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Found 6 results

  1. Since the old thread got too long and took ages to load, we continue forth (think of it as a sequel, to use a movie metaphor).
  2. Not sure how I feel about this one. There seems to be a certain satisfaction to this movie but it also makes me uneasy. http://www.youtube.com/watch?v=-1-NRmuXTls
  3. New podcast: FONS ÀUDIO #21. Eric Baudelaire Born in Salt Lake City but based in Paris, Eric Baudelaire uses various formats to explore politically-charged historical events and documents. In FONS ÀUDIO #21 he discusses the background and context of the ideas and procedures behind 'The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images'. Link: http://rwm.macba.cat/en/specials/fons_eric_baudelaire/capsula More info: http://rwm.macba.cat/uploads/20130827/Fons21_eng.pdf In 'The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images' Baudelaire creates a transmedia piece (a film shot on Super 8, but also photographs and printed documents) that brings to light the personal stories, the political intrigue and the life journeys of these three iconic figures linked to the Japanese Red Army in the course of almost three decades living underground in Lebanon. Like other works by Baudelaire, this piece emphasises multiple tensions, between yesterday and today, between the real and the fictitious, the absent and the present, over-documentation and oblivion, actual events and memory. Always focusing particularly on Masao Adachi, the Japanese filmmaker and political activist who, in the sixties, developed a methodology for critical analysis based on the observation of the landscape. Baudelaire’s work thus stems from an experimental approach, almost in the scientific sense: what happens when you apply a theory that is virtually an unexplored mystery to the person who created it? An experiment that, Baudelaire claims, raises other interesting questions, regardless of the end result. Is it possible to reconstruct those twenty-seven years of exile in Beirut through the study of the day-to-day surroundings of its protagonists? What narratives can we deduce from the remains of certain architectural and power structures? How do we, in general, reconstruct history through fragmented and terribly subjective fragments? What role do images play in this reconstruction? Timeline 00:20 Introduction to the work 01:33 The characters and their journey 03:22 Masao Adachi's Landscape Theory 08:36 Anabasis as analogy 12:03 Adachi and the permanent revolution 13:56 The revolutionary potential of a camera You can find other features related to cinema and filmmaking here: http://rwm.macba.cat/en/cinema
  4. Didn't see a post about this when I searched, so I thought I'd mention it. Back in October, Biosphere posted the silent film 'Man With A Movie Camera' to Youtube complete with his score and I only just found it. I have the 2cd set of Substrata that includes this, but I hadn't seen the movie with the score synced up before. It's really awesome how parts of the music act as sound for what's going on in the film. For example, the sample 'sorry to wake you' coincides with a woman waking up. And the various spectral sounds that seem like part of the music when you listen to the score by itself turn out to be foley for machines and trains when you watch the movie. There is a brief childbirth scene, so you might get a bit grossed out, but this is balanced out by the cute topless Soviet woman giving herself a mud bath. Kind of racy for 1929. http://youtu.be/iIguRl-1EvY
  5. Just found this trailer for a new Muppets Movie. I'll definitely check it out :sup: [youtubehd]Mq5LfuvRBVM[/youtubehd]
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