Search the Community
Showing results for tags 'Dub'.
-
https://www.unearthedsounds.co.uk/products/mr-roque-dub-cradle-slumber-dub https://www.redeyerecords.co.uk/vinyl/103053-psi001-mr--roque More to come. 🙂 -
Gradient's sound reminds me of early John Tejada - deep, dubby, minimal, repetitive house. Recommended for the darkening evenings. Igloo says things.
-
Steve O'Sullivan's first album as Bluetrain, never mind that he's been using the alias for 25 years. House doesn't get more dub than this. Highly recommended.
-
24 tracks of high-def electronics ranging from synth experiments through deep house and techno to electro and back. Recommended.
-
Dubby ambient techno & electronics, PWYW. Recommended.
-
Four extended cuts of deep, tasty dubness with some acid droplets for good measure. Highly recommended. -
Four tracks of downtempo dubbed out IDM sound experiments, PWYW. Recommended.
-
A vertiable cornucopia of electronics from ambient through breaks to techno - and more. Recommended.
-
Hi all! Our new album is out! It's post-...something, dubby, distorted and weird. One track got tons of terrestrial airplay; another seems to be getting picked up by a bunch of blogs. One guy I know says some of it sounds like Tool, but I don't hear that myself. It's grubby and strange and full of cool drumming and custom DSP code and modular gear used as a *conventional instrument*. We recorded the whole thing in a day. I hope you like it! Cheers. Album link: https://gyro.lnk.to/SpectralGates Background: SPECTRAL GATES is a collaboration between Steve Allison & Daniel Arena (who also perform individually as Scruffamudda and Daniel Arena's Musical Entertainment Cube). The duo create energetic, ethereal and apocalyptic electronic beats, dub and post-rock. In late 2019, after a seven year break from playing together in bands, they went into a hacked-together DIY studio space for a day and came out with the bones of a self-titled album, scheduled for release on streaming services and Bandcamp March 31: "I'd just finished getting my recording rig sorted out again following some sessions for other bands, and it felt silly to pack it all away again in storage without doing some more tracking. Somehow this led to a one-day unplanned recording in a rehearsal room with me and Steve Allison - nothing written in advance, the very slightest amount of prep (most of which we discarded), and a terrifying mountain of instruments and equipment. Just, like, three of everything. Loopers and synths and mess. Angry homemade digital. I think I had ten different ways to make a guitar sound more distorted ready to patch in. Going in I wanted to capture some of the sheer exhilaration of making a terrible racket with friends. There's nothing like letting a guitar just feedback, barely under control. The air takes on mass and menace. Infamous noise pioneer Lucas Abela joked in an interview about one of his public installations that experimental music is a lot more fun to make than to listen to, and I was expecting this would go the same way. Maybe we'd capture a bit of that. What I hadn't counted on was that Steve and I would find something musically coherent from the first seconds of recording, and we kept gravitating back towards sanity in the sessions. The literal first thing we recorded survived through as track one on the album - this big, dubby, distorted thing that just rolls and flows and makes sense, and most of the album grew out of this apocalyptic cloud of electronic tension. Three minutes into a totally improvised piece that's working, you get this terror, you have to figure how to land this crazy machine before the wings fall off. We got a few good landings on tape." -
Warmed up the tubes, switched on the RE-201. Vermona DSR-3 was in good health. Reharmonised the track a bit Dubbed out dance
-
https://sfx-space.bandcamp.com/album/states-of-fugue-sf02
-
Hello, all -- I've just released a collection of music and would like to share the love: https://itzzzelll.bandcamp.com/album/cant http://itzzzelll.bandcamp.com/yum z8c8-xlva 3zh3-eetb 5yew-ub3x rk64-jxhq dnyh-gppt pakj-3fbb vxlp-7z43 6qp8-5zvs urf3-bgzd lvdw-x7kh 4gqq-j5zv 42r7-gr89 elmx-347z gcgp-hmp6 thur-5tby tqw5-bblf t8hg-xhva j6bz-jwmh 73xn-kwy5 xdev-k4bf Another EP, Atelo, was released a couple of months ago on Drvg Cvltvre's New York Haunted label: https://newyorkhaunted.bandcamp.com/album/nyh178-itzel-atelo Thank you and enjoy! Best, Itzel
-
Previously released on Pdxindubting in 2016 on cassette, now is available through ROHS! on CD edition (50 copies) https://rohsrecords.bandcamp.com/album/live-from-unknown note: **Free download (name-your-price) till release date** Courtesy of PDXINDUBTING. Shifting rhythms and pulsing tectonics from ROHS! headquarters Live From Unknown is the 3rd album from Sardinian born musician Andrea Porcu. Built with analog gear, the sound is emotive and expansive. Not easy to slot into one style or another, it's a true example of dub laden techno music. The Wire Magazine (review): Andrea Porcu Live From Unknown PDXINDUBTING! DL/MC Little is known about Andrea Porcu, whose aliases include No Politics and Whacky, other than he is Sardinian born, currently based in Berlin and, since late 2007, has been running an under the radar label via Bandcamp called ROHS!. The music it has released in all formats falls mainly in a deep dubtech vein. Best known artists in the roster are Xoki & Hieronymus, who were recently on ZamZam Records out of Oregon. Another figure worth investigating is Desove – Polish musician Pawel Granacky – for his Cruising album from last year. The prevailing sounds on the label are related to but much less beat-laden than Chain Reaction. Ambient washes are prevalent and percussion sounds more muffled; but this new one from Andrea Porcu himself is much more reggae dub centred, and it perhaps best relates to some of the shorter, more focussed outings of Stephen Hitchell in his Intrusion guise, it’s that impressive. “Roll Haze” even sounds whimsically jump up, with a repeated sax line intervention quoting “Get Up, Stand Up”. But the moodiest track is “Leaving Chichibabin”. Carrying a clear dread sound, it’s really in need of a deep cut direct to vinyl.
