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Saw this a few minutes ago. Check out TDR's status update. http://www.facebook.com/thedesignersrepublic

So I have been pretty much exclusively listening to the following few artists: Autechre, BoC, Plaid, Bonobo, Squarepusher and Clark I'm looking for something more in the vein of Ae/Clark style music. I'm NOT looking for anything with vocals, and I much prefer synth over real recorded instruments. Any good suggestions? Thx all

I forgot to post this months ago, but I still have two unused download codes which includes sessions 1-4. Give me a shout here or PM me if interested!

So my brother isn't into electronic music at all. He listens to Pearl Jam, and Hendrix and such. So I was listening to LCC the other day, and my brother walks in my room with a bright look on his face and says "I didn't know you played counter-strike! .... oh." Anyone got any funny stories?

my guess is that because of the autechre collabs there have to be some fans/followers here. a few years ago i decided to make a commitment to really understand the essence this group (well, andrew mckenzie) and i have to say that for the most part ive been unsuccessful. best i can figure is that the works are intended to directly affect the listener in more than just an emotional/intellectual way. its like hes aiming for some kind of serious alteration of consciousness that can only be achieved if you fully engage with the work. that is, put as much work into experiencing the album as the creator did in making it. thats a tall order but also interesting in that it presents a serious challenge to the listener. back before mckenzie deleted his email list i used to ask questions about how to best approch his work, and he would more or less always use various metaphors that said the same thing. like "its like getting your house in order for guests that will arrive at an unspecified time" or something similar. im still not quite sure what that means. heres and example of his oblique way of uh.. im not sure - a description (for lack of a better word) of the "kill the king" reissue - i remember reading autechre say that the hafler trios work "has a rare humor" and i completely agree. the man has an extremely odd sense of humor and its certainly present in that blurb above. an interview with mckenzie- http://www.youtube.com/watch?v=BJWaLucb664 also, i think this guy deserves some kind of award for graphic design. quite beautiful -

https://wxaxrxp.net/?utm_source=Warp&utm_campaign=917b328bc9-EMAIL_CAMPAIGN_WARP_WXAXRXP_NTS_13_JUNE_2019&utm_medium=email&utm_term=0_3d39485b46-917b328bc9-84629357&fbclid=IwAR1XqyGAp1MBBD7-zAzLuwDkj9rV1Ka8-V9Gqlp0ecyChNUUKn_x6fJSIqA

Inspired by @NewSchoolScience post in the thread, I got to thinking - what is everyone's favourite Autechre track that's unreleased?

Artist : EXM Title: Modulus Label: Touched Music Cat no: TM36 Format: CD/Digital Country: U.K. Artwork: Style: IDM/Electronica Release Date 21.July.17 Well well well, if it isn’t exm again. This prolific artist has a multitude of self-released EPs under his belt and returns once more for his fourth contribution to Touched with music of fantastic quality. Each track piques your interest, every sound feels like it has a purpose and my are their lots of sounds. This release isn’t just generous in terms of style but at a shade under 90 minutes I don’t think anyone could complain that they weren’t being looked after. The opening of ’Modulus’ is sinister. ’3i2’ puts you on edge and alerts you to the presence of the next nines track lined up, a piece that wouldn’t sound out of place in the most epic of science fiction. Even the first sound’s pacing is so perfect I could loop it and be satisfied. But I don’t need to. Waiting for me is a barrage of noise all seemingly in its place and well thought out by the composer. Some of it is illusory - ’Wall’ has a pace that appears to increase whilst not actually doing so. If I didn’t have an anchor to the real world in the form of tapping feet I might certainly be lost. As a midpoint, ’5’ is a masterpiece - it’s an earworm. Its melody cohesive, at 9 minutes in length it still doesn’t feel long enough. And it’s a turning point too, the second half of ‘Modulus’ feels takes a robotic tone, like you’re stuck in an automated factory but you don’t really care about getting out, satisfied with the rhythmic beat of machines you are faced with. This is as good as any electronic music I’ve heard. It shows there are those out there who really care about their art, who want to push boundaries and challenge those who listen to it. I had previously compared exm to other great masters Autechre and their influence still shows however it feels more distant now. A place has been found by exm, he's carving out his niche and it's incredibly enjoyable. ‘Modulus’ is available as a limited run of CDs and as always a digital download (with bonus track ‘Meltt’) which is also provided to those who make a physical purchase from the Touched Bandcamp site. So show your support once more for Touched and get something great in return. Buy - https://touched.bandcamp.com/album/modulus

