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AAA - Ask Autechre Anything - Sean and Rob on WATMM!

Autechre Sean pls Rob pls Bull Wallet Stoya Bike The Mates The chre lel toplel

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4023 replies to this topic

#476 gnarlybog

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Posted 02 November 2013 - 05:52 PM

Do you gentlemen have any philosophy recommendations? I believe Derrida's name was thrown around in an interview, which excited me greatly.



#477 Schlitze

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Posted 02 November 2013 - 05:52 PM

That quaristice 2008 live stuff was some of the best dance music ever pumped out of some speakers. 



#478 phling

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Posted 02 November 2013 - 05:54 PM

Can you name my Boss SP-303 sampler?


lol

#479 Sean Ae

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Posted 02 November 2013 - 05:55 PM

- Do you often revisit your old tracks? if so, do you tend to revisit unreleased material or certain released work more?

 

- Are there any tracks of yours or periods of work that immediately remind you of some important moment in your life? If so, do you care to share it with us? 

 

both, it depends

 

yeah loads



#480 paranerd

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Posted 02 November 2013 - 05:58 PM

I had no idea this was happening today.  Thanks a lot to everyone involved to make this happen.

 

I didn't read the whole thread yet, so maybe this question's already been answered:

Do you guys mix in quad or 5.1?  I have to assume that playing around with the textures and sounds you guys produce must lend itself to 5.1 mixing.  It seems to be made for it at times.  And of course it would be great to have Autechre 5.1 mixes as well as LtRt's in the future sometime.

Thanks again.



#481 Guest_rd1994_*

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Posted 02 November 2013 - 05:58 PM

did you ever regret making a track? if so which one? would you change them if you could?



#482 Ivan Ooze

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Posted 02 November 2013 - 05:59 PM

my god exai never sounded better on beast system like now, this is better then a tour



#483 salvaKPO

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Posted 02 November 2013 - 06:00 PM

Here, have a 13x13 pixels Exai cover art.

Attached Files

  • Attached File  Exai.png   125bytes   16 downloads


#484 Sean Ae

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Posted 02 November 2013 - 06:01 PM

How many unreleased tracks do you have?

depends on what you mean by tracks

actual finished tracks - just a few hundred, but got tons of jams that need an edit

done about 350 hours of jams since april this year



#485 Ivan Ooze

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Posted 02 November 2013 - 06:02 PM

Here, have a 13x13 pixels Exai cover art.

holy shit its the end level boss of minesweeper


Edited by Ivan Ooze, 02 November 2013 - 06:02 PM.


#486 cear

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Posted 02 November 2013 - 06:03 PM

so you like the venue to be dark, but what about over-the-top visuals like Amon Tobin's ISAM? (did you see it?) do you think something similar would work for an autechre set? i mean obviously the identity of the space is still there, but the crowd gets really focused on an object etc that's in front of them - so in that sense it gets removed..right? 



#487 Guest_rd1994_*

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Posted 02 November 2013 - 06:04 PM

do you like germany? would you do some kind of tour here?



#488 Sean Ae

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Posted 02 November 2013 - 06:05 PM

Sean, was that your previously-mentioned cat at the end of Tewe?  

 

And this is probably way off the mark (sorry, I know nothing about production): was there any conscious decision to sort of explore and widen the stereo/imaging aspect of the music on Exai/L-Event?  Seems like a lot of older Ae output had a very effective use of, like, a predominant mono backbone with interesting stereo events fleshing things out a bit spatially on occasion, whereas Exai has this massive sense of exploration all around the stereofield.  Some really cool psychoacoustic stuff going on.  Sorry if this is full of shit, and seriously, thank you both.

 

yeah that's winterbottom, first cat i lived with, he was ace

 

yeah i'm getting more into having two speakers again. we used to do it more early on as well but more crudely



#489 Schlitze

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Posted 02 November 2013 - 06:05 PM

Ae, i must ask....Orange Five or Santa Cruz Blur?



#490 Sean Ae

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Posted 02 November 2013 - 06:08 PM

 

Sean, was that your previously-mentioned cat at the end of Tewe?  
 
And this is probably way off the mark (sorry, I know nothing about production): was there any conscious decision to sort of explore and widen the stereo/imaging aspect of the music on Exai/L-Event?  Seems like a lot of older Ae output had a very effective use of, like, a predominant mono backbone with interesting stereo events fleshing things out a bit spatially on occasion, whereas Exai has this massive sense of exploration all around the stereofield.  Some really cool psychoacoustic stuff going on.  Sorry if this is full of shit, and seriously, thank you both.

Yes, there are multiple tracks in LP5 that are almost entirely in mono - was this a conscious decision to concentrate on harmonic and rhythmical content rather than spatial imaging ?

 

 

yeah exactly, across a different dimension 



#491 Maxwell

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Posted 02 November 2013 - 06:08 PM

Hey guys, you've been a huge inspiration for me to make music, so thank you!! The possibilities of aural combinations and sound-scapes are virtually endless now with computers, which can be quite scary when you step up to a blank slate. You can go in ANY direction with any sound on a given track, and that just makes my head spin sometimes. I guess as a fellow explorer of the limitless electronic nebula my questions are:

 

  • Do you go through a whole bunch of ideas/sounds/doodles before finding one worth polishing?
  • How to you keep that "momentum" for a track going when you have to save it and come back to it the following days?
  • Do you run into dry spells... times when you have all kinds of creative energy and drive but are unable to make anything decent?

