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Showing results for tags 'illbient'.
Found 5 results
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Raz Mesinai - How to Kill a Boombox (1989-1992)
Rubin Farr posted a topic in New & Upcoming Releases
https://silorumor.bandcamp.com/album/how-to-kill-a-boombox-underground-cassette-productions-1989-92 -
Blood Mute - Blood Mute Blood Mute is a collaboration between Blood Room and Mute-Tiny. They describe their music as being partly an extension of the illbient scene of the 1990s, partly something else. Rustoleum 50 Mike Spike Aedena Traction Bad For Your Hands Haab s Trac Paraffin Graviton Available from the Acroplane Bandcamp here https://acroplanerecordings.bandcamp.com/album/blood-mute Also available from today on Bleep, Juno, Boomkat etc. Cover photography by Lukasz Wierzbowski
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released on Prinse Records https://ponal.bandcamp.com/album/interstate http://soundcloud.com/ponal/sets/inter
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https://soundcloud.com/crx091081gb/no-authority-without-hate New doom tune.
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Matt Collins - The Grin Without The Cat or The Cat Without An Outline
Guest posted a topic in New & Upcoming Releases
Hi, hope no one minds me posting this info about the first release on our label. http://soundcloud.com/blue-tapes/matt-collins-excerpt-from-the http://bluetapes.co....hout-an-outline We're very proud to announce that the first release on the new blue tapes label is a solo release from former Ninja High School leader Matt Collins. Toronto's NHS were arguably the 00s most overlooked band. Their ferocious 2005 album, Young Adults Against Suicide (Tomlab) - feted by Plan B, Pitchfork, Drowned In Sound, etc - is one of the greatest albums by bands who only ever released one album ever! Their self-styled "positive hardcore dance-rap" was a life-changing racket that, when screamed in your face by four faces backflipping around the venue, made for seriously one of the greatest live shows we've ever witnessed. Matt's The Grin Without The Cat or The Cat Without An Outline is a severe change of pace from that band's ever-escalating levels of energy. Entirely instrumental, dense with almost Tangerine Dreamy textures, The Grin is an impressively sculpted piece of dreamsound. At some points on this release Matt sounds exactly like the kind of producer Björk should be ringing right now to supply a classic sequel to Vespertine. Colours and shapes mood-shift across this C30. If things start getting too relaxing the ghosts of ambient rave are chased by away by sky-strafing synth jetstreams and psychotropic flamethrowers. If things start getting too abstract then Silver Apples drums shuffle in, ushering us towards a resolution. Lacking none of the imagination of his early work, The Grin sees Matt source new power in haunting our spaces between waking and sleeping, summoning whole new feelings out of nothing but tones.
