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Found 2 results

  1. why do you think producers who aren't trying to wiggle around their contracts with major labels need to release things anonymously etc? whats the theory there? why is it cool?
  2. Guest

    Pro Tools users

    How many of you use Pro Tools in producing music? I work in Pro Tools almost every day at work, but I'm editing and mixing for post-production. So music production is at a very low minimum. I make my tracks 95% of the time in BuzzTracker and have been doing so since it pretty much came out. I love it as I can easily get into it and bang out a track very quickly since I know it inside and out. But I feel the need to expand (or even limit) my palette and habits to shake me out of routines and 'no fail' methods in composing. I dabbled in the instrument plug-ins in Pro Tools and had some fun, but it's a different beast altogether compared to the tracker style of composing. I'd just like to read some of your approaches to composing in Pro Tools to give me a few ideas I never considered. And maybe someone else had the same tracker background who 'graduated' to Pro Tools? Thanks!
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