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Showing results for tags 'Spectrum Spools'.
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The third techno-oriented album called LP by noise artist Ren Schofield a.k.a. Container has just been released: Available on vinyl + digital on Bleep. Haven't seen a lot of talk about this guy on here, but he deserves a listen. His Boiler Room set wrecked the place, he actually got people there to dance (properly) and his set has incredible energy constantly: (That first track in there could be a Crash Course In Science track imo) And here an older release that sums up his style pretty good (which is the second track in that BR set, I like that version more actually)
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Second Woman - S/W Spectrum Spools (Editions Mego) - SP043 April 21 2017 01. / 3:47 02. // 6:17 03. /// 4:22 04. //// 5:18 05. ////\ 4:05 06. ////\\ 6:10 07. ////\\\ 4:46 08. ////\\\\ 5:17 09. ////\\\\/ 4:32 44:34 BONUS REMIX on BANDCAMP / DIGITAL VINYLS by Gábor Lázár http://editionsmego.com/release/SP-043 https://spectrumspools.bandcamp.com/album/s-w https://soundcloud.com/spectrumspools/by-second-woman https://soundcloud.com/factmag/fact-mix-596-second-woman-apr-17
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- Belong
- Telefon Tel Aviv
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New collab project between TTA's Josh Eustis and Belong's Turk Dietrich called 'Second Woman' out June 10th on the label 'Spectrum Spools': Preview track: Tracklist: 01. 100407jd7 02. 200601je6 03. 300528mj1 04. 400425cc2 05. 500609sp3 06. 600249li9 07. 700358bc5 08. 800438ul8 09. 900438an4
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- Spectrum Spools
- Josh Eustis
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I did a search and didn't already see a thread for this. Has anyone else checked this out? I downloaded a copy with some leftover iTunes giftcard money simply because everything I've gotten from Editions Mego lately has rocked (not counting my misguided purchase of Hecker's "Speculative Solution"; as a real student of academic philosophy, I was kinda annoyed--I appreciated the concept, but the execution was annoying). Anyway, "Off / On" is great. It's very much in the vein of '80s PBS documentaries, which was just before Brian Greene got involved and documentaries started to suck. In
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Extended production notes: Material Study 01 (Sand) is a recording from a stereo hydrophone buried under the sand in a lake. Standing on top of the transducer, holding the MiniDisc recorder in my hand, and monitoring the feed with a pair of in-ear earphones, I slowly shifted my weight and the sand beneath my feet. My younger brother was on the shore throwing firecrackers into the water; this was an ‘accidental’ aspect of the recording. Material Study 02 (Cello and jacket) is made from a cello as it is dropped onto a carpeted floor with a contact microphone taped to it’s bridge. The