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  1. New podcast: PROBES #15, on experimental uses of the more intractable folk instruments. Curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes-15-1-chris-cutler/capsula In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new o
  2. New podcast: Conversartion with Alvin Lucier Link. http://rwm.macba.cat/en/sonia/alvin-lucier/capsula A key figure in post-Cage experimental music, Lucier is one of a kind, a composer who, as James Tenney says, makes his fellow musicians find themselves “having to revise our basic (and often unconscious) assumptions – our self-evident axioms about music.” Driven by a curiosity to understand “how things work” (an innocent and unprejudiced curiosity that Tenney compares to that of a child), Lucier always seems ready to disappear within sound. It is as if his fascination with the sound ph
  3. New podcast: In Objecthood #3, anthropologist Martin Holbraad and artist and curator Quim Pujol discuss monsters, otherness, hybrids, agency and fetish. Link: http://rwm.macba.cat/en/specials/objecthood3-martin-holbraad-quim-pujol/capsula Curated by Roc Jiménez de Cisneros This podcast is about objects, but more importantly, it is about some of the recent theories that offer new conceptualisations of objects in contemporary philosophy and art. In the previous episode, Florian Hecker and Erick Beltrán talked about zombies, vampires and chimeras. This third installment of the series delves
  4. MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson. Part I Produced by Rosanna Arbon Link: http://rwm.macba.cat/en/research/memorabilia-eric-isaacson/capsula PDF: http://rwm.macba.cat/uploads/20140313/Memorabilia_Eric_Isaacson_eng.pdf Collecting music began as a private pursuit for Eric Isaacson, from the age of five he was recording songs off the radio and making his own mix tapes. His biggest undertaking was reconstructing the Beatles back catalogue, track by track, album by album entirely off the radio which took him four years to complete. That kind of behaviour might lead you
  5. New podcast: INTERRUPTIONS #16. On duration: silence is unavailable, please buy time or switch dimensions. Curated by Dave Phillips A mix that manages to cram in over three hundred tracks, opening with Napalm Death and closing with Hanatarash (both bold statements!), is obviously something more than just a collection of musical snippets. Simply stunning for its unapproachable character, the crudeness of its content and the brilliance of its execution, Dave Phillips' sonic jigsaw puzzle is a true assault on the senses that reflects on extreme durations in music and our relationship with t
  6. New podcast: PROBES #6.2 Auxiliaries. A musical selection curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes6-2_chris_cutler/capsula PDF: http://rwm.macba.cat/uploads/20131217/Probes6_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena,
  7. New podcast: FONS ÀUDIO #21. Eric Baudelaire Born in Salt Lake City but based in Paris, Eric Baudelaire uses various formats to explore politically-charged historical events and documents. In FONS ÀUDIO #21 he discusses the background and context of the ideas and procedures behind 'The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images'. Link: http://rwm.macba.cat/en/specials/fons_eric_baudelaire/capsula More info: http://rwm.macba.cat/uploads/20130827/Fons21_eng.pdf In 'The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images' Baudela
  8. New Podcast: INTERRUPTIONS #17. Vietata la vendita. Sonorizzazioni e commenti sonori: library music made in Italy. Curated by Raül G. Pratginestós http://rwm.macba.cat/en/curatorial/raul-pratginestos-library-music/capsula Italians have always had a unique way of mixing music and drama, a special sensibility that accounts for the dominant role of music in the history of Italian film to the extent that many of the most highly admired soundtrack composers (Ennio Morricone, Nino Rota, Bruno Nicolai, Piero Piccioni and innumerable others) are Italian. It's no wonder then that Italy, which
  9. OBJECTHOOD #2 Curated by Roc Jiménez de Cisneros Link: http://rwm.macba.cat/en/specials/objecthood2-florian-hecker-erick-beltran/capsula PDF: http://rwm.macba.cat/uploads/20140613/Objecthood_2_en.pdf This podcast is about objects and, more importantly, about some recent new theoretical conceptualisations of objects in contemporary philosophy and art. In this second episode, sound artist Florian Hecker discusses the idea of sounds as objects and the notion of decomposition in his recent chimerical pieces, and Erick Beltrán addresses different aspects of epistemology, the self and ide