CD & VINYL TRACKLISTING 01. r ess 02. ilanders 03. known(1) 04. pt2ph8 05. qplay 06. see on see 07. Treale 08. os veix3 09. O=0 10. d-sho qub 11. st epreo 12. redfall 13. krYlon 14. Yuop Discuss.

Autechre Live @ National Concert Hall, Dublin, Ireland 15 July 2018 View File Live recording of Autechre performing at the National Concert Hall in Dublin, Ireland on 15 July, 2018. Submitted by @italiceyeball: Submitter Joyrex Submitted 05/09/19 Category Autechre  

I believe there is already a topic dedicated to graphics: now I haven't found it, so I write this: eventually deleted and incorporated it into the already existing one. Among other things, In this interview Ian Anderson talks about his relationship with S&R and the philosophical stimulus specifically related to ae, and the love for oversteps: https://warp.net/editorial/reasonable-person-an-interview-with-ian-anderson?fbclid=IwAR1sKpJx1eULMucWR_HwklBLSi0yCtnMei2-iRFuYoX9fUfd6hYMnxY0QvQ

Scene 1: we start out in some kind of next-dimensional waiting room with a jumble of objects existing in a state of flux. It’s kind of a paradoxical thing, like chaotic equilibrium. there are platonic solids bouncing into globs on non-newtonian fluids, arcs of plasma jetting about, old People magazines, etc. it is here that the the first ones, the ineffable, antediluvian Great Dyad of rob and sean call their home, their unspoken machinations manifesting as great ripples and rumbles through the medium, lush pads and sick beats, the 2 elements from which all other things spring forth. the aloof, stoned gaze of rob and the piercing chav stare of sean settle on a single planet orbiting rogue paralel suns, somewhere in the intergalactic medium. this is planet known as Planet Gonk. Scene 2: on exoplanet gonk 3a5 129308 there is a club 500 kilometers under the sea. we descend through the hazy atmosphere and the greenish world-ocean is revealed, we descend further, under the waves, to Club Splesh. shit is poppin off here. Mature Audiences Only. Agent Cooper is on the scene “Diane, I’ve just arrived at an establishment of ill-repute— there is a robot with a big like jangly metal dick on stage just getting slapped all over the place. like some giant mech with a big fuckin weird silicon robot dick just floppin it around. like slapping it in a concrete hall, like some crazy flep the dolphin shit happening in the club. in the underwater club.” the scene is mental. Wiley is DJing, Flowdan is MCing. just absolute mayhem people are doing poppers and touching jellyfishes and stuff. a squid makes out with a Dyson space heater. Flep the dolphin does tricks (like flips and shit but also sexual?) for the robot man. a calculator finishes suckin him off. the robot man cums. BLISS Scene 3: okay so now we're listening to the soundtrack to "GANG FIGHT 2999", setting: ‘Techre City it’s like a gigantic icosahedron of a city, all floating above the ocean and shit all black pipes and dirty streets branching out everywhere like fucking crazy the Casual's are encroaching on the Gonk Boy's turf Gonk Boys pullin up using pirated cyberweapons the casuals outnumber gonks, but the gonks are bigger The Gonks have protective fur coats with +2 charm boost the Casuals employ fierce hi frequency sonic weapon emitters the Gonk Boys have powerful backpack woofer blasters the Casuals, in their numbers and ferocity are overwhelming the Gonks but the Gonks won't go down without a fight so the gang war has been raging on OH shit! RIP gonks, you think. but the Gonk Boys are still hanging in actually you thought they died but in one insane sub bass attack they fuckin WIPED out the casuals they unleashed their secret weapon: GATED REVERB GUN cut: we are now 33 years in the future The Gonks and the Casuals unified into one cartel and took over 'Techre city not long ago this planet was ruled by dolphins and mechs Now there is a filthy cabal of genocidal gangsters in control of the polyhedron watch them float over the global ocean, sending down plasma arcs to terrorize the unsuspecting denizens Unleashing vaporized high potency psychedelics and dissociative drugs into the atmosphere the populace is at their will Chairman Elyc9 is a miser. He rose through machiavellian tactics. He now punishes the world that spurned him as a child Uniting the violent underground through mutually beneficial heists and takedowns he quickly was able move up in 'Techre's parliament Spread the message: the dolphins and mechs are not our friends We must cleanse the global ocean of their idiocy Scene 4: Deep down in the ocean Corporal Flep is dreaming up a strategy The resistance has been hit hard But Flep wishes for the days of dancing and having casual sex with robots on the ocean floor to return In an old half dome ruin on the ocean floor, covered in coral and kelp, the bladelores project is being conceived the dolphins on one side, the mechs on the other. they are sharing ideas through bubble ring glyphs how can they restore peace to this shattered world? schematics made of seaweed and stabilized bubbles are created to unify their thoughts they move to the