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  1. http://wp.logosfoundation.org/save
  2. Hi WATMM, I'm new here - so please be gentle... Anyway I have one of the WARPLP247X, bought from the Bleep ballot (by me). Will try to answer your questions here! Auction link here: http://www.ebay.com/itm/-/151806802243 (it's not so expensive yet, so you might get lucky...) Aphex Twin - Syro Limited Edition Box Set 3xLP WARPLP247X "Up for sale is the 2014 ultra rare release from Aphex Twin, Syro, in the limited edition triple vinyl box set. This version of the release is limited to 200 copies worldwide allocated by a ballot held by Bleep. It includes all the items as listed on t
  3. [sc5]206995679[/sc5] i'm not sure what to do with the end of the song right now. so this is still a WIP i guess.
  4. [sc5]206995679[/sc5] i'm not sure what to do with the end of the song right now. so this is still a WIP i guess.
  5. http://warp.net/news/marchromt30a-edit-2b-96/ MARCHROMT30a Edit 2b 96’ first appeared as the Japanese bonus track for recent album ‘Syro’ becoming an instant favourite of those that heard it. The song now comes to vinyl for a global audience, backed with a new version of‘Syro’ track ‘XMAS_EVET10 [120] (thanaton3 mix)’ and an alternate take of‘MARCHROMT’. It will be out on white label 12" with hand stamp on 6 April (7 in N America) 2015. New version of XMAS has me sold.
  6. I have this Syro dropcard lying around my desk. It came with the vinyl I ordered. Something was supposed to be going on at that url that was on it but it didn't. Can I sell it for a lot of money now? Or in a couple of years? I just don't feel like I need it. It just feels like a piece of meaningless 'merchandise'. Is it just a cheap piece of plastic? (it looks very cheaply produced) Or is worth keeping around and is it going to be worth lots of $$$ in a couple of years? I didn't even redeem my download with that particular code because I ordered it from Bleep and it was available on th
  7. https://soundcloud.com/zhaozhou/zhaozhous-vocoder-test-14-nov-2014 it was designed to perform super well with super low saw waves like that one song in Syro *thanks Richard* it uses the same frequencies as a bode vocoder i spent the past four days actually coding this because i wasnt happy with any other vocoders. theres still room for improvement, lots of optimisation, etc and the code, for use in ReaJS //Vocoder 14 nov 2014 Thanks SaulT and Amateur Tools DSP //This plugin contains ideas and code techniques by RBJ, SaulT, Moog, Bode, Loser, etc. //USE AT OWN RISK. This plugin c
  8. DvStcH


    Nice to see sigils getting mentioned in the mainstream press. Anyone else use them? i've done 'em from time to time, i find them an artistic way of stating my intent and bringing what i intend to do to the forefront of my experience/consciousness. I don't believe in them. Most of them have worked. How i define 'working' i'm not so sure but strange outcomes have occurred and i'm in a better place than I would have ended up had i flapped around not focusing on what I intended to do and just floating rudderlessly thru life only doing what I thought others expected of me. Not sure if that is
  9. I feel like it's not getting enough talk around here. Lets talk about it. This one is probably my favorite on Syro. It gets stuck in my head the most, next to 180db_. Everything about this track jams. I think it's possibly the most accessible, most danceable and one of the most melodic, for sure. Those b-boy break beats and that bass make me rock the fuck out , wherever I am when I hear it. There really is nothing wrong with this one. No miss. All killer. I personally think this one must be one of the oldest compositions from the LP. It strongly reminds me of ICBYD or The RDJ Album, in
  10. I gotta be honest, you guys. I was expecting to have my copy of Syro by now. Unfortunately, I am in AMERICA, and according to my ELECTRIC MAIL, my copy of the album has JUST NOW left the island nation of Japan. It may not arrive until FRIDAY, in which case I am probably gonna die before then Just wanted to start a little thread where I and anyone else afflicted with this awful, awful hardship of waiting for their copy of Syro can come and hang out to chat. I should mention that I am being a patient mature listener and have NOT heard the album in full yet. Waiting will make something so
  11. First one that comes to mind is 3:21-3:59 of "4 bit 9d api+e+6 [126.26]" Those ambient keyboards that sweep in are incredible. He could have milked that more. So great.
  12. Guess we better have a home for this lush little latecomer! http://youtu.be/SiVmqDB8I2U
  13. So, these two tracks make up over 20% of Syro. They're obviously related in some way, though I honestly couldn't point to how just yet. Except they are both dense as hell; dense with awesome. Vocal deciphering? I'm terrible at such things... (Shrymorning...'na, sho cha key' is the best I've got...) Gear discussion? Using this from the Syro Gear Discussion thread we can see there was a fair amount of gear used on both tracks. As RDJ mentioned in the Pitchfork Interview, he would occasionally create a set-up in his studio, make a part or a track, then tear down that set up or modify it heav
  14. i don't want to derail the other thread and no way i'm searching for it... but what the hell is the badger? (bits expected)
  15. So, we have all heard about the drop cards (yes, I know there is a thread about it already) and the http://syro2eznzea2xbpi.onion/orys site. Apparently, as it's been mentioned, the drop cards will allow people to access some exclusive content on the site. I've tried checking out the site on the TOR browser, so far it looks the same except for the fact that many of the fields read "indeterminate", likely due to the browser protection. Hopefully this will change in the coming days/weeks. I wanted to start a separate thread where we can list findings (if any) that pop up via the TOR-access
  16. Guest

