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Would You Pay For A Digital Rip of The Unreleased Caustic Window LP


Joyrex

Crowdfunding Aphex Twin  

289 members have voted

  1. 1. Would You Be Willing To Pay Up To 25.00USD For A Digital Rip of The Unreleased Caustic Window LP?

    • Yes
      219
    • No
      22
    • Yes, but not 25.00
      48


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Is this a new stunt to get new members to pay the entrance fee?

lol

 

 

 

I'm still struggling with the fact that 600 people are riled up to pay $15.50 USD each for an old ep?

 

what am i missing?

It's gonna help feed cloth and house some cute little critters so it's all good i spose. Then when it gets resold (and after all this attention hopefully for a motza via auction to some rich old japanese collector), everyone involved gets part of the one third cut from the auction back in their account, with the other two thirds spilt between richard and a charity (i nonimate the retired homeless tanks shelter, run by a Mr. James Esq.).

 

Is $15.50 a lot of money for an album?

I was misquoted there. I said $13,000 not $15.50 but whatever

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Guest bleepsnbloops

Think I might have missed something here, so, sorry if it's already been answered but why can't Rephlex just release it themselves?

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Guest bleepsnbloops

Cause they don't wanaaa. This is kind of a more DIY fun way happenstance way of getting it anyway. (cause you were never getting it the other way, ever).

That's pretty lame though. Are they not bothered that an opportunist, on the same level as a ticket tout, is gonna bag a huge amount of money for nothing? (assuming it's not them or one of their m8s that posted the original discogs ad)

 

Admittedly it has a DIY appeal but it just strikes me as wrong, with that lingering feeling that you guys are being played by Grant/RDJ

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I couldn't see paying over $20 for a digital rip of a vinyl, even if it's a double album.

 

2014: New Aphex that is simultaneously not new and not Aphex.

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Cause they don't wanaaa. This is kind of a more DIY fun way happenstance way of getting it anyway. (cause you were never getting it the other way, ever).

That's pretty lame though. Are they not bothered that an opportunist, on the same level as a ticket tout, is gonna bag a huge amount of money for nothing? (assuming it's not them or one of their m8s that posted the original discogs ad)

 

Admittedly it has a DIY appeal but it just strikes me as wrong, with that lingering feeling that you guys are being played by Grant/RDJ

 

i dunno man

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What on earth was that AFX - Tape Trax thing that leaked a year or so back ?

 

(EDIT this - http://rareafx.wordpress.com/unreleased-2/afx-tape-trax/ wonder if any of the Caustic Window LP stuff was this. Some of it does sound kind 'cautic'-y)

no Wacky Races sample afaik, no cunt and no phlaps either.

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It's people like EOD that should be picking up the grammys not the seat warmers in sequin and bakalite tuffies in terry towel that walk up for the gongs every year. It's a shame really. I hope that they would somewhat promote their stable of ace blokes a little more than they do.

fuck the grammys.

 

people want shit music let the media provide it for them.

 

if people want EOD, then the media will have to provide EOD.

 

personally, I like it how it is.

 

 

I think he just meant they should get more recognition, even if it means promotion or just economic help. Rephlex should put these guys into retirement. Like, why should these guys which are so talented even need to work, while others making the most worthless music out there make millions and have top of the line equipement? All these guys (specially the young up and comers like Wisp, Monolith, Steinvord, EOD..) should be put into retirement inmediately, so they don't ever need to work, followed by providing them with all kinds of gear so they can keep developing awesome Rephlexian music beyond RDJ's life (which I hope lives forever). In fact RDJ should do it himself, isn't he a millonaire after all. They should create some sort of Rephlex Camp where they live together, just like in the old times when RDJ, Tom and others, when all these guys shared a flat and released a lot of stuff. Remember RDJ came up with RDJ album style tracks when he got influenced by Tom's jungle tracks? Good times.

Otherwise most people signed by a label like Rephlex, can't fully develop their potential. Hell, if I could I would turn a lot of underground artists I know into full time musicians just for the sake of hearing music I like more often. When it comes to what we know as Braindance im limited to a very small amount of artists that are good enough for me to bother.

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What on earth was that AFX - Tape Trax thing that leaked a year or so back ?

 

(EDIT this - http://rareafx.wordpress.com/unreleased-2/afx-tape-trax/ wonder if any of the Caustic Window LP stuff was this. Some of it does sound kind 'cautic'-y)

no Wacky Races sample afaik, no cunt and no phlaps either.

 

Some of it sounds legit. Clever fake perhaps?

