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  1. New podcast: ON LISTENING #1. Thinking (through) the ear. Curated by Arnau Horta. Music by Annie Goh. With conversations with Salomé Voegelin, Peter Szendy, Christoph Cox, Casey O'Callahan, Seth Kim-Cohen and Julian Henriques Link: http://rwm.macba.cat/en/research/on-listening-1/capsula To what extent is listening ‘thinkable’? Philosophical inquiry, deeply rooted in the visual regime, seems to struggle when it comes to theoretically coming to grips with listening and sonic phenomena. It is, after all, no coincidence that the Greek term ‘theoria’ (θεωρία) means ‘looking at, viewing, behol
  2. New #podcast/mix: PROBES #16.2. Auxiliaries. Chris Cutler wonders how far you can go with banjos, mandolins, balalaikas, jew’s harps and ensembles of folk instruments. And it’s pretty far. Link: http://rwm.macba.cat/en/curatorial/probes16-2-chris-cutler/capsula Playlist: http://rwm.macba.cat/uploads/20160129/Probes16_2_eng.0.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason,
  3. New podcast: PROBES #15, on experimental uses of the more intractable folk instruments. Curated by Chris Cutler Link: http://rwm.macba.cat/en/curatorial/probes-15-1-chris-cutler/capsula In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new o
  4. New podcast: ON LISTENING. Research process: Jacob Kirkegaard Link: http://rwm.macba.cat/en/extra/jacob-kirkegaard/capsula In 2014, we interviewed Danish artist Jacob Kirkegaard as part of a research project entitled ON LISTENING. This podcast takes us back to that conversation. With projects on the deserts of Oman, the Chernobyl 'zone of alienation', Arctic calving glaciers and the tones generated by the human inner ear itself, mapping out Jacob Kirkegaard's artistic practice is no easy task. He allows himself to be led by wonder, focusing on hidden or unheard layers of sound and son
  5. New podcast: Conversartion with Alvin Lucier Link. http://rwm.macba.cat/en/sonia/alvin-lucier/capsula A key figure in post-Cage experimental music, Lucier is one of a kind, a composer who, as James Tenney says, makes his fellow musicians find themselves “having to revise our basic (and often unconscious) assumptions – our self-evident axioms about music.” Driven by a curiosity to understand “how things work” (an innocent and unprejudiced curiosity that Tenney compares to that of a child), Lucier always seems ready to disappear within sound. It is as if his fascination with the sound ph
  6. In PROBES #14 Chris Cutler take a detour to show how a collision of folk mechanisms, social upheaval, sound recording and electrification underpinned the growth of a new polyglot musical language, and a new aesthetic constituency. Link: http://rwm.macba.cat/en/curatorial/probes-14-1-chris-cutler/capsula Transcript: http://rwm.macba.cat/uploads/20150909/14probes_transcript_eng.pdf Enjoy!
  7. New podcast: Angela Dimitrakaki talks about the new feminist critique, the limits of democracy, the wiles of post-capitalism, and the ambivalence of the commons. We also touch on the notions of radical curating and collaborative practices. Featuring music commissioned to AGF and mixed by Lucrecia Dalt. Link: http://rwm.macba.cat/en/sonia/angela-dimitrakaki-agf/capsula Angela Dimitrakaki is an essayist, novelist, and Senior Lecturer in Contemporary Art History and Theory at the University of Edinburgh. From the trenches of Marxist-inspired materialist feminism, Dimitrakaki analyses the link
  8. New podcast: INTERRUPTIONS #20. The Little People In The Radio present... By Anna Friz link: http://rwm.macba.cat/en/curatorial/anna-friz-interruptions/capsula text+ playlist: http://rwm.macba.cat/uploads/20151110/20Interruptions_eng.pdf A show riffing on the anachronistic childhood fantasy of the little people who live inside the radio and perform all the voices and sounds heard. Turn on the radio, the little people begin to talk; change the station, and they change their voices. Most basically an exploration of the uses and misuses of the trope of the radio host, taken from archival mater
  9. New podcast: PROBES #13.2: Chris Cutler digs into new sounds with long-forgotten instruments. Featuring Nissim Schaul, Arvo Pärt, Phil Legard, Ryōhei Hirose, Bülent Arel, George Crumb and more! Link: http://rwm.macba.cat/en/curatorial/probes13-2-chris-cutler/capsula Playlist+info: http://rwm.macba.cat/uploads/20150729/Probes13_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that
