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  1. I am starting a new radio show, the first episode is tonight, 9pm GMT via https://soundartradio.org.uk/ "The Tump Clump" is just an hour, once a month, of mainly new music I have discovered from all over the place. A mix of vinyl / digital and me chattering. Taking in noise, drone, improv, experimental, industrial, techno and even some sludge drone metal stuff this time. Basically, my usual melting pot (if anyone has read my zines its like that) This was recorded in my shed. Due to covid restrictions still in place - live broadcasting is not possible for everyone yet from the real studios. I recorded it live in one take and you can tell as I fluff up a few times and my vocals are quiet / mashed a bit with the vox I added. Hey ho. A learning experience. The music is the key. From the studios I plan to do live vinyl mixes plus I want to do a live techno/noise jam with my hardware. And I am allowed phone interviews too if anyone fancies it - lol - no swearing tho. Artwork by the fantastic blackcloudsummoner - I feature one of the collaborative tracks with Territorial Gobbing under the WET MIRROR name. Always looking for new tunes to play in future shows so HMU. Shows will go up on Mixcloud after - Ill stick links up here after. Cheers Soloman Tump
  2. I've wanted to do this thread for a while. Drone music has many faces, but often hard to find. I've never read anything in this forum about it, except for an old thread where the discussion was more focused into explaining the difference between ambient and drone instead of sharing rare and astonishing drone pieces. Would be great if this thread turned into a nice thing worthy of his pretentious title! I'll start showing what I mean with awesome drone music (in different styles) Classic: Less classic: Avant-garde: http://isakedberg.com/Λ.wav (fucking incredible) Anyone into this kind of stuff?
  3. Excellent debt album from Patrica Wolf. 2022 has been very much about ambient and drone for me, and this has been a perfect accompaniment with the two sublime 12k albums this year, and Kali Malone's Cast of Mind reissue. Beautiful album.
  4. Thanks to @joshuatxuk for this excellent heads-up. Originally released on limited edition cassette for BEER ON THE RUG in 2015. track 19 is an added bonus track from Catalog sessions not on original release This will go some way to keeping fans of Sweden's Axel Backman (1991) happy. This is misty-eyed ambient and new age nostalgia, catatonic, detuned idents and pre-internet graphical demo attract sequences. It's absolutely lovely.
  5. Duenn (Fukuoka, Japan) is an electronic musician and composer producing minimal works, using a minimum of equipment. Through collaborations with other artists, both sonic and visual, Duenn seeks an expansion of self. In 2017, Duenn formed the experimental collaborative unit 3RENSA with Merzbow and Nyantora. Duenn co-hosted the ambient event “Hardcore Ambience” with Nyantora.
  6. Ambient drones, glitch layers, crackling and booming percussions, snatches and snippets of melody - experimental electronics for the connoisseurs. Recommended.
  7. https://blushtothesnow.bandcamp.com/album/off-season https://blushtothesnow.bandcamp.com/album/virtual-shrine really really love this guy's stuff, he's been putting out quite a bit since last year, and i've been eating up everything he's done basically. some more on the drone side, some more on the ambient end, but all of it is worth checking out. stands out amongst the inundation of ambient stuff out there imo.
  8. A fresh 20-year celebration remaster of a classic ambient/drone/synth/IDM album, originally released on Mille Plateaux in 2001. Highly recommended.
  9. Submersion - Egress CD/DL | September 2021 audio.submersion.info/album/egress soundcloud.com/submersion/infrareal 01 Discipline 02 Cyclicality 03 Infrareal 04 Sound Surface 05 Infraconscious 06 Circadian W/P by Justin Francazio (June - August 2021) Block print and design by Submersion Photography by Submersion and N.F. Mastering by Pheek Synth/Effects Sound Collages (10) Storms/Rain/Wind Waves AM/FM/SW/MW Radio Noise Campfires Surface Noise Insects 59:06 audio.submersion.info submersion.info/store soundcloud.com/submersion
  10. Andrea Porcu - The Healing Power Of The Moog Inspired by the "The Healing Forces of Music: History, Theory, and Practice" Book by Randall McClellan.
