Recently Browsing 0 members
No registered users viewing this page.
The first 4 EPs' vinyl pressings were crowdfunded through Qrates. This one is on presale through Bandcamp, direct. (Needs 100 presales to get pressed) Good Stuff on here... The vinyl presale of first full release of 2021 from the Mighty Force label is a five tracker featuring a some stomping Acid Breakbeats from Sven Kössler, pure Acid House by Jay Strata, Rayspark Industries remix of Drǿn's "Wallow" from MF ACID #2, a Drǿn remix of "You Know" by Rayspark Industries from MF ACID #1 and an excerpt from the soundtrack to a movie that was never made courtesy of Long Range Desert Group. The vinyl will ship early May (I expect). Digital release will be March 26th (which is why it's currently priced at £1000, it will revert to normal price on that date). All vinyl will be sent tracked and signed for. https://mightyforce.bandcamp.com/album/mf-acid-5
hey WATMM, thanks for your help and interesting ideas about IDM/braindance the last time I posted a topic. The feedback was humbling for the research, plus the sarcasm and general lels were pretty helpful too lmao
If you are interested in helping further, I put together a quick, structured form to more easily track some community data for both idm/braindance related queries and representational data:
If you choose to participate, you can be sure that all of the data is anonymous and no information is tracked beyond your answers (no emails, names, anything that specifically identifies you). Since this project is limited in its scope, WATMM is one of two online communities associated with idm/braindance/post-techno, whatever it may be called, to be analyzed for this research. The other is r/idm on reddit, mostly because these two forums are the ones I have most experience with/are most active.
Plus, any more thoughts or questions on the research are more than welcome in this thread
If you're curious to know where my research has taken me since I last engaged with you: The topic of what 'IDM' is became more necessary than I had intended, mainly because, as many of you pointed out, it's exhausted but there is still obvious uncertainty. I have come to the conclusion that while 'IDM' was historically used to classify certain artists and post-rave, explorative techno music, its definition has changed in the last twenty years to more accurately represent a philosophy behind making electronic music, or as some people have noted "a way of life". Not to mention 'IDM' was coined by Americans in an interpretation of what Warp was doing with AI. The tongue-and-cheek just got out of hand in the mainstream ('mainstream' being the commercial sector of widely accessible music, image, and other media). The term has controversy, and discussing it is exhausting, but it's still used popularly and has an interesting history to it. but enough of that
There is much more to the research, mostly exploring how 'popular music' is much different today than it was 10, 20 and especially 30 years ago. There is some rave history involved and the transition from subcultural movement to commercial enterprise (raves > clubbing), and how electronic music blew up mainstream. Also I touch on online fandom and 'prosuming', as today us as fans add to the narrative of artists and engage with them in the digital space. if any of this interests you, feel free to comment or PM
anyways, thanks again
A new exquisitely beautiful downtempo electronics album from Nick Zavriev. Very highly recommended.