inner sanctum and begin a ritual of blowing bubbles and subtly sending electrical currents through the water slowly an old god starts to rise from the sand at the oceans floor it is a god made of shimmering, rippling mercury at times random pillars seem to form as appendages and then collapse back into the rising columnal giant the monks of the eastre order hit their bells the dolphins and mechs vibrate in ecstasy as the VeKos, the avatar of eastre, arises. … Scene 5: in the laboratory of Turbile Robotics manufacturing ramps up with new speed Everything must be stress tested no piece of squishyware can go un poked every bioluminescent tendril must writhe all cubes must be stomped upon that's what makes a Turbile a Turbile™ The workers dine on shimripls (a type of very gay shrimp) Turbile robotics employees can expect a minimum of 17 shimripls a day they are paid in shimripls, which is a privilege in a world where if you don't gonk hard enough you'll basically just get killed Oh lord what is this? someone just introduced a trojan into Turbile manufacturing's mainframe the technician inspects the terminal "Spl9.ramshooter.b" ? machinery is being repurposed something is being built the plant is creating strange, incomprehensible objects it used to make cubes now the virus has taken control and the organic synthesis machines are making unsound hybrids of silicon and flesh and all of these creations fall down into the the unfathomably deep cistern of rejects, the glos ceramic a cylindrical hole bored deep into the planet, so large it has developed its own ecosystem in the darkness and filth the heaps of AI chips form autonomously organizing beings made of trash and rotting flesh and wires these new beings know nothing other than that the great shute in the sky gives them garbage, their lifeblood so they raise up their appendages in praise revel in the garbage, make love in the garbage, do their taxes in the garbage Scene 6: back in 'techre city Bill Evans plays the piano at a slimey gonk establishment Thom Yorke gets on stage by now he has become a kind of hairy skeleton he makes high pitched wails into a canister, on all fours he has learned the art of bone origami and he is folding himself up into an ever smaller thing eventually he is so small he is not visible, which is part of the art of it, you see yet he still is able to wail Bill Evans dies of many years of cocaine use Scene 7: The aftermath of a mass culling of technicians suspected as double agents for the Dolphin-Mech Alliance Chairman Elyc6 has dealt with the turbile problem, or at least he thinks he did so we looked at the data The truth is, Chairman Elyc9 doesn't really care about purging the planet of dolphins and mechs. the war was a ruse he baited the enemy into summoning eastre, the primeval power at the center of the planet, he wishes to harness its powere planet gonk was once at peace long ago, the dolphins were sucking robot penis and all was well but desperate times call for desperate measures the garbage hybrids congeal into a chain tall enough to reach the ceiling of the great cystern as the liquid god of eastre penetrates the corroded, leaking bottom of the cystern an unholy union is formed The Gonk Casuals must be stopped. Scene 8: we now shift deep under the garbage, into the dark saline sea that lines the deepest trenches under the global ocean this is the primordial soup from whence it all came in a place darker than vantablack, conscious ions flicker with intent before the gonks, before the dolphins, before the casuals and mechs, there was only this place a place of stillness punctuated by rippling chains of actions that had no beginning and no end the creatures of planet gonk arose from this place and it is this place that will bring the planet back to equilibrium Scene 9: the Great Dyad regards the goings on with detached amusement. Sean: M8 this shit is mental. Did you see Thom Yorke do that? fuck me that’s brilliant. Rob: Check out that Dolphin down there, he’s got a laser gun. Sean: (tokes spliff) fookin incredible aye Rob: aye there’s like some kinda war or battle going on innit Sean: lush, hey check out this new patch i’ve been working on ... in a twist of events, the Dolphin-Mechs lose control of the Avatar of Eastre, VeKos, and it takes control of the garbageFleshKin, unifying them into a writhing tentacle of wires and organs emerging from the core of Planet Gonk to strike ‘Techre city from the sky. the icosahedron shatters into a trillion shimmering shards and the city falls into the churning world-ocean. the casualties of the great conflict are immense calculators go instinct. Corporal Flep is valiantly killed in the line of duty when he impales Chairman Elyc6 with his snout (he duct-taped a knife to it). RIP. the Gonk Boys and the Casuals are forgotten. the ocean swallows up all things. there is only wreckage, and the mindless, waving tentacles of eastre protruding from the sea like living monoliths. Who knows what lies in the future for this ruined planet? but for now, all end. And thus concludes the story of Planet Gonk… OR DOES IT?

