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Wax Tailor


Alzado

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i know that Forgotten Melodies is considered this guy's best. but I like Hope & Sorrow better. It rocks more. It's more hip hop with fewer trip hop diversions.

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  • 2 years later...

Wax Tailor's latest album, Dusty Rainbow From the Dark, was released last week. Thoughts on it? I think it's quite smooth and definitely hitting the spot more so than In the Mood for Life did - I lost some interest there. No match for Tales of the Forgotten Melodies, but nice, and maybe matching Hope & Sorrow in quality. Maybe not quite so, I'll have to give that one a refresher listen.

 

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honestly, i think this kind of sound is incredibly dated. it sounds like what music used to sound like when a label like ninja tune was all the rave. his first album was cool, but then it took him forever to release hope & sorrow and by that time, most people had matured along with 98% of the people that were still trying to recreate early shadow material.

 

even the album art reminds me of what mid 80s/late 90s graffiti artists started to do when they started "to go legit".

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I'm not a fan of the album art, personally.

 

The music is the "same old" instrumental hip-hop that has been around for a while, that Blockhead also keeps churning out. Doesn't keep me from enjoying it if it's done right.

 

You could argue the same about a lot of IDM, honestly, even from some of the featured or otherwise well-known artists.

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i do make the same argument regardless of genre. my main grip is usually about the sound itself: wax tailor (to me) sounds like early dj vadim, dj krush and dj cam and i find that sound very representative of those mid 90s acts and while that music was cool (especially for the time), i don't see what wax tailor is changing to make his sound representative of himself alone. as it stands, it just sounds like that other stuff- and this is the year 2012.

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Like I said, I can't disagree with you, but that doesn't mean I'm not enjoying it. To me there is a certain something that make his sound unique. It's hard to pinpoint, as on the surface it's the same sample-heavy instrumental hip-hop as some others. Maybe it's the style of samples (very cinematic), his sometimes classical-influenced sounds, or the guest vocalists he tends to use. I think it's a combination of the three. But to me, while the style is not anything new, he's good at what he does.

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