-
https://ramzi1.bandcamp.com/album/multiquest-niveau-1-camoufl New RAMZi is always reason to celebrate. Shake your funky little beans.
-
The first dub tune I've worked on in my new studio so I hope everything sounds as it should. The intro was made in a hurry because I needed to send this tune to a festival.
-
Something pretty spontaneous that came out of a slower track. 100 bpm. Reason10 for arrangement. oZone for stem mastering/effects. Just recently captured the _phuqr moniker. Been into the pulverized kick drums a lot lately, swingin around n the pan pot n what not. Track might get louder with more processing. Will be showcasing this track at an upcoming show in Chicago Aug 3rd. Some samples of samples hangin around in there captured from uChoob. #Snareup
-
4,80 euro + shipping Limited press of 300 copies https://www.ebay.it/itm/273863756336
-
I've just been listening to a lot of 90's Richard H Kirk stuff. I wasn't really into it much when it came out, oddly, but now it's really sounding great. So I was pleased to see this set, none of which I had. There's also an 8cd set of his stuff from 74-89, all more industrial/experimental. I like the 90's stuff better, but I know the earlier material will appeal more to some. Read a funny review from a more industrial minded dude who totally trashed the Sandoz stuff here: http://thequietus.com/articles/21537-richard-h-kirk-sandoz-box-set-album-review-cabaret-voltaire But I figured this board might lean more towards Sandoz, as I do. From Mute: 'Sandoz – #9294 (Collected Works 1992 – 1994) is a 5-CD box set, the box includes the 2CD Digital Lifeforms (Redux), the longtime unavailable and newly re-mastered Intensely Radioactive and Dark Continent albums and an album of rarities Runs The Voodoo Down.' Signed copies here, didn't see this before I got it. https://www.musicglue.com/richardhkirk/
-
Brendon Moeller (Beat Pharmacy) - Molecular (7 inch vinyl) https://rohsrecords.bandcamp.com/album/molecular
-
Helioscence #Bandcamp page launch! This is my first official independent musical release. This is a two track e.p. in the genre of hardcore dance with elements of dub and electronica. Mixed, mastered and conceived by yours truly. I have a ton of unreleased work that will be made available to stream and buy over time. Thanks to friends and family for all the support as I open this new chapter on my creative path. https://helioscence.bandcamp.com/album/pulverizer Huge thanks to @bobbyearly for script design and @zd3strd4 for Bandcamp page design and layout.
-
Submersion (http://submersion.info) "Inner" Album Mastered by Lawrence English at 158 → https://goo.gl/69musq (previews) → https://goo.gl/mD8DjU (pre-order) Limited Edition CD, 7" Vinyl Dubplate & Digital Release date: 24/10/2018 -
One of my favorite albums this year, Orange Milk alum and now signed to DFA Records, this Boston band is underrated as hell imo compared to some other indie acts. Really great songwriting, lyrics and weird but catchy tunes. You can tell they've evolved/matured a lot as a band without compromising on their avant-garde and experimental minded ethos. https://guerillatoss.bandcamp.com/album/gt-ultra They also put out a dub version by Jay Glass Dubs, a producer who take old school classic dub techniques but with newer equipment and music. Kind of similar to Ekoplekz. Jay Glass Dubs Versus Guerilla Toss https://bokehversions.bandcamp.com/album/jay-glass-dubs-vs-guerilla-toss Really neat remix album - reminds of the Massive Attack versus Mad Professor classic. This is even more deconstructed and injected with original rhythms and sequencing though imo. -
https://greatcircles.bandcamp.com/album/m-r-among-the-methods-lp-grcr-015 One of my most favorite recent Bandcamp finds. Think Vladislav Delay trying his hand at electro.
-
Dub Techno Master Brendon Moeller is back with a new Dub EP titled "TIDES" under his "Beat Pharmacy" alias. Out on ROHS! RECORDS on 7" vinyl https://rohsrecords.bandcamp.com/album/tides
