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I'm sure you've got enough love already, you did sound design for Arrival, Black Mirror and Ex Machina, as far as I can see. Good job on the track, it's got the momentum and suspense and stuff, not surprisingly since you seem to be an established composer.

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I like how the eerie reverb seem to retreat and vanish into the distance when there is a gap in the woodwind/choral mix. The manic insectoid bashing half way through is a welcome change to things, you ramp the intensity up so gradually here - there’s no way I would have guessed this outcome from the start. The gradual buzz-saw distortion was a nice climax – I imagined a hint of occult chanting at this point.

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