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who still likes the tuss?


Guest No Pomo

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Guest Renivatio
anyone who doesn't marvel at the utter brilliance of deathfuck must be a total pussy who is scared off within the first minute of the song

 

there is no other rational expalnation

 

concur

i sort of translate sounds into textures on planes or around / intersecting certain shapes. the character of the distortion on percussion (maybe it's not necessarily signal through distortion, i don't know) in the first part of Death Fuck becomes this uncomfortable stiff fibrous mass in my head. the fibers are stiff and straight and go from white to luminous flashes. i find it really difficult to describe because more than it being actually imagery and touch sensations in my head it's more like my brain is feeding me how i should react to such imagery without actually generating it.

 

werd up. that's how i kinda see it meself.

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Guest Tran Iberskagin

The Tuss is simply awesome, as most of RDJ's music... I love that he broadened his palette of musical tastes and styles, as well as that he turned it in to these massive and very enjoyable musical trips... Actually it's a pity that the title of this thread is putting questionmarks behind The Tuss. It becomes even more ironic when some posters refer to 'I care because you do' or 'Drukqs' as being timeless albums, especially because these two albums involve a lot of links to classical music as well as they lean close to a mixture of more recent styles such as trip hop, acid, breakbeat, and so on... Whereas the whole 'Analord'-series and after that the albums under moniker of The Tuss build much more on weird disco and early house, and especially ACID... For an example of the weird disco you can simply go and search for 'Popcorn' by Hot Butter (make sure to listen the original track), then go to Fredugolon 6... and listen to the resemblences as well as the differences... Simply awesome and both very good tracks...

 

I love a lot of RDJ's music for simple reasons...Ambient: he's done it, Techno, Drum 'n Bass, Breakcore,...: he's done it, Classical?> you'll defenitely find traces because he's played with it, Trip hop? : yep, some of his music leans close to it, ...ans so on...

More, he often sets trends and if you call that to much, well at least he manages always to give a surprising, inventive and interesting sound on each production he releases...and you can bet on it that he doesn't serve but his own flavoury brand. And just that he does with a lot of class...

 

But you're not under any obligation to like it or agree with it...if you don't like disco, so be it...he does, i don't blame him...he likes classical, can't blame him at all,...he makes drill and bass, and opposite to a lot of others, he still is able to deliver music while doing that...

 

:D

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Guest hahathhat
The Tuss is simply awesome, as most of RDJ's music... I love that he broadened his palette of musical tastes and styles, as well as that he turned it in to these massive and very enjoyable musical trips... Actually it's a pity that the title of this thread is putting questionmarks behind The Tuss. It becomes even more ironic when some posters refer to 'I care because you do' or 'Drukqs' as being timeless albums, especially because these two albums involve a lot of links to classical music as well as they lean close to a mixture of more recent styles such as trip hop, acid, breakbeat, and so on... Whereas the whole 'Analord'-series and after that the albums under moniker of The Tuss build much more on weird disco and early house, and especially ACID... For an example of the weird disco you can simply go and search for 'Popcorn' by Hot Butter (make sure to listen the original track), then go to Fredugolon 6... and listen to the resemblences as well as the differences... Simply awesome and both very good tracks...

 

I love a lot of RDJ's music for simple reasons...Ambient: he's done it, Techno, Drum 'n Bass, Breakcore,...: he's done it, Classical?> you'll defenitely find traces because he's played with it, Trip hop? : yep, some of his music leans close to it, ...ans so on...

More, he often sets trends and if you call that to much, well at least he manages always to give a surprising, inventive and interesting sound on each production he releases...and you can bet on it that he doesn't serve but his own flavoury brand. And just that he does with a lot of class...

 

But you're not under any obligation to like it or agree with it...if you don't like disco, so be it...he does, i don't blame him...he likes classical, can't blame him at all,...he makes drill and bass, and opposite to a lot of others, he still is able to deliver music while doing that...

 

:D

 

i dunno about the tuss, but i'm down for some quality garlic-soaked italian disco.

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