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Found 12 results

  1. Our latest full-length cassette has just been released, this time from user77099097. Here's the blurb: The super-mysterious user77099097 first came to our attention when the icy, dubby Up At Lenrock was first uncovered by the equally mysterious ColorSquad collective. The origins of this crisp and spacious album are still unknown - it appears to have been sourced from some tapes found in late 2018 - although its true age has yet to be determined. Clearly, there are SAW-era Aphex vibes here, or perhaps a tinge of BoC, but make of it what you will. Either way, it's atmospheric, sparse, and w
  2. Our first compilation, released today digitally to coincide with Bandcamp's no-fee day, and for preorder on gold vinyl. Here's some words about it: If you’re looking for the middle ground, you’ve come to the right place. Ever since Gated launched we’ve always kept an eye out for those tracks that sit somewhere in the middle of dancefloor and home, between outright groovers and armchair head-nodders. On our journey we’ve come across these tracks, some one-offs that you’d want to bang out as a DJ, others you’d just like to put on and trip the fudge out. So we've collecte
  3. The first split EP on Gated takes in some tough acid house from Glasgow-based brutalizer Krokakai and some old-school breaks from the ever-eclectic Liðvarð. First up, Krokakai’s experience as a DJ and party-starter comes to the fore, with two deeply trippy acid chuggers. The Artificial Horizon label boss takes no prisoners, pushing rubbery acid lines and spaced-out atmospherics in the aptly named Doubleplus Acid, before taking it a step deeper with Lost Acid. Norwegian Liðvarð, meanwhile, goes for the early 90s hardcore jugular on another literally-named track, Quadcore H
  4. For GTD006 we present the ridiculously prolific The Jaffa Kid with a 5-track EP that covers quite a few bases, musically. Out March 20 via our Bandcamp and the usual retailers. Clips: Some blurb: Daniel “The Jaffa Kid” Pringle has been brewing a steady stream of lo-fi, icy, melodic tracks since the late 1990s from his bedroom setup of various synths, software and drum machines. But it’s only recently that his spaced-out take on techno, breakbeat and electro has been picked up by labels like La Beauté Du Négatif and Brokntoys. On his debut for Gated he takes influences as di
  5. This has very little to do with electronic music so I'm in two minds whether to post it here. Anyway maybe you'll be interested because it marks a bit of a departure for us as a label. It's also a very good album, so I'd be interested to hear your thoughts either way.
  6. This won't be out for about a month, but seeing as Bleep have already opened it up for preorders I thought I'd post it here. It's clubbier than our other output so I have no idea whether you guys will dig it or not. Anyway, here's our marketing text explaining all the gubbins: Joel Brittain's music is defined more by what it isn't than by what it is. This is breakbeat... but not, house... but not, electro... but not. Hell, there's even a hint of prog in these expansive, indefinable tracks that switch-up in oh-so-unexpected ways. Perhaps it's because this US-born, UK-based producer has bee
  7. Hello, as a little Christmas treat, we've got 3 tracks from 3 of our favourite musicians for you. Free, forever. Enjoy! https://gatedrecordings.bandcamp.com/album/xmas-lock-in
  8. Our newest release is the rather lovely EP from Canadian musician Dopefist. Here's the official skinny: Following two stand-out cuts on recent Mindcolor Music and Touched Electronix compilations, Mike "Dopefist" Verde makes his full EP debut for Gated. Across six tracks, the Canadian native showcases music that dips and sweeps with life-affirming electronic goodness. This is music for the head and the heart, celebrating the magic found in unrepeatable details, a studio full of warm analogue synths, and classic drum machines. Verde records all his tracks in one take, emphasizing the elemen
  9. Very proud to present our third release: Goldefish's Passive Pleasure EP. Goldefish first came to our attention after RDJ commented on his track 'Radon'. All he said was "dope" but it was enough -- that track now has over 7,500 plays on SoundCloud. But it turns out Goldefish is, in my humble opinion, a startling new talent. His productions are rhythmically superb and detailed, drawing on old school dnb and breakbeat, as well as acidic techno. He sent us new track 'Moonlight' to complete the EP, which pushes things even further. After communicating with us for a while it turned o
  10. We decided to launch a cassette sublabel for experimental/analogue/modular/ambient type music. This is our first release on that, coming out on Oct. 25. There will be 50 cassettes that have been professionally dubbed and 5 that I recorded at home on Type IV metal tape with hand-stamped sleeves. We haven't pushed this to Bandcamp just yet but I wanted to let you all know in advance. There are some samples on SoundCloud: Hope you enjoy it as much as I do. Here's a bit of blurb about it: We take a slowdive into the fuzzy analogue loops of new French musician Akim Drml f
  11. For the second release on Gated, Maltese musician Sound Synthesis takes us on an emotive electro journey. The A-side, though, is all about the floor. It kicks off with the atmospheric bass-driven Jupiter Bazz, before taking a decidedly Kraftwerkian turn with the EP’s title track, Xjenza Eletronika. Flip to the B for three deeper, emotional cuts, with Traveller’s melodic intentions apparent from the off. Waiting Rooms continues the deepness, before the EP is rounded out with a little snifter of positivity on How It Feels. The EP’s digital-only bonus track Immersive Rhythms s
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