Yes, i recorded it, as i'm sure others did too. Just thought i'd mention it... :embrassed:

Ahem, with all the raving here that it's the greatest thing since sliced bread, I say to myself, "damn, maybe I need to give this yet another try." And after yet another listen, I always come to the same conclusion that, while it has it's moments, Confield is simply a difficult, moody, and just plain cranky Autechre album to me. And yet I imagine that it's for these very reasons that fans of it get so hot and bothered. It's not bad, but there are just so many other Autechre/Gescom releases that deliver for me that I can't be bothered to go through the mental calisthenics of listening to this. Bring the counterpoints, as if I need to ask for any! I do find it interesting that there's not a whole lot of middle ground for opinions on this album - either you love it or you don't.

Not sure if this track has ever been posted or discussed, so apologies for that. I stumbled upon this after I stumbled upon these noise anthology compilations (which are very interestings, czech them out) http://www.youtube.com/watch?v=-EEn1h9k87Y Now I'm wondering how many awesome versions of tracks they have that didn't make it on albums.

Was listening to this at work today and thought "Fuck me this is brilliant", there isn't a weak track on this release. Pencha is amazing especially. Also, the case says 'Mechanically Reclaimed by Autechre', I'm curious, does this mean the tracks are remixes of earlier stuff? Specifically Tilapia which has that Cichli sounding synth. Also, talk about how wicked this EP is.

http://That Other Site™.com/mb/100194/new-autechre...ce-out-on-33-08 This was on That Other Site™. I hope it's true. Good thing I checked it today. lol, I spelled it wrong according to Phobiazero lol I meant to type Quaristice, if a mod reads this, can you edit please?

the second portion of 'lcc' is spine tingly sick-sweet. this is a very naughty record

This is consistantly in my top 3 albums autechre has produced. Silverside, Slip, Piezo, Further, and Teartear are absolute classics and they never get old for me. The first 3 and last 3 tracks are damn perfect in succession. Anyone else feel this way?

