Jump to content

Search the Community

Showing results for tags 'probes'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • General Discussion
    • Music Discussion
    • WATMM Featured Artists
    • General Banter
  • Expert Knob Twiddlers
    • EKT General Discussion
    • Your Latest Creations
    • EKT New Releases

Blogs

  • Joyrex's Blog
  • assorted ramblings
  • A hateful blog
  • them groovy dinosaur thoughts
  • Kcinsu
  • q
  • wahrk's Blog
  • wahrk's non-wahrk Blog
  • patternoverlap's Blog
  • The Narrow End of the Night
  • Quiet Time With Alzado
  • jreid
  • BCM's Blog
  • BCM's Blog
  • My Bolg
  • hautlle's Blog
  • ¡MÚSICA ARRIBA! watmm blog
  • chenGOD's Blog
  • Hobermonster's Ears
  • watmm minecraft blog
  • Macca's Blog
  • en<3y
  • clevreuse's Blog
  • On Wooden Boys That Skin Their Knees
  • pera's Blog
  • Spore's Blog
  • fuck anime
  • andihow's Blog
  • delet...er...lee yorz
  • Deepex's Blog
  • Chris Moss Acid's Blog
  • G. I. Raffe's Blog
  • Deepex's Blog
  • fun zone
  • Jonas' Blog
  • brog
  • chris moss acid's Blog
  • Fuck Tri
  • chaosmachine's Blog
  • Jaffa's Blog
  • Jaffa's Blog
  • hoggy's Blog
  • music (AD)ventures
  • Split Pan Genus
  • StephenG's Blog
  • Blog of Facts
  • Npoess' Blog
  • Daily Ambient
  • Rubin Farr's Blog
  • Squarer's Blorg
  • azatroths blaargh
  • MDM Chaos' Blog
  • very honest's Blog

Categories

There are no results to display.

Categories

  • Aphex Twin
  • Autechre
  • Boards of Canada
  • Squarepusher
  • Plaid
  • Clark
  • µ-Ziq
  • Ceephax
  • Luke Vibert

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Location


My Discogs


My SoundCloud


My Bandcamp


Interests


PSN


XBOX Live


Steam


3DS Friend Code


Wii U Username


Nintendo ID

Found 6 results

  1. New podcast: PROBES #15, on experimental uses of the more intractable folk instruments. Curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes-15-1-chris-cutler/capsula In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. In PROBES #15 we look at experimental uses of the more intractable folk instruments: bagpipes, hurdy gurdy and harmonica. Is nothing sacred? You can find the complete series so far, here: http://rwm.macba.cat/en/probes_tag Enjoy!
  2. New podcast: Chris Cutler's PROBES #13 tracks the recovery and reassignment of ancient and folk instruments in unfamiliar contexts. Link: http://rwm.macba.cat/en/curatorial/probes-13-1-chris-cutler/capsula Transcript: http://rwm.macba.cat/uploads/20150625/13probes_transcript_eng.pdf Playlist: http://rwm.macba.cat/uploads/20150706/Probes13_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. PROBES #13 tracks the recovery and reassignment of ancient and folk instruments in unfamiliar contexts. The complete PROBES series so far can be found here: http://rwm.macba.cat/en/probes_tag Enjoy!
  3. New podcast: PROBES #7, curated by Chris Cutler PROBES #7 examines some of the preparations applied to percussion and voice before beginning to look at the recovery and invention of extended performance techniques; starting with the piano. Link: http://rwm.macba.cat/en/curatorial/probes7-1-chris-cutler/capsula Playlist: http://rwm.macba.cat/uploads/20140305/Probes7_eng.pdf Transcript: http://rwm.macba.cat/uploads/20140130/07probes_transcript_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. You can find the complete series here: http://rwm.macba.cat/en/probes_tag
  4. New podcast: PROBES #6, curated by Chris Cutler There's no end of things that have been laid on, tied to, screwed into or otherwise attached to alter the sound of conventional instruments. This sixth programme draws a map and explores some of the outer reaches of string and wind preparations. Link: http://rwm.macba.cat/en/curatorial/probes6_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130909/Probes6_eng.pdf Transcript: http://rwm.macba.cat/uploads/20130909/06probes_transcript_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. This sixth programme continues to explore probes into pitch through the preparation and modification of conventional instruments – looking at the many tapings, wrappings, clampings, clippings, attachments and impairments applied across the family of strings, before moving on to the less familiar territory of prepared winds. Some people get up to some pretty strange behaviour in the pursuit of unusual sounds. You can find the complete series here: http://rwm.macba.cat/en/probes_tag
  5. New podcast: Probes #4.2. Auxiliaries. A musical selection curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes4-2_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130708/Probes4_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privilege so-called serious over so-called popular genres. The fourth auxiliary continues to look sliding pitches, concentrating this time on their use in popular music, before moving on to wholly unpitched probes that begin to map the many aspects of differentiated noise. You can find the complete series here: http://rwm.macba.cat/en/probes_tag Enjoy!
  6. New podcast: PROBES #4, curated by Chris Cutler This fourth programme looks at another dimension of portamenti, and moves on into early twentieth century ideas of colour, timbre and the contested territory of noise. Link: http://rwm.macba.cat/en/curatorial/probes4_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130619/Probes4_eng.pdf Transcript: http://rwm.macba.cat/en/extra/probes4_chris_cutler/capsula In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of Art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ‘music’. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. PROBES #4 concludes our excursion into portamenti, looking at its use in popular music, before moving on to wholly unpitched probes that begin to map the many aspects of differentiated noise. You can find the complete series here: http://rwm.macba.cat/en/probes_tag
×
×
  • Create New...