guidewire
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Everything posted by guidewire
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https://soundcloud.com/guidewire/the-churn
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best way to promote your new EP.
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playing around with Reaktor https://soundcloud.com/guidewire/reactor-or-more
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Ok... this has been bugging me a little bit... have people talked about these tracks ending with T# It seems like it's version numbers and key. Also it seemed like MOST of the T ending tracks are in caps... what ever that means. XMAS_EVE T10 CIRCLON T6A CIRCLON T14 syro u473 t8+e PAPA T4 marchrom t30a ma
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https://soundcloud.com/guidewire/coordinated-pt2 will try to keep all my track posts in this place. Syro got me ramped up to get more of my experiments out here.
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I'm really excited for this to be over. Been waiting for years.
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Do people know much about Mandy Parnell? http://www.mandyparnell.com/Blacksaloon%20Bio%20.html
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Jerry Steinvord? Sinefeld Jerry Steinvord?
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this is pleasurable
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Island of syros ? http://imgur.com/a/rjL7w#0
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has this been in one of these posts? http://rosskempfolds.tumblr.com/
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so misleading a low volumes. cranked it up... much more pleasurable
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Aphex Twin The Caustic Window LP (CAT023) Kickstarter FAQ - LIVE NOW!
guidewire replied to Joyrex's topic in Aphex Twin
so now we wait -
Electronic and Experimental music: Technology, Music, and Culture http://www.amazon.ca/Electronic-Experimental-Music-Technology-Culture/dp/0415896363 33 1/3 on SAW II Who Owns the Future by Jaron Lanier
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so after people have found stuff they kind of like... do people mostly post to soundcloud / dropbox / email to friends to get an idea if anyone likes it? People on labels get more detailed crit on aspects of tracks?
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Colour coding has become really useful to find the tracks I really thought had something worth building on. I use Abletons "open recent set" to keep up to all my current work churning around. Do you think having a project deadline or label helps focus efforts. I was talking to an artist where everything he works on is to be published where as I have lots of experiments but nowhere to put it. I've also been hitting some issues with linkages to audio files breaking because I don't consolidate every project. Protools gives you the option to either have a reference or import... it would be nice if Ableton had something like that. Anyway, I have tracks I've been returning to for years and sometimes it seems like I need some kind of trick to get them out the door and into peoples ears. I guess also deciding whether it's for my pure enjoyment or meant for others.
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duck call in Last Rushup 10
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sorry for bringing this up again,.... but Was just thinking about Autechre and how they said ( from what I remember) they had one folder for works in progress... I've started organizing files also by using OSx color coding to help bring out the projects that seemed more interesting. periodically I will label the Key that the project is in. Some times I make multiple tracks inside the same Ableton project and wonder if people generally extract songs out to their own projects or work on them within the same project.
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how much does alphabetical and numerical order determine what you make, how famous you are and what I'm listening to?
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Do you guys feel like Nikola Tesla would have made music like yours if he was alive today? + could you name my hot tub?
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What do you guys miss, if anything, about pre-internet times? What are your thoughts on a singular artist's vision vs a collaborative one?
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Would you play at Mutek in Montreal any time soon? Would you guys ever write a book about your process? Morton Subotnick is apparently writing a book... so maybe you have some time to think about it. How do you feel about mentorship and passing on your musical knowledge in more formal ways? Have you read any of Curtis Roads books or listened to his album Point Line Cloud?
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I had started watching this guys vids. I know a certain level of theory, but I always feel like I don't know where to get more "useful" information rather than dig through tradition. i suppose it's also about process too. Some of it is also more about mentorship and having someone guide you through listening and practice. That book looks like an interesting start. Also maybe spending more time on http://www.musictheory.net/ too
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So, what's the deal? In theory it's safest to play within a scale? Playing along with chords sounds the nicest? Avoid short intervals?
