Jump to content

Search the Community

Showing results for tags 'Emptyset'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • General Discussion
    • Music Discussion
    • WATMM Featured Artists
    • General Banter
  • Expert Knob Twiddlers
    • EKT General Discussion
    • Your Latest Creations
    • EKT New Releases

Blogs

  • Joyrex's Blog
  • assorted ramblings
  • A hateful blog
  • them groovy dinosaur thoughts
  • Kcinsu
  • q
  • wahrk's Blog
  • wahrk's non-wahrk Blog
  • patternoverlap's Blog
  • The Narrow End of the Night
  • Quiet Time With Alzado
  • jreid
  • BCM's Blog
  • BCM's Blog
  • My Bolg
  • hautlle's Blog
  • ¡MÚSICA ARRIBA! watmm blog
  • chenGOD's Blog
  • Hobermonster's Ears
  • watmm minecraft blog
  • Macca's Blog
  • en<3y
  • clevreuse's Blog
  • On Wooden Boys That Skin Their Knees
  • pera's Blog
  • Spore's Blog
  • fuck anime
  • andihow's Blog
  • delet...er...lee yorz
  • Deepex's Blog
  • Chris Moss Acid's Blog
  • G. I. Raffe's Blog
  • Deepex's Blog
  • fun zone
  • ezrablog
  • brog
  • chris moss acid's Blog
  • Fuck Tri
  • chaosmachine's Blog
  • Jaffa's Blog
  • Jaffa's Blog
  • hoggy's Blog
  • music (AD)ventures
  • Split Pan Genus
  • StephenG's Blog
  • Blog of Facts
  • Npoess' Blog
  • Daily Ambient
  • Rubin Farr's Blog
  • Squarer's Blorg
  • azatroths blaargh
  • MDM Chaos' Blog
  • very honest's Blog
  • dcomμnications

Categories

There are no results to display.


Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Location


My Discogs


My SoundCloud


My Bandcamp


Interests


Website URL


PSN


XBOX Live


Steam


3DS Friend Code


Wii U Username


Nintendo ID

Found 5 results

  1. Half of Emptyset, Ginzburg releases an album of ambient drones on his own label. Should be interesteing.
  2. "after successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. recur is presented as emptyset’s third studio album, continuing on from their work with demiurge the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project’s exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point." norman records http://www.normanrecords.com/records/143166-emptyset-recur- raster-noton http://www.raster-noton.net
  3. "It's a triptych of sorts, containing recordings from three site-specific installations that the duo worked on during winter 2012, including their Sounding Space installation at London's Ambika P3 concrete bunker, and a commission for Tate Britain to record at the Trawsfynydd nuclear power plant in North Wales." the quietus http://thequietus.com/articles/11402-emptyset-material-architecture-subtext subtext http://subtextrecordings.net
  4. "emptyset is a bristol based project formed in 2005 by james ginzburg, di- rector of the multiverse studios and the curator and electronic artist paul pur- gas. the project explores the legacy of analogue media, integrating aspects of rhythm, signal processing and spatial recording within the framework of mini- malist composition. their work interrogates the perceptual boundaries between noise and music and the potential for both technology and architecture to em- bed and codify themselves within sound." "collapsed is emptyset’s first release on raster-noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges out of a resistance to fragmentation and likewise explores the potential contained within this liminal space of transition. across the four tracks of the release a structural grammar is defined and then pushed to excess to the point where it reforms from repetitive and stable frameworks into non-grid based forms and ultimately chaotic rule sets." look http://www.normanrec...0GXFWTOWNFhyxHA
×
×
  • Create New...