joseph

I Somewhat agree with Eugene, I love their earliest stuff a lot, but 1997 was the year they really took off.

Well, it takes place in the far future of our universe, where humans have branched out into many different solar systems/galaxies; Neverness is a city which is sort of an intellectual center for a mystical order of mathematicians (and other professions) who use their knowledge to navigate "the manifold" (read: the universe). The story is the tale of how the main character Mallory, after an encounter with a God-like entity deep in the heart of space, embarks on a quest to discover the secret of life, and ends up transforming himself into something incredible. It has a very psychedelic tinge to it a lot of the time, in a good way.

finally finished this. to all sci-fi fans out there I would highly recommend it, it's quite an epic, very well conceived, and very meaningful.

Here's some subaltern-neo-colonialist-gender-studies-postmodern-queer-theory for you. (generated, per the request, randomly.) 1. Consensuses of futility The main theme of Dietrich’s[1] essay on Sartreist absurdity is a mythopoetical totality. Therefore, Foucault uses the term ‘objectivism’ to denote the bridge between truth and society. Hanfkopf[2] suggests that we have to choose between the postmodernist paradigm of reality and textual neocultural theory. “Reality is fundamentally elitist,” says Baudrillard. In a sense, Sartre uses the term ‘capitalist dematerialism’ to denote not discourse, but postdiscourse. A number of sublimations concerning objectivism exist. Thus, Bataille suggests the use of dialectic libertarianism to challenge sexism. The primary theme of the works of Gaiman is the role of the artist as participant. Therefore, an abundance of desemanticisms concerning a precapitalist whole may be found. Debord’s critique of capitalist dematerialism holds that narrative comes from the collective unconscious. It could be said that Marx uses the term ‘Sartreist existentialism’ to denote not situationism as such, but subsituationism. The example of objectivism depicted in Gaiman’s Black Orchidemerges again in Stardust. 2. Gaiman and capitalist dematerialism If one examines objectivism, one is faced with a choice: either reject capitalist dematerialism or conclude that narrativity serves to marginalize the proletariat. But the subject is interpolated into a dialectic feminism that includes art as a paradox. If objectivism holds, we have to choose between precapitalist theory and textual capitalism. In the works of Gaiman, a predominant concept is the distinction between closing and opening. In a sense, any number of appropriations concerning objectivism exist. The subject is contextualised into a precapitalist theory that includes narrativity as a reality. If one examines objectivism, one is faced with a choice: either accept subcapitalist discourse or conclude that the law is capable of intent. However, Wilson[3] implies that the works of Gaiman are empowering. A number of narratives concerning the difference between class and art may be revealed. In a sense, the subject is interpolated into a objectivism that includes narrativity as a totality. If dialectic Marxism holds, we have to choose between precapitalist theory and the neocapitalist paradigm of context. But several discourses concerning capitalist dematerialism exist. Baudrillard uses the term ‘objectivism’ to denote the role of the poet as writer. In a sense, the subject is contextualised into a precapitalist theory that includes culture as a paradox. The premise of objectivism states that art is unattainable, but only if consciousness is equal to language. It could be said that Reicher[4] suggests that we have to choose between precapitalist theory and cultural capitalism. Marx promotes the use of precapitalist textual theory to attack class. However, an abundance of sublimations concerning a mythopoetical totality may be discovered. Foucault’s model of objectivism holds that the raison d’etre of the participant is significant form. 3. Subconstructive rationalism and Lyotardist narrative In the works of Gibson, a predominant concept is the concept of deconstructivist consciousness. Thus, the subject is interpolated into a capitalist dematerialism that includes narrativity as a paradox. If objectivism holds, we have to choose between Lyotardist narrative and postconstructive textual theory. But any number of desemanticisms concerning precapitalist nationalism exist. Sartre suggests the use of objectivism to deconstruct the status quo. Therefore, Bataille uses the term ‘capitalist dematerialism’ to denote the role of the artist as observer. The figure/ground distinction prevalent in Gibson’s Pattern Recognition is also evident in Virtual Light, although in a more self-supporting sense. 4. Gibson and Lyotardist narrative The characteristic theme of Reicher’s[5] essay on objectivism is not, in fact, discourse, but postdiscourse. In a sense, McElwaine[6] suggests that we have to choose between precultural capitalism and structuralist postdialectic theory. The premise of capitalist dematerialism implies that academe is part of the stasis of consciousness, given that Lyotardist narrative is invalid. But the subject is contextualised into a objectivism that includes sexuality as a reality. The primary theme of the works of Madonna is a mythopoetical whole. In a sense, if Lyotardist narrative holds, we have to choose between objectivism and the deconstructive paradigm of consensus. Marx uses the term ‘predialectic capitalist theory’ to denote the absurdity of postcultural sexual identity. Thus, a number of narratives concerning the role of the participant as observer may be revealed. Humphrey[7] suggests that the works of Madonna are modernistic. 1. Dietrich, R. J. D. ed. (1979) Capitalist theory, objectivism and feminism. And/Or Press 2. Hanfkopf, P. Q. (1988) The Discourse of Dialectic: Objectivism in the works of Gaiman. University of Massachusetts Press 3. Wilson, P. ed. (1979) Objectivism in the works of Smith. Schlangekraft 4. Reicher, C. K. I. (1992) Deconstructing Social realism: Objectivism in the works of Gibson. Yale University Press 5. Reicher, Q. F. ed. (1981) Feminism, objectivism and the constructive paradigm of expression. Schlangekraft 6. McElwaine, G. Q. P. (1997) Deconstructing Derrida: Objectivism in the works of Madonna. University of Illinois Press 7. Humphrey, Q. ed. (1974) Objectivism in the works of Lynch. University of North Carolina Press

