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Found 4 results

  1. i have decided this morning that it is time i finally put together a band. a band that will blow minds. i have a vision, but it is blurry as of yet. some background: recently i played fretless bass on halloween doing a goth miley cyrus cover thing. i was actually amazed how cool it sounded to play fretless with overdrive and reverb and it actually turned out amazing and the chemistry between me and the guitar player was good. he does like drone shit but he's generally versatile. a bit too much of a stoner at times but not retarded level. either way, i found the experience of playing in a 'dark' band to be actually quite exhilarating. i used to play punk, moved on to classical and then jazz. and of course i make electronic music. but the whole thing, the presentation, how much the crowd loved the drama, the theatre of the thing. it was awesome. so i'm gonna make a band. i'm gonna be the front man. i'm gonna contort myself into weird poses and come up with a strange hair-do. these things are going to happen. i got a drummer on lock who is down, he knows how to tackle any style. plus he's bald so that's kind of aesthetically cool. guitar guy is super skinny with long hair and big beard. i'm salv, u kno me. so i'm trying to draw from a lot of sources to synthesize the aesthetic i want to achieve. so i will list off some influences. - DAF. "alles ist gut". want to have dissonance and darkness and quietness - bauhaus noodly guitar noises - nitzer ebb synths - einsturzende neubauten brutality - aenima era tool live performances. i want to be all weirdly contorting and having that interplay of soft/loud - korn. a bit of 'falling away from me'. not the vocals but some of the general production and harshness - sonic youth. want to use the kind of alternate tunings and jangly bits. later era stuff with jim o'rourke. ambient loop soundscapes. - mick karn fretless bass style stuff - diamanda galas - NIN obvs - holy music such as gregorian chant and tibetan shit. out there stuff. microtones. but somehow fuse things together in a way where everything is dark and bewildering and in your face at times but then fading into shimmering ambience and drone. want it to feel like a continuous experience that fuckin blows the minds of the audience. drama. excitement. weirdness. just the whole damn package. so yeah just like gimme stuff i should listen to to get the creative juices flowin. i mean they are flowin. sort of. but i want them to gush, baby. make me gush, fuckers
  2. Collection of archival material from Columbus area goth / new wave 80s band that kind of got lost in the shuffle, as many do. Sounds timely for the hauntology / dark ambient scenes that owe a lot to this kind of sound. https://stroomtv.bandcamp.com/album/reflections-in-a-rear-view-mirror
  3. Pre-orders of the new album from Christoph de Babalon are available now from Love Love Records: http://tinyurl.com/q6nrhrb! Listen to album opener ‘Barely You’ for a taste: Release date: November, Friday 13th With a career spanning over two decades, Christoph De Babalon has consistently created music that stands apart from contemporaneous trends. Early 12”s such as ‘Destroy Berlin!’ on Alec Empire’s Digital Hardcore Recordings (DHR) and ‘We Declare War’ on his own Cross Fader Enter Tainment (CFET) outlet first presented his cathartic brand of noise-orientated drum & bass and his isolationist tendencies, with extensive support from the late John Peel and Thom Yorke helping Christoph achieve somewhat of an outsider-status. More recently his ability to remain separated from specific spheres of influence has allowed him to deliver uncompromising releases like the mutated conceptual album ‘Scylla & Charybdis’, as well as his diverse 2012 album ‘A Bond With Sorrow’ on Tigerbeat6, marking a departure from the chaotic flurries he was perhaps previously more known for. ‘Short Eternities’ sees Christoph once again exploring the abrasive nature of his earlier work whilst maintaining throughout the album a level of measured assuredness not often seen in this area of music. Album opener ‘Barely You’ serves as a powerful message of intent interlacing a fractured drum break with tense horror tones, whereas detailed ambient atmospheres such as those in ‘Wait For Me’ and ‘It’s Returning’ alongside the hypnotic rumblings of ‘Home is Here’ and ‘Bad Dreamer’ break apart the extremities of the album, providing an opiated atmosphere within which the album swims around. This cinematic presentation allows for a far greater impact when the climactic ‘Haunting Past’ finally hits home with its finely-tuned blend of jarring distortion and moody surroundings, followed hastily by the twisted drum breaks and writhing bass-line of ‘Fairreality’. Christoph touches upon a rich shadowy darkness akin to a handful of contemporaries such as Demdike Stare and Vatican Shadow but with a vigour that captures the anarchic spirit of early breakcore. It is the explorative and ritualistic nature of his method, combining paradoxical feelings of euphoria, introversion and explosive aggression, which truly makes Christoph’s music so compelling.
  4. A wishlist of 90s-00s goth /industrial / hauntology / occult-related bands from the legendary Cleopatra label, with a choice of colored 7" vinyl, now at a sale price. If this was 1995, I'd be tempted to buy it. Limited to 666 copies of each vinyl color. https://cleorecs.com/store/shop/occult-box-limited-edition-5-cds-7-lp-w-pendant-chain/
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