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joanna newsom - ys


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i would hit it, verily.

 

 

 

her voice is terrible, no matter how people try to spin this fact, the fact remains, her voice is terrible. i've taken plenty of time to try to get used to it; and, the fact remains. the instrumentation and lyrics are pretty good, though

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sure, her voice cracks, drifts, screeches and whatever, but it does so all the while oozing with character and charm.

 

you just don't like it, and that's fine, but she displays her own vocal skill set (likely aided by a vocal coach brought in by the large budget.) on ys that just about surpasses anything on milk-eyed mender in terms of cadence and versatility.

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i doubt it; jim o'rourke produced, and i couldn't imagine him being a fan of autotune.

 

i just read that pitchfork review, and for once they've got it spot on; it is the sort of album you'll either love or hate, and the lyrics are the best thing about the album.

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i said this a month or so ago but

is it just me or is there a ton of digi vocoder tuning going on on her voice

particularly at the start of sawdust and diamonds

lots of syllables sound tweaked like cher

 

it's just you. i don't hear any digital assistance. there are extreme changes in pitch but i think they sound more pronounced because of the compression on her voice, which is my only qualm about the album. her voice is a little too loud against some of the light instrumentation at times. she never sounds quiet, which i think she should, at least a little bit.

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I'd go with "Only Skin" for my favorite track. Really lush strings arrangements, kinda surreal sometimes. Also love the touch of accordion, banjo and male back vocals at the end. Goes in several directions in near 17 minutes.

 

But they're really all good. :flower:

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have a look at the full page picture of her just before the record reviews. jesus christ.

 

emily is my favourite track. the first time i heard the 'meteorite' chorus was on headphones, and i literally stopped in the middle of the street, fucking slackjawed.

 

that doesn't happen very often.

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Guest Erosmyth

i really hate the fact that you make great recommendations kaini, because i usually end up spending too much money on and subsequently enjoying them :ok:

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i still have't heard this album. ggrr. oh it vcomes out tomorrow....i'll have to darn well buy it. gosh darn.

 

Tell us your impressions, I'm interested.

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well it's hardly party music you're right about that, but i don't think it was intended to be, get the shortest track "cosmia" and listen to it a few times through, if you still aren't feeling it then you probably DON'T HAVE A SOUL.
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very much so. i'd go so far as to say it deserves your entire attention for the duration of the album. but if you were to check out one track anyway, i'd suggest 'jesse'.

 

One section of "Clara," the song about Mussolini, finds Walker singing while punching a big slab of meat, which he saw in a butcher's window and thought might make an interesting rhythm instrument. It does. In "Jesse," he addresses the twin towers of 9/11 through appeals to Elvis Presley's dead twin brother, while echoes of "Jailhouse Rock" emerge and dissipate like slow-motion camera flashes. "Jolson And Jones" features an explosive spell of slaughtered pigs' squeals that might well be the most terrifying musical moment ever put to tape.

 

this sort of shit is why i think scott walker is maybe the bravest musician alive.

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