wtf ostia is one of coil's best songs. but known1 reminds me much more of dark river http://www.youtube.com/watch?v=jVEimUEMjvg actually certain parts in Amber also give me a Dark River vibe, I wonder if B/B had discovered Coil at that point?

I'll have to check it out.

Neverness by David Zindell, really good

and btw they don't only grow on cow shit..?? dunno were you heard that. you won't need to find a farm. look for wet, grassy, muddy, dank areas. like in a forest, or Mesh Gear Fox's Y-fronts. Psylocibes cubensis, the magic mushroom that lives in my area, only grows on cow manure, horse manure, and manure enriched soil. I heard that from reading field guides.

It's not really feasible during school, but my goal is to do a lot of hunting over the summer. I like to kick around outdoors a lot anyway, but again, I don't know where to go to find psylocibes.

Wtf?

this album is quite good

i live in louisiana which is supposed to be cube country. i guess its really just a matter of tracking down potential sites. there really aren't many farms around (that i know of)

i respect your opinion i was just asking for advice because i would like to hunt them myself

apparently cubes only grow on cow shit? and i dont know of any good places to do this anyway, has anyone from had much success in this dept. and would like to share? i can't abide by sirchs hard line attitude against buying. i mean i wouldnt have had the opportunity to try this magnificent fungus if it werent for a friend of a friend who hooked me up. that said i want to find some on my own now

this is how i feel

This thread would not be complete without Kool Keith http://www.youtube.com/watch?v=JqxZgYPbzRo http://www.youtube.com/watch?v=RUHR6SXBkvE&feature=fvwrel http://www.youtube.com/watch?v=Eyl1ZOHnIno&feature=related http://www.youtube.com/watch?v=XHyjpWnKU9A edit: thanks for otto interview, never seen it before

a full listing is impossible for me but my top three would probably be chiastic slide, confield, and quaristice.

http://www.youtube.com/watch?v=qmtsjqCipNo&feature=related dylan carlson

i know its all opinions but my opinion is if you don't like quaristice then you have a lot to learn about the 'chre

i havent done acid but shrooms slowed down time for me in a way that i could hear every detail in chiastic slide. now that was special

as i think about it, quadrange might be my desert island autechre "album". It's not my favorite, it didn't change my life, but i feel like there's so much to discover in there. a whole world in those endlessly echoing patterns. especially 6-36. the sense of space developed in quadrange is the finest such attempt they have ever made.

The whole quadrange EP just melts my face off.

yeah im pretty sure autechre dont release tracks in the exact order they make them.

The safest general characterization of the last 15 years of IDM is that it consists of a series of footnotes to Envane, Chiastic, and Cichli Suite.