T ess xi starts off with a chord progression, 16 bars long, shown in the attached image. In bar 1 we have four notes (music harmony people: Eb major seventh chord). For our purpose here, think of those four notes as two intervals played simultaneously, the lower interval (coloured dark grey), and the upper (light grey) interval. From this initial position in bar 1, the movement of those intervals for bars [1..8] is as follows: move the upper interval down 1 row move the lower interval down 1 row move the lower interval down 1 row move the upper interval down 1 row Going from bar 8 to bar 9, the intervals change: their low notes are shifted up two rows (so whereas the intervals were perfect fifths in bars [1..8], they've now become perfect fourths for bars [9..16]). Following that, for bars [9..16] the "intervallic movement" stays the same as in bars [1..8], so again: move the upper interval down 1 row move the lower interval down 1 row move the lower interval down 1 row [!] move the upper interval down 1 row Notice what happens in bar 15 (indicated with [!]): as the lower interval is moved down 1 row, two notes now overlap (in F#) and are fused together. This progression is heard twice (so bars [17..32] are identical to [1..16]). After that, the entire process is repeated but lowered by a semitone etc.

Spaces How V

It's time to end this and move on with life. I'm listening to Autechre for the last time this week. I'm open to suggestions on how to handle this. No 'all end' jokes please

(photos via https://www.waste.org/~alone/autechre.html) So I've rediscovered this set and gotten heavy into this weekend. I need all good iterations of it and generally just want to gush over how good it is. As of right now I've got three good copies of this: Toronto (soundboard), Oakland, and Cologne. Links: TORONTO https://forum.watmm.com/files/file/1587-autechre-2001-05-09-canada-torontomp3/ or https://archive.org/details/Autechre2001-05-09 COLOGNE https://forum.watmm.com/files/file/1557-autechre-2001-04-01-germany-cologne-1mp3/ https://forum.watmm.com/files/file/1555-autechre-2001-04-01-germany-cologne-2mp3/ https://forum.watmm.com/files/file/1678-autechre-2001-04-01-germany-cologne-3mp3/ or https://archive.org/details/Autechre2001-04-01 OAKLAND (track 1 on archive isn't AE, just seems to be recorded from before they started, some sort of sludge metal or something, I assume the watmm downloads is the same thing so i didn't link the first part) https://forum.watmm.com/files/file/1687-autechre-2001-05-18-usa-california-oakland-2flac/ https://forum.watmm.com/files/file/1695-autechre-2001-05-18-usa-california-oakland-3flac/ https://forum.watmm.com/files/file/1601-autechre-2001-05-18-usa-california-oakland-4flac/ or https://archive.org/details/Autechre2001-05-18 So basically, this is great stuff. Essentially an album's worth of material...I'm generally terrible at this sort of thing, but I don't recognize anything that got used elsewhere...would be curious if anyone's better ears for that makes some connections to released tunes. The 'tracks' remind me now of NTS in its general structure, flow, attitude, and even sounds...even though obviously we're talking about ~17 years apart, different equipment, etc., AE just gonna be AE it seems. There was this thread (https://forum.watmm.com/topic/85140-autechre-live-in-toronto-9-may-2001-redux) that had some remaster of it, but I wasn't particularly curious in hunting down a copy as the links I tried didn't work. But otherwise, except some praise in a few other threads, this stuff hasn't been fully discussed or appreciated as far as I can tell. I think it deserves some time in the sun. Beyond just chatting about it, what I'm curious about is this: what other good recordings are there of this set? I see a fair amount from very near these dates, but I haven't begun digging through the rest. Obviously we have a soundboard, but there does seem to be a bit of variation between dates, I'm wondering if there's even more music they were doing as part of it that I haven't found yet...anyone else familiar with these already, or want to start digging through? tl;dr good Confield era tour set is good and needs to be heard

Hello knob twiddlers! I've been getting into stuff like Boards of Canada and Aphex Twin as of late (moreso Aphex Twin) and I want to check out Autechre, but since they have a monolithic body of work I'm not really sure where to start. I'm intrigued by the elseq 1-5 albums and the NTS sessions, but those things are so freaking huge that I don't think I should start there. What would you all recommend? Tri Repidae?

I do this Autechre impression at heady parties to scam mad chicks, but I only end up with mad bros. Whatevs. It's like, a mouth is a mouth, namsayin?