    Syro reaction gifs thread

    Inspired by jhonny in the main Syro thread, thought it would be nice to have a home for bandwidth-crushing reaction gifs to allow adequate listening enjoyment visualisation of specific Syro tracks. Ball rolling: 4 bit 9d api+e+6 [126.26] CIRCLONT14 [152.97][shrymoming mix] s950tx16wasr10 [163.97][earth portal mix] aisatsana [102]
  17. Acid in the jungle, in the in the jungle. So many funky synth lines to digest, masterful adoption of the amen was a given. DnB/jungle as genres have been hammered to death, but trying to fathom how Richard makes it all sound so new (and fun!) is a real head-scratcher. Six minutes just isn't enough, I'm already finding myself greedily wanting more as soon as the track has wound up. Calling it an album highlight on day one. 163.97 bpms of glorious turbo lush 'phex.
  18. Has anyone gotten an email with their "ticket" or whatever to order the limited edition SYRO vinyl package?
  19. We're all now familiar with how SYRO's artwork reflects the costs associated with putting out a record - Richard has even said each releases' info is tailored for that release (e.g.: vinyl version has different data than say the CD version). But what about the digital versions? the iTunes artwork for SYRO is just a chartreuse circle with "APHEX TWIN" "SYRO" in it (the full release I believe comes with a digital booklet), so unless there is more, the numbers for the digital versions aren't there (do the Bleep downloads have different artwork?). It's certainly an interesting concept - ni
  20. Most know by now that there's official album art featuring a list of the gear purportedly used in the making of Syro: And a spreadsheet version that shows what goes on which track: https://docs.google....6S9GnEU/pubhtml But what exactly is all that gear? Here is a youtube playlist featuring demonstrations of almost all the equipment listed. The only ones omitted were rare modules, microphones, pre-amps and EQ's that weren't available on youtube, but they are all legitimate devices, searchable through google. Something to look through for your christmas shopping, a help
  21. These last years I've mostly been buying music as downloads, but with Syro I want the CD, just because there are already so many RDJ CDs on my shelf so I want to keep the collection going. But seeing that I am more hyped for this "fan-service-the-album"-album than any album in recent memory I feel a totally irrational desire to buy the 24-bit WAVs as well, although I know I would never be able to tell the difference. Hell, I could buy the MP3 version and not tell the difference, I'm sure. Does anyone else feel the same way? How many of you believe that you can actually tell the difference bet
  22. So now that all of you have gotten your first proper listen of "The Manchester track" aka minipops 67 [source field mix], what do you think of it? Granted, it's not a "new" track (Richard's been DJing the track since 2007 2010), but did it meet your expectations? Vote!
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