  10. New podcast: Roc Jiménez de Cisneros about EVOL's very free deconstruction and reinterpretation of György Ligeti's 'Continuum' and Hanne Darboven’s 'Opus 17a' Link: http://rwm.macba.cat/en/sonia/evol/capsula The name of EVOL comes from the Catalan word for Sambucus Ebulus, a herbaceous species of elder with a characteristic foetid smell. Under this moniker, Roc Jiménez de Cisneros and Stephen Sharp make what they call 'computer music for hooligans' or 'rave synthesis'. Since 1996, their deconstructed rave objects have been released on record labels such as Editions Mego, Diagonal, Entr'act
  11. New podcast: Chris Cutler's PROBES #13 tracks the recovery and reassignment of ancient and folk instruments in unfamiliar contexts. Link: http://rwm.macba.cat/en/curatorial/probes-13-1-chris-cutler/capsula Transcript: http://rwm.macba.cat/uploads/20150625/13probes_transcript_eng.pdf Playlist: http://rwm.macba.cat/uploads/20150706/Probes13_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of me
  12. New podcast: INTERRUPTIONS #19. The possibility of drumming, by Morten J. Olsen (of N.M.O and MoHa! fame) One can easily compile a list of tags to describe a mix, but the real question is whether the list comes after the mix, or whether all those items in the list were already in the author’s practise/background to begin with. Or maybe it’s a bit of both? Innate music, innate rhythms, universal grammar, YouTube-anthropology, vestigiality, rudiments, Swiss mercenaries, acid techno and other elemental forms of expression. Norwegian drummer Morten J. Olsen (of N.M.O and MoHa! fame) delivers a t
  13. COMPOSING WITH PROCESS is a podcast series, curated by Mark Fell and Joe Gilmore and commissioned by Radio Web MACBA, exploring generative approaches to composition and performance primarily in the context of experimental technologies and music practices of the latter part of the 20th Century. Below we compiled all the episodes and information: COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.1. Continue. A range of sound works representing different periods, traditions and approaches to generative and systems based music. Podcast: http://rwm.macba.cat/en/r
  14. Ràdio Web MACBA's most listened podcasts 2014 1- MEMORABILIA. COLLECTING SOUNDS WITH.... Andy Votel Part I. Produced by Matias Rossi Over the past twenty years, Andy Votel has travelled far and wide in a quest to buy as many records as he could. His main motivation is to listen to music, and the only way to get the music he likes is generally to buy and collect it. Link: http://rwm.macba.cat/en/research/memorabilia-andy-votel/capsula More info: http://rwm.macba.cat/uploads/20131212/Memorabilia_Andy_Votel_eng.pdf 2- MEMORABILIA. COLLECTING SOUNDS WITH.... Brian Shi
  15. This mix explores extended techniques for percussion and winds. Link: http://rwm.macba.cat/en/curatorial/probes9-2-chris-cutler/capsula The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privilege so-called serious over so-called popular genres. This auxi
  16. What is Radio Art? What are we doing? Ben Vida, Felix Kubin, Goodiepal, Kenneth Goldsmith, Jon Leidecker, Tetsuo Kogawa, Chris Cutler and Roc Jiménez de Cisneros give their own answer to these ontological question. Link: http://rwm.macba.cat/en/extra/radio-as-art/capsula In June 2014 we participated in the international symposium 'Radio as Art - Concepts, Spaces, Practices: Radio Art between Media Reality and Art Reception', co-organised by the Centre for Artists’ Publications at the Weserburg Museum of Modern Art in Bremen and the Universities of Bremen and Cologne. True to RWM form, we ask
  17. Following with Felix Kubin’s line of research on the creative underground tape scene, in this brief podcast we revisit the origins of the format with former Philips employee Wim Langenhoff. Link: http://rwm.macba.cat/en/extra/wim-langenhoff/capsula As a former employee at Dutch electronics conglomerate Philips, Wim Langenhoff was involved in the development of the audio cassette. He was also a member of The New Electric Chamber Music Ensemble, an Eindhoven-based artists’ collective that became notorious in the region for their anarchic performances in the late sixties. The different sectio
