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Guest crivella

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You've made some pretty bizarre posts in the past (the stuff about Picasso paintings and all that..), but I always really liked the stuff you do. I couldn't imagine myself listening to a 60 minute album of this stuff, but there's just something extremely cool about synths with tons of reverb. That said, there's not a whole lot going on during those 2½ minutes. and maybe this is just me, but my ears honestly get a little tired by the constant assault of sounds. But that may be what you're going for, so don't mind me.

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Guest crivella

You've made some pretty bizarre posts in the past (the stuff about Picasso paintings and all that..), but I always really liked the stuff you do. I couldn't imagine myself listening to a 60 minute album of this stuff, but there's just something extremely cool about synths with tons of reverb. That said, there's not a whole lot going on during those 2½ minutes. and maybe this is just me, but my ears honestly get a little tired by the constant assault of sounds. But that may be what you're going for, so don't mind me.

 

 

I just uploaded a new version. After 1 minute starts the decomposition so the synth doesn't assault like the starts. And I'm glad you got how cool are the tons of reverb.

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Guest crivella

I like the sound of the synth but it's not much of a track.

 

you're right, in the beginning i thought to add hit-hat\snare to the rithmic line + add some pause or slow-down the synth,so to create a track with more sense. but i don't like hit-hat\snare and pauses. i realize that all what it would need is an ambient, an enviroment.

i uploaded the new version. let me know your point of view.

thanks.

 

http://soundcloud.com/kento3/ki3

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Guest crivella

Really cool sounds, but I wish there was more going on, something like the funk from this:

 

http://www.youtube.com/watch?v=CIdsDXKr39g

 

 

ae in the electronic music are like frank o. gehry in the architecture, they are the symbols of the post-modern paradigma and i like both. but i have to say that they usually use too much complex architecture to "write the message". i'm trying to stay in the same paradigma walking into a more minimal direction. also,in the untilted album for example, some track is like an assembling of 3-4 tracks. i say, if you have one reason make one track, if you have 3 reason make 3 tracks. (ndr....it seems a japanese guru sentence).

thanks for your opinion.

 

zapplaalbabab zapplaalbabab (in a good way) :emotawesomepm9:

 

 

exact!

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