Plarkreluke Banloboh
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Posts posted by Plarkreluke Banloboh
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Stone in Focus cover is LUSH. The addition of the delicate beat is a nice touch.
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Thanks Hautlle! I went back and watched the video again following each step and doing it myself with an amen, replaying each bit so I didn't miss anything. I see now that neighbor tracks don't have the playback parameter menu (I feel like a playback parameter menu after stopping and rewinding that video so may times). I tried to implement it all again from memory on a new break and came up with some pretty hectic results. Maybe not that musical sounding but I find the endless variations you can get with these methods quite satisfying.
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I like that melody part that sounds like a plucked Japanese instrument like a Shamisen or something.
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Great use of stereo delays on both the melody and the bass to add a swinging rhythm. This track begs to be longer though.
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I was struggling with trying to use conditional trigs, turns out I had to upgrade my Octatrack MK1 to OS 1.31! Lol I should have checked that.
Now I'm trying to figure this cool video out by the same guy (Ned Rush), I don't quite get why he has to route the first track through to the next tracks recording buffer. What does this do that a Neighbor track can't do?
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Anyone want to give some tips/guesses/insights into how you might go about creating a pattern like this that keeps changing in such a musical way?
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You have a way with words.
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Portal 505 has somewhat of a Daft Punk feel in the parts without the acid bassline.
Loving the beats in Elseworlds, especially that dirty clap!
EnvFol is pretty epic, those delayed horn melodies are almost bird-like.
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Awesome!
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47 minutes ago, pizza said:
the mix is being released by Warp
Source?
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Soo phat, a morbidly obese track! All those slow triangle LFOs modulating the pitch gives it a warm beery wooziness.
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1 RM1.23 - Serious fucking laser music from the future.
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Love the harmonic progressions in this, there's a sense of spy-movie intrigue and lurking danger. However at times it's like there are two different basslines (the smooth one and the fuzzy one) fighting for space in the lower-mid sound spectrum. The hi-hat pattern is a welcome introduction at 3:36 but it goes away - I felt like that tied it all all together finally.
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Amazing how such a busy piece sounds so light and floaty at the same time.
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On 6/14/2019 at 8:42 PM, eryngi said:
the bits where it goes all stereo or rhythm-gatey..
Those are my favourite bits too, the panning adds variation to the distorted parts. The odd-time nature of the drums certainly keeps the listener guessing which is a good thing.
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Interesting how the melodic lines rhythmically undulate, not like the typical 1234,1234 of arps you commonly hear in ambient pieces.
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Replicant’s Wisdom - Trippy (pitched?) delays on pitched percussion, I like the way the rhythm of the delays play across the percussion creating complex micro-grooves.
Tether Ambient – Lovely shimmer in the bed of reverb lying under the melody. Great ending with those last 3 unexpected notes on the distorted guitar.
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Really lovely the way the filters gradually open up to full textural resolution it’s evocative of natural cycles so the double rainbow sun shower imagery you’ve chosen is very appropriate.
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Such dissonant chords remind me of legendary Pissed Up In SE1 vibes. The multiple acid lines never become too much, they stew so well together.
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I like that deep heavy bassline, would sound great loud in a car or on a proper sound system. Tight finish on the snare rush. If anything more snare rushes I say.
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New countdown, new release? [Aphex Twin Warp Store]
in Aphex Twin
Posted
What happens with the Analord clear sleeves? All mine are in those sleeves.