I can't help get discouraged sometimes when making tracks, like I'll have a ton of lush individual sounds but no way to link them, or just a 10-20 second "clip" that I'll be unable to flesh out into a whole song. I get the sporadic drive to bang out a song maybe once every 50-100 ideas or sketches I make. This isn't something I plan on giving up on, this is a life path, something that I'll do until I'm dead because nothing beats that moment when things just "click" and you're bobbing your head to your own stuff. I'm just wondering if you had some tips for those times when nothing seems to be working out.



#492 Sean Ae

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Posted 02 November 2013 - 06:12 PM

Hello to the Great Britain and please excuse my English,

 

I have a specific question as I am interested in music production for several years and making an album for few years now. I am thinking of this very often while listening to your music:

 

Do you spend a lot of time choosing and crafting reverbs for your tracks? Or is it something that you make intuitively - not thinking too much?

 

I am asking because many of your tracks like Xylin Room or Tilapia sounds fairly dry on the first listening but yet they have very distinct vibe and depth as if some super-gentle reverbs and delays were used to craft the space as there are no obvious echoes and reverb tails. Xylin Room sounds claustrophobic yet very 3D but the mix is almost mono. Tilapia sounds very spacious, some sounds are distant but again it has this vacuum feel into it. I simply absolutely love it (not even mentioning the incredible compostion). This question unanswered seriously affects my sleeping everytime I mix some "to be dry" track but if some "secret" techniques are involved I will respectfully and diligently continue trying to achieve it by myself :-)

 

Please, take this question also as my big "thank you" for your incredible work and tons of inspiration and emotions you gave me. I am a proud owner of most of your discography and you have seriously changed my view on music in all ways. You have also made me to register here on WATMM and pay their basic subscription for this single post.

 

All the best from the Czech Republic.

 

PS: I am very sorry I could not be in Brno while you played in Fleda during Oversteps tour, I was more into Orbital that time and had known only Amber... :-))

 

Jev

 

tbh a lot of that on draft was done with amp envelopes, but there are some really light touches of quadraverb and lexicon on select parts as well, usually with some feedback matrixing thru quite brutal eq and really quiet in the mix

we were also doing stuff like making 2 melodies with slightly different notes or in a different order and then sending the muted one to the reverb and mixing the reverb quite low so you almost can't tell



#493 phling

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Posted 02 November 2013 - 06:13 PM

personal question and it feels weird typing this but here we go...

so the reason I asked multiple questions re elektron gear earlier is, I've been working on reverse-engineering their kit (MD & A4) and writing an app which uses the MIDI sysex interface to generate & remix patterns & kits/sounds on the fly, basically multiplying your hands & doing arithmetic-based things one likely wouldn't put into the sequencer by hand.

now, frankly... a big inspiration for doing this, and actually for coding in general, was and is your music. It likely wouldn't have occured to me that code can be a design tool at all if it weren't for Draft 7.30...

you said you're not using elektron kit anymore... would you be interested in having a look at that software i'm doing nonetheless?

#494 fletcher

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Posted 02 November 2013 - 06:16 PM


actual finished tracks - just a few hundred, but got tons of jams that need an edit

done about 350 hours of jams since april this year

 

 

:cerious: :cerious: :cerious: :cerious:



#495 Sean Ae

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Posted 02 November 2013 - 06:16 PM

after 20 years of insane music crafting, is this the best videoclip for newbound?

 

aedance.gif

 

i love that one flash where she's looking to the left



#496 Sean Ae

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Posted 02 November 2013 - 06:18 PM

Is this really one of your patches or is it someone just aping your methods ?

powmod.png

 

it's been modified a fair bit

tbh the original was pretty messy though, nothing was encapsulated cos i kept rewiring bits



#497 Ivan Ooze

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Posted 02 November 2013 - 06:19 PM


 

 

 

after 20 years of insane music crafting, is this the best videoclip for newbound?

 

aedance.gif

 

i love that one flash where she's looking to the left

 

would you still hit it?


Edited by Ivan Ooze, 02 November 2013 - 06:20 PM.


#498 Guest_jasondonervan_*

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Posted 02 November 2013 - 06:19 PM

 

after 20 years of insane music crafting, is this the best videoclip for newbound?

 

aedance.gif

 

i love that one flash where she's looking to the left

 

 

BRvgLei.jpg



#499 Ivan Ooze

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Posted 02 November 2013 - 06:23 PM

i'm noticing the gif also works with flep



#500 Guest_rd1994_*

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Posted 02 November 2013 - 06:24 PM

anyone you still want to collaborate with or remix?





Also tagged with one or more of these keywords: Autechre, Sean pls, Rob pls, Bull Wallet, Stoya, Bike, The Mates, The chre, lel, toplel