  18. New podcast: FONS ÀUDIO #21. Eric Baudelaire Born in Salt Lake City but based in Paris, Eric Baudelaire uses various formats to explore politically-charged historical events and documents. In FONS ÀUDIO #21 he discusses the background and context of the ideas and procedures behind 'The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images'. Link: http://rwm.macba.cat/en/specials/fons_eric_baudelaire/capsula More info: http://rwm.macba.cat/uploads/20130827/Fons21_eng.pdf In 'The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images' Baudela
  19. New podcast: OBJECTHOOD #1. featuring interviews with Graham Harman and Luciana Parisi Curated by Roc Jiménez de Cisneros A historical overview and some new perspectives on objects in contemporary philosophy and art. Featuring interviews with Graham Harman and Luciana Parisi. Link: http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula Info: http://rwm.macba.cat/uploads/20130823/Objecthood_1_eng.pdf MP3: http://rwm.macba.cat/uploads/objecthood/objecthood_1.mp3 This podcast is about objects, but more importantly, it is about some of the recent theories that off
  20. New feature: Conversation with Peter Muldavin on his sound collection This is an email conversation with 78-rpm and 45-rpm record collector Peter Muldavin, which took place between Winter 2012 and Summer 2013. Info: http://rwm.macba.cat/en/extra/conversation_peter_muldavin/capsula PDF: http://rwm.macba.cat/uploads/20130903/memorabilia_peter_muldavin_conversation_eng.pdf Transcript of the email conversation with 78-rpm and 45-rpm record collector Peter Muldavin, as part of the research process for the podcast series MEMORABILIA. Collecting sounds with... Peter Muldavin (also
  21. New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Brian Shimkovitz. Part I Produced by Matías Rossi The tale of how a student of ethnomusicology from Brooklyn spent a year in West Africa buying tapes off street markets... and how he managed to turn that bizarre collection into one of the most revered record labels in recent years. Link: http://rwm.macba.cat/en/research/memorabilia_brian_shimkovitz/capsula When Brian Shimkovitz went to Ghana on a Fulbright Scholarship for ethnomusicology in 2005, he was confronted with a rich, bizarre, puzzling and extremely varied array of music, mostly
  22. New pocast: PROBES #5, curated by Chris Cutler This fifth programme sets the scene for a wide range of very different approaches to the exploration of timbre and looks at ways of modifying or preparing the traditional piano. Link: http://rwm.macba.cat/en/curatorial/probes5_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130806/Probes5_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new for
  23. New feature: Conversation with plunderphonic artist Vicki Bennett on her sound collection The following is a transcript of the email conversation with plunderphonic artist and sound collector Vicki Bennett, which took place in Summer 2013, as part of the research process for the podcast series MEMORABILIA. Collecting sounds with... Link: http://rwm.macba.cat/en/extra/conversation_vicki_bennett/capsula PDF: http://rwm.macba.cat/en/extra/conversation_vicki_bennett/capsula Vicki Bennett (b.1967) is been an influential figure in the field of audio visual collage, through her innovative sam
  24. New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Kees Tazelaar. Part II. Music selected by Kees Tazelaar This mix, clocking in at over two hours, is a retrospective snapshot of the musical legacy of the Institute of Sonology. It alternates classic pieces, recent works and unreleased gems from the Sonology archive. Link: http://rwm.macba.cat/en/research/memorabilia_kees_tazelaar_collection/capsula Playlist: http://rwm.macba.cat/uploads/20130313/Memorabilia_kees_tazeelar_partII_eng.pdf The first electronic music studio in the Netherlands was founded in 1956 at Philips Research
  25. New podcast: INTERRUPTIONS #13 The inhuman voice, curated by Genís Segarra Since the late eighteenth century, speech therapists, linguists, entrepreneurs, artists and musicians have nurtured the dream of emulating human speech. In this mix, Genís Segarra offers a personal overview of a subject that fascinates him, with the story of voice synthesis as a narrative thread. Link: http://rwm.macba.cat/en/curatorial/genis_segarra_inhuman_voice/capsula Text and playlist: http://rwm.macba.cat/uploads/20130626/13Interruptions_eng.0.pdf Summary There is a long history of mankin
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