  10. PROBES #8.2 Auxiliaries. Curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes8-2-chris-cutler/capsula PDF: http://rwm.macba.cat/uploads/20140808/Probes8_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privilege so-calle
  11. New podcast: PROBES #8, curated by Chris Cutler In this eighth instalment, Chris Cutler presents modifications of string instruments that seek to move away from tonality while maintaining coherence. Link: http://rwm.macba.cat/en/curatorial/probes8-1-chris-cutler/capsula Playlist: http://rwm.macba.cat/uploads/20140710/Probes8_eng.pdf Transcript: http://rwm.macba.cat/uploads/20140619/08probes_transcript_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common-practice tonality (which overturned the certainties underp
  12. MEMORABILIA. COLLECTING SOUNDS WITH... Eric Isaacson Part II Eric Isaacson, founder of Mississippi Records, presents a compilation that seeks to capture the magic of home recordings. Link: http://rwm.macba.cat/en/research/memorabilia-eric-isaacson-collection/capsula PDF: http://rwm.macba.cat/uploads/20140508/Memorabilia_eric_isaacson_partII_eng.pdf “This mix is all over the board. The theme is simply home recorded music, whether by the artist themselves or by field recordists who came over to visit. Some of the artists are very well known like Bo Diddley, who would work out his composit
  13. New podcast: PROBES #7.2 Auxiliaries. Curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes7-2-chris-cutler/capsula PDF: http://rwm.macba.cat/uploads/20140424/Probes7_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privil
  14. Most listened podcasts – March 2014 - Ràdio Web MACBA 1- MEMORABILIA. COLLECTING SOUNDS WITH.... Eric Isaacson. Part I It may seem obvious looking back but Eric Isaacson had no idea that a childhood obsession with The Beatles and an armful of Daniel Johnston cassettes would be the foundation for his work as founder of Mississippi Records label and shop and the keeper of a uniquely free flowing record collection that is detached from time. Link: http://rwm.macba.cat/en/research/memorabilia-eric-isaacson/capsula Playlist: http://rwm.macba.cat/uploads/20140313/Memorabilia_Eric_Isaacson_eng.pdf
  15. Most listened podcasts – January 2014 - Ràdio Web MACBA 1- SONA #187. Interview with Diedrich Diederichsen. The cultural critic and music journalist Diedrich Diederichsen talks about the role of criticism in contemporary art, the social dimension of today's music, and the links and differences between the art and music worlds. Link: http://rwm.macba.cat/en/sonia/diedrich-diederichsen/capsula ------------------------------------------------------------------------------------------------------- 2- INTERRUPTIONS #16. On duration: silence is unavailable, please buy time or switch dimension
  16. New podcast: PROBES #7, curated by Chris Cutler PROBES #7 examines some of the preparations applied to percussion and voice before beginning to look at the recovery and invention of extended performance techniques; starting with the piano. Link: http://rwm.macba.cat/en/curatorial/probes7-1-chris-cutler/capsula Playlist: http://rwm.macba.cat/uploads/20140305/Probes7_eng.pdf Transcript: http://rwm.macba.cat/uploads/20140130/07probes_transcript_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned
  17. SONA #187. Diedrich Diederichsen The cultural critic and music journalist Diedrich Diederichsen talks about the role of criticism in contemporary art, the social dimension of today's music, and the links and differences between the art and music worlds. Link: http://rwm.macba.cat/en/sonia/diedrich-diederichsen/capsula
  18. Most listened podcasts – January 2014 - Ràdio Web MACBA 1- MEMORABILIA. COLLECTING SOUNDS WITH.... Andy Votel. Part II A selection of records that use eccentric voice manipulation techniques; from human existentialism and sound poetry to electronic, mechanical and computer distortion. Link: http://rwm.macba.cat/en/research/memorabilia-andy-votel-collection/capsula Playlist: http://rwm.macba.cat/uploads/20140113/Memorabilia_andy_votel_partII_eng.pdf ------------------------------------------------------------------------------------------------------- 2- MEMORABILIA. COLLECTING SOUNDS W
  19. New feature: PROBES #7 transcript is now available online. Curated by Chris Cutler Link: http://rwm.macba.cat/en/extra/probes7-chris-cutler/capsula Probes #7 examines some of the preparations applied to percussion and voice before beginning to look at the recovery and invention of extended performance techniques; starting with the piano. Between not touching it at all and reducing it to firewood many techniques have been proposed. The new episode will be available soon! You can find the complete series here: http://rwm.macba.cat/en/probes_tag Enjoy!