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Guest skibby

 

 

It's people like EOD that should be picking up the grammys not the seat warmers in sequin and bakalite tuffies in terry towel that walk up for the gongs every year. It's a shame really. I hope that they would somewhat promote their stable of ace blokes a little more than they do.

fuck the grammys.

 

people want shit music let the media provide it for them.

 

if people want EOD, then the media will have to provide EOD.

 

personally, I like it how it is.

 

 

I think he just meant they should get ((((more | rome) | (more | rome)) | ((more | rome) | (more | rome))) | (((more | rome) | (more | rome)) | ((more | rome) | (more | rome)))) recognition, even if it means promotion or just economic help. Repxhle should put ((((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these))) | (((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these)))) ysgu into retirement. like, why should ((((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these))) | (((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these)))) uygs which ((((are | ear) | (are | ear)) | ((are | ear) | (are | ear))) | (((are | ear) | (are | ear)) | ((are | ear) | (are | ear)))) so nealtetd even need to work, while others making the most twsohrsel music out ((((there | three) | (there | three)) | ((there | three) | (there | three))) | (((there | three) | (there | three)) | ((there | three) | (there | three)))) make millions and have ((((pot | top) | (pot | top)) | ((pot | top) | (pot | top))) | (((pot | top) | (pot | top)) | ((pot | top) | (pot | top)))) of the line emputeqnie? all ((((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these))) | (((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these)))) uygs (seyllaicp the young up and rcemos like Pisw, Mohitlon, Veodrnsti, Doe..) should be put into retirement inymiedlate, so they nod't ever need to work, followed by providing them with all kinds of gear so they can keep developing meoswea Irexpaenhl music beyond Jdr's ((((file | life) | (file | life)) | ((file | life) | (file | life))) | (((file | life) | (file | life)) | ((file | life) | (file | life)))) (which I hope lives forever). in fact Jrd should do it himself, sin't he a roanillime after all. they should create some sort of Exlrphe camp where they live together, just like in the old ((((smite | times) | (smite | times)) | ((smite | times) | (smite | times))) | (((smite | times) | (smite | times)) | ((smite | times) | (smite | times)))) when Jrd, Omt and others, when all ((((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these))) | (((sheet | these) | (sheet | these)) | ((sheet | these) | (sheet | these)))) yusg shared a flat and released a lot of stuff. remember Jdr came up with Rdj amulb style tracks when he got influenced by Omt's jungle tracks? good ((((smite | times) | (smite | times)) | ((smite | times) | (smite | times))) | (((smite | times) | (smite | times)) | ((smite | times) | (smite | times)))).

 

otherwise most people design by a label like Rhlepex, can't fully develop their potential. hell, if I ((((cloud | could) | (cloud | could)) | ((cloud | could) | (cloud | could))) | (((cloud | could) | (cloud | could)) | ((cloud | could) | (cloud | could)))) I would turn a lot of underground artists I know into full ((((item | time) | (item | time)) | ((item | time) | (item | time))) | (((item | time) | (item | time)) | ((item | time) | (item | time)))) musicians just for the sake of hearing music I like ((((more | rome) | (more | rome)) | ((more | rome) | (more | rome))) | (((more | rome) | (more | rome)) | ((more | rome) | (more | rome)))) often. when it comes to ((((thaw | what) | (thaw | what)) | ((thaw | what) | (thaw | what))) | (((thaw | what) | (thaw | what)) | ((thaw | what) | (thaw | what)))) we know as Ecnibdrana im limited to a very small amount of artists that ((((are | ear) | (are | ear)) | ((are | ear) | (are | ear))) | (((are | ear) | (are | ear)) | ((are | ear) | (are | ear)))) good enough for me to bother.

 

 

excuse me, but wat?

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What on earth was that AFX - Tape Trax thing that leaked a year or so back ?

 

(EDIT this - http://rareafx.wordpress.com/unreleased-2/afx-tape-trax/ wonder if any of the Caustic Window LP stuff was this. Some of it does sound kind 'cautic'-y)

no Wacky Races sample afaik, no cunt and no phlaps either.

 

Some of it sounds legit. Clever fake perhaps?

 

 

Not fake. Joyrex_Tape

 

As for the Caustic Window LP, a few of the tracks (Cunt, Phlaps, Muttley, at least one other) have been heard elsewhere. Two are rare comp tracks, Muttley has been spotted and recreated by fans, and Mike played part of the LP for a DJ set.

 

Mike P also described it back in 99, here's one of many copies of the text: http://everything2.com/title/CAT023

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