zlemflolia

im sort of glad he deleted it then came back will not take a single track for granted anymore

I panicked and saved every single comment, every album artwork, every track during the initial week this happened But now that I started taking it for granted and assuming it would always be there, I stopped doing so and focused on the music. Richard probably prefers people to do this anyhow. But I do sort of wish I continued to be a bit more obsessive.

is it time to accept that 128 is the best quality we'll ever have of the recent batch? been holding out on tagging

lol

Are you sure that's the official Chris Cunningham youtube?

oh no someone wrote a bad word on a comment on the internet /

lol

scrolling up from bottom i see nothing new

wtf user48736353001 [nocode] [/nocode] "caustic window" with no tracks

30 Dolby C reminds me of the ICP "fucking magnets" track lol listen to the intro

inthesky is so good fuck

holy shit yes please elvs are so good. parabeats is so good. this is all so fucking good finally getting to the best era imo fuck YES

go plastic amazing, but it's child's play in comparison

and a return to downloads enabled

24 Triple D is so goddamn good. Loving the harsher tracks so much.

he could have spent like an hour figuring out how to release these as mini-albums or EPs on bandcamp and made $9999999999999999999 but literally just didn't want to (one comment said "I hate money" or something). Who else does this shit? I'm sure lots of other people do also, but none of them actually have the potential for massive gains that he does so they're not actually losing potential money by releasing free. hes the best. admittedly some of this stuff (a small subset) is definitely not "release-quality" so to speak in any way. But it's still great and I will be listening for years to come. But some of it is completely 100% release quality, some of it's his best stuff ever in my eyes cottage tracks? fuck yes floating oo? yes please more the ab6 tracks? YES. please let me give you my money. Some of it's completely unlike anything else he's ever released. Some of it's a complete one-off where there's not another track I've heard in my life that even seems similar but it's just one random thing he made then forgot about immense lushness

11 Flabbard [DAT14] [DAT14] DAT 14 DAT NUMBER 14

I don't like how the comments on tracks have become primarily a way for people to say "Richard, richard, post this" or "what do you think of this" etc instead of "This track is great especially at 2:54 when" etc

https://soundcloud.com/user48736353001/6-gear-smudge

was anybody able to download this? Medievil Rave Mk2 is still up

fuck yes omg some of the best tracks yet mideival rave omggggggg

i, for one, am a lot more interested in soundcloud since aphex started dumping there. i dont mean f5ing his page, i am checking out other musicians and i am more likely to upload to and support soundcloud now. the suits should see that this is good for them. maybe they think sc was doing fine and aphex traffic fucked things up, but in the long run, like 5 or 10 years from now when it's in danger of crapping out like virtually all websites do, they will be glad for the vitality james infused into it. I know we all like to think rdj is a massive superstar and bringing tons of traffic to soundcloud atm, but when usher or other morons like that upload a new track it instantly gets like a trillion views. Richard's views are nothing compared to this piece of shit track's 45m views

YES YES YE YES YES TY RICHARD P JRUMS

right now 33 synthi rhy [q] to notting hill bus are the highlights for me. 14 floating oo is amazing, heliosphan live is so squelchy and nice - though I do always have a soft spot for alternate versions of tracks. 179 brk is fucking slick thank you richard. feels greedy but looking forward so much to more being posted. check the soundcloud at least 10x a day. more calx please

YES YESS YESSSS YESSSSSSSS YESSSSSSSSSSSSSSSS