  20. Most listened podcasts - December 2013 - Ràdio Web MACBA 1- MEMORABILIA. COLLECTING SOUNDS WITH.... Andy Votel. Part I Over the past twenty years, Andy Votel has travelled far and wide in a quest to buy as many records as he could. His main motivation is to listen to music, and the only way to get the music he likes is generally to buy and collect it. Link: http://rwm.macba.cat/en/research/memorabilia-andy-votel/capsula Playlist: http://rwm.macba.cat/uploads/20131212/Memorabilia_Andy_Votel_eng.pdf --------------------------------------------------------------------------------------------
  21. INTERRUPTIONS #15. Cumulative Tails Curated by Vicki Bennett (aka People Like Us) Link: http://rwm.macba.cat/en/curatorial/vicki-bennett-cumulative-tails-/capsula PDF: http://rwm.macba.cat/uploads/20131230/15Interruptions_eng.pdf Cumulative Tails is a pun upon the 'cumulative tale', where each part of a story relates to that which just preceded and followed it. This radio mix, curated by Vicki Bennett, has been created using that process – a succession of audio tracks picked in conceptual relation only to that which was previously played. You can find more mixes for this ser
  22. New feature: Conversation with Peter Muldavin on his sound collection This is an email conversation with 78-rpm and 45-rpm record collector Peter Muldavin, which took place between Winter 2012 and Summer 2013. Info: http://rwm.macba.cat/en/extra/conversation_peter_muldavin/capsula PDF: http://rwm.macba.cat/uploads/20130903/memorabilia_peter_muldavin_conversation_eng.pdf Transcript of the email conversation with 78-rpm and 45-rpm record collector Peter Muldavin, as part of the research process for the podcast series MEMORABILIA. Collecting sounds with... Peter Muldavin (also
  23. New podcast: PROBES #5.2. Auxiliaries Curated by Chris Cutler This music selection investigates further ways of piano preparations: will the torture never end? Link: http://rwm.macba.cat/en/curatorial/probes5-2_chris_cutler_/capsula Info: http://rwm.macba.cat/uploads/20130813/Probes5_2_eng.pdf Mp3: http://rwm.macba.cat/uploads/probes/probes5_2.mp3 The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation m
  24. New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Brian Shimkovitz. Part I Produced by Matías Rossi The tale of how a student of ethnomusicology from Brooklyn spent a year in West Africa buying tapes off street markets... and how he managed to turn that bizarre collection into one of the most revered record labels in recent years. Link: http://rwm.macba.cat/en/research/memorabilia_brian_shimkovitz/capsula When Brian Shimkovitz went to Ghana on a Fulbright Scholarship for ethnomusicology in 2005, he was confronted with a rich, bizarre, puzzling and extremely varied array of music, mostly
  25. New pocast: PROBES #5, curated by Chris Cutler This fifth programme sets the scene for a wide range of very different approaches to the exploration of timbre and looks at ways of modifying or preparing the traditional piano. Link: http://rwm.macba.cat/en/curatorial/probes5_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130806/Probes5_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new for
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