Aphex Twin - Classics (R&S, Bandcamp release)
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By Berk
https://www.bbc.com/news/amp/entertainment-arts-55954706
Saw this popping up. Reading the article and am not sure what to think about it all. Anybody in the know?
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By Ivan Ooze
Yo guys, i was happy and also shocked to see that Planet Mu is 25 years old, saw it on bandcamp today!
Mike P congratulations and thank you so much for all the dope artist and murziq you introduced us ❤️
https://daily.bandcamp.com/label-profile/planet-mu-25th-anniversary-guide
good god! all these amazing records, but also weird that a lot of em are not on bandcamp 🤔
anyways here are once again 10 of my all time played to death yet unbreakable fav's
leafcutter john - The housebound spirit
datachi' - mmale ffemale
venetian snares - huge chrome cilinder box
venetian snares - fool the detector
exile - pro agonist
kuedo - servant
jlin - black origami
gabor lazar -source
young smoke - space zone
machinedrum - rooms
so much i missed, don't know where to start so what are your fav's and what did i miss out on fam?? post your top 10
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By feltopptak
Coming soon on ROHS! RECORDS (4th December 2020)
https://rohsrecords.bandcamp.com
NEW NOYZELAB Album "CPMSubtree" audio will follow soon
Noyzelab is David Burraston - or is it that David Burraston is Noyzelab? After experiencing the man's work, you may not be able to tell the difference. Noyzelab's debut at ROHS! is a surrounding and otherworldly album called CPMSubtree, made up of five surreal displays of studio electronics that elasticize the album's forty-minute runtime into unfathomable stretches of displacement.
Currently residing in Australia, Burraston has spent many years refining his focus in many different departments - lectures and residencies around the world, collaborations with Aphex Twin, Chris Watson, Oren Ambarchi and Russell Haswell, recordings published at Important Records, Taiga, .MEDS, Cataclyst and Psoma Psi Phi, and installations assembled in dozens of indoor and outdoor spaces. He has built his own synthesizers and has written his PhD thesis on Generative Music & Cellular Automata, working to explore and document his research with generative systems, computing and all kinds of synthesis. On top of all of these things, he's often found with portable recording rigs, doing field recording to capture exotic and interesting atmospheres.
CPMSubtree is, at least in name, a follow-up to TTMSubtree, a cassette issued at Psoma Psi Phi in 2017, although the sounds presented here are wholly unique, in their own macroverse of existence. When listening to Burraston's music, you can never be quite sure what it is you're hearing or feeling - is that a sinewave, or feedback? Are those bells or a DX7? Is that a gust of Cootamundra wind on the mic, or algorithmically processed white noise? Are we frozen in space while otherworldly spectrums of color billow around us at light speed, or are we being poured down a waterfall, one molecule at a time, to coalesce into a pool of pulsing fluorescence? You might ask yourself any or all of these questions - but Noyzelab does not provide any answers. This is a one-way trip that you can't come back from, so proceed at your own discretion! For those of us eager to map the frontier of new and stimulating electronic music, the unknown has never been quite so rewarding.
NOTE: Noyzelab recordings utilize the full breadth of the frequency spectrum, and as such, are best experienced with either headphones or speaker systems that can yield very high and very low frequencies without issue. Lossless file formats are also encouraged, to minimize the reduction of these frequencies and their presence within the recordings.
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