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Showing results for tags 'digital'.
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the anisotroph sequence of singles begins with two tracks; IDM-style uptempo tracks with hints of modern electro, dark ambient, and glitch. [bandcamp]2487596580[/bandcamp] available at https://tsrono.bandcamp.com/album/anisotroph
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https://detund.bandcamp.com/album/ab I found this album while going through a poll for best Estonian album released in 2017. While most of the stuff there was basically usual suspects and boring hipster pop, this double LP (running length 2x37 minutes) is to me personally a jaw dropping pearl and I was instantly hooked. The concept is actually not a new one - trying to marry classical instruments and electronics, but it is really rare to see it executed so tastefully and dynamically as Taavi and Kristjan in this case have. There are step sequencers, but they are guided by the warm and lov
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- ambient
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http://www.npr.org/sections/thetwo-way/2017/01/06/508501366/norway-will-be-first-country-to-shut-down-fm-network-go-all-digital
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I feel like people think that analog synthesis is superior to digital synthesis. I have a tx81z and, while it's a bitch to program (it's not really that bad), I think the sounds that come out of it are great. It's like a big box of future noise but it's from 27 years ago. I also have access to an Arp 2600 (yeah, I get to play with an Arp. Fuck you) and while the sucker sounds phenomenal, I don't think it's a better synth than the Yamaha (I don't want to get into an argument of tx81z vs 2600, thanks though). The Yamaha is so much more flexible (polyphony is useful). Why do synth manufac
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So, Wood Between Worlds has started putting up the Autumn Harvest tapes, a batch of cassette and digital releases. The full set can be grabbed here, and the individual releases are described below. Spiricom - Spiricom Imposing soundscapes, walls of distortion, arresting drones, haunting vocal loops: these sounds and more coalesce on Spiricom's debut cassette release, resulting in a strikingly cohesive and unique album. Taking influence from other genre-defying artists like Ulver, Leyland Kirby, and Current 93, these tracks utilize various styles - echoing tribal and dub techno on "Inc
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I am looking to upgrade my turntable, but I'm conflicted as to how I should be spending my money. I mean, technically instead of buying the hardware, I can be buying actual music. Also, as far as collecting vinyl as a hobby - each new LP is usually going for $30 USD with shipping. If you think about this, buying digital makes the most sense in terms of frugality. It doesn't take up any physical space, it's much cheaper, no waiting for shipping, etc. . . I'm almost talking myself out of it already, but I love vinyl despite what I've said. I'm interested in buying a Pro-Ject Debut Carbon
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The Korg DSS-1. A great big beast of a sampling keyboard from the mid 1980s. Features a digital sampler & two digital delays, an analog filter & analog ADSR, and the ability to generate synth waveforms (digital I believe, have not used that feature seeing as I've got dedicated synths for that). A bit cumbersome to use, it sat in my closet for years until I had an urge to dig it out the other day & make some tracks, which reminded me that it's probably the warmest sounding sampling unit I've ever used & now I wanna make a whole buncha tracks with it Problem is! It runs o
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http://soundcloud.com/undergroundclouds/license-20120731acieed I finally got my lab fully reconnected Monday night. This is the first jam I've recorded since then. Also I was using my Shruthi-1 with the digital fx board for a couple months and I got kind of sick of the sound of the filter, so I put the original analog filter back in and I've been enjoying that the last couple of nights. I don't think of acid as my primary thing but I seem to keep gravitating toward it unconsciously. Shruthi-1 is the main acid line, Nord Micro Modular is doing drums, and the reverb is Quadraverb. Di
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Title says all. I'm giving away the 2 codes that came with the album as I don't need them. PM me and I'll PM you