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Underworld were probably the people who initially really turned me on to electronic music in a serious way. Both 'Dubnobasswithmyheadman' and 'Second Toughest In The Infants' are triumphs of what can be done musically within the constraint of electronic music. Deep, technical albums. The many supporting EPs that were released along side them were huge, significant remixes - many of which could have served as the main body of work for any other artist. 'Beaucoup Fish' released in '98 and was a more dance floor orientated album. Rhythmically and tonally a departure from the earlier material but still very much recognisable. Many tracks being a twist on straight techno. I enjoy a lot of BF, 'King Of Snake' being clearly my favourite track. It's not as intimate or complex as the earlier stuff, but it's not intended to be. Somewhere around 2000 they released a live compilation album/DVD 'Everything, Everything'. Stunning performances, and just a fantastic package of visual art and music. I've seen Underworld live a couple of times, and this is one of the few live recordings that I think actually does the work justice. Everyone should listen to this, I can't recommend it enough And then, something seems to go wrong. 'A Hundred Days Off', 'Oblivion With Bells', 'Barking', 'Barbara Barbara, We Face A Shining Future' are all tripe in my opinion. Soulless, shitty house music. Embarrassing actually. Listening to an old man mumble of cheesy house beats with super cold production. 4/4 modern, rubbery beats and just musically super uninteresting. Bland is the word I would use. They all sound like fucking Calvin Harris covers to me. Not what veterans of the industry should be involved with. There's a line 'Crocodile' that really exemplifies this for me, and it's something along the lines of "blood on a tissue on the floor of a train". It's like a parody of an underworld line. It's too on the nose, too straight. Too fucking juvenile if you ask me. That line was what really struck my ear. Not only does its attempt at layering fall flat, it sounds awkward and clumsy. There's many other examples of this (like 'Hamburg Hotel' being a joke at the cisterns expense) It's a legacy fucking ruined in my opinion. What went wrong? Am I missing something? Does anyone here actually think any of their later albums have any artistic merit?