barbican in October 2012. (The event that became notable after James swung a grand piano from the roof of the theatre like a giant pendulum.) The song is a soothing piece reminiscent of the minimal compositions of Erik Satie; it rolls out softly over distant bird song. A point of trivia: “Aisatsana” is also the name of his wife spelled backwards.

  14. The description of "180dB_" in both FACT and The Quietus track-by-track reviews makes me think it might be the Snowbombing track. It is around the right BPM too.

     

    @6.57 here for those who aren't familiar:

     

    https://www.youtube.com/watch?v=wzLEMYXPkcE

     

    FACT:

     

    05 ’180db_’

     

    Bit of a swagger here: this one’s got the confidence to roll with nothing more than the main riff, which is fuzzy and buzzy, and four-to-the-floor kick drum for large sections. It’s the first blatant dancefloor track of the record – bit of a shame it’s ironically the shortest one too, as it feels like it could quite happily just jam on for an age, especially after the straight beat turns into a break not a million miles from the Baby Ford ‘Helston Flora Remix’.

     

     

    The Quietus:

     

    The bpms creep up again for '180db_', which starts out as clattering techno with warped hoover noises, before a breakbeat is dropped and it turns into a slab of gnarly, crusty techno that sounds like something from a Spiral Tribe DJ set from a 90s free party rave-up.

     

  15. source field mix... nah, def not live. Considering he named another tune after Thanaton III, I think he means to reference this Source Field:

     

    6ZsOKIX.jpg

     

    Just be cool :) You all know it's gonna be a dope LP.

     

  16.  

    This one is probably difficult so just whatever comes to the fore of your minds at first: What are some of your favourite pieces of euphoria inducing music (considering that different things are euphoric for different heads)?

    isoprophlex - afx

    mountain goat - amorphous androgynous

    polynomial-c - afx

    circles vicious mix - john & julie

    temple - jon hopkins

    jungle - jungle wonz

    allowance - isolee

    work harder/work softer - perc

    no.3 - VA chain reaction

    X2 - electric soul

    indicatif roissy - parmegiani

    from the hame hill - brian eno

    untrue - burial

     

    i could go on and on, mbe

    all diff contexts but pretty much euphoric to me

     

     

     

     

    This one is probably difficult so just whatever comes to the fore of your minds at first: What are some of your favourite pieces of euphoria inducing music (considering that different things are euphoric for different heads)?

     

    'now this is fun' by depeche mode always gets me in a really up state, but it's not really euphoric in the way most people mean (i.e. 'too many fizzy synths')

     

     

    Thank you :) [Also for this inspiring thread. I have learned a lot!]

     

     

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