  11. I'm not familiar Novi_sad, but today sees the release of his first album for Raster. Already loving this. Field recordings intermingle with diaphanous tones, sometimes punctuated by moments of noise. Oceania starts off the album with processed field recordings, soon delivers a gut punch, before the relaxing again. One of those tracks that will give you a jolt if you've got your music on shuffle. I've been very impressed with the direction Raster has taken since the dissolution of Raster-Noton.
  12. https://lineimprint.bandcamp.com/album/earths-shadow good droney stuff. a lot of his tends towards experimental weirdness but this one doesn't go quote too far that way but still definitely comes from that place, just ends up a bit more emotional and open. haven't grabbed it yet, may wait til Bandcamp Friday (this upcoming Friday, i think?)
  13. Submersion - Momentum https://audio.submersion.info/album/momentum CD/DL Rerelease (Reworked Audio) | May 2021 01 Expansion of a Moment (20:32) 02 Discordance Congruence (15:01) 03 Light Filtering Through (15:00) 04 Accreted (17:59) 05 Accreted (Reprocess) (19:36) — Digital Bonus Synth / Effects Sound Collages Feedback Lake Shore Train Thunderstorms / Rain / Birds Night Insects Night Coyotes / Voices W/P by Justin Francazio Original audio (alternate version): 2012-2013 New arrangement, mixing, and mastering: April 2021 Accreted (Reprocess): April 2021 Momentum was originally released in 2014 as an experimental long-form digital album. 1:28:08 submersion.info soundcloud.com/submersion
  14. Half of Emptyset, Ginzburg releases an album of ambient drones on his own label. Should be interesteing.
  15. Myself (as Soloman Tump) and Stone Jaw followed up our 2020 split, and created a socially distanced collaborative dungeon synth/noise/drone/weird thing that we christened Clairvont. We each worked independently on layers of sound, not knowing what the other was preparing, only guided by a rough duration. Sounds like it could be a complete clusterfuck, right?! Well, actually it turned out to be semi-cohesive and it helped us come up with the project name and premise. We layered our sections, and with some simple volume / EQ control, The First was created.
  16. Free album to see out this year to forget. Music made from signals found from the far reaches of space. Forget about this world for a while and lose yourself in the void... Stay safe.
  17. Surprising compilation from German techno label Figure - ambient, downtempo, IDMish material from John Beltran, The 7th Plain (!), Ralf Hildenbeutel (!!!), Moritz von Oswald, Kangding Ray and more.
  18. Picked this up this week. New band for me, although they were active back in the last decade and broke up in 2008. This music is emotionally crushing - maybe not the sound you want to hear in current times. Still amazing. Boomkat describe it best. https://boomkat.com/products/going-places-390db797-a1cb-433d-ac4a-63aeb8652548
  19. Some ambient VZ10M synth stuff to help you pass the time until the new Autechre drops
  20. Seefeel founding member Mark Clifford releases an EP of scraping, singing guitar tone experiments today on ‘Playback EP’! Some fascinating textures and novel wrangling of harmonics for those who like to hear ostensibly familiar sounds from an oblique angle. Buy/Stream here: https://markclifford.bandcamp.com/album/playback-ep A video for the first track ‘Blue-Fi I: “The basic tracks for ‘Playback’ were recorded 15 years ago during a four hour session at Playback Studios in Brighton, and with a resident engineer more accustomed to recording Eastern European orchestras than experimental guitar music. It was a time in my life when I needed to break some emotional glass and the intensity of the sound in the studio succeeded in doing that. Over the following weeks I played around with the stems at home largely using a GRM Tools plugin. The tracks were kind of shelved with the intention of eventually finishing them as an album but this was never fully realised.”
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