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kaini

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Posts posted by kaini

  1. so i just filled my mp3 player with new shit (kode, that darkstar, mystikz, and the bugs 'killing sound'; some fucking heavy versions of 'killer' and others based on the riddim), went upstairs, turned on my sub, and caned the shit out of that weed.

     

    bliss :flower:

  2. Also, anyone check out the new Darkstar on Hyperdub? Very interesting release...definitely taking a different road than a lot of the "I'm darker than you" stuff(which, mind you, I love).

     

    I spent a lot of yesterday just sitting back and smoking listening to this

     

    presently listening, this is fuckin wicked!

  3. Benga and Coki!

     

    hehehe....

     

    Benga: »Well, I was at my house, ’cause everything's at home. I'm a software guy... Anyway, Coki just came round, and we was building like every three weeks, and we came up with so many things, like normal basslines, string riffs, and we thought that just doesn't sound fresh enough. So the actual noise in there is just a normal sine wave with pitch bend, it just sounded right. I don't know how we got to that stage, but it just sounded right.«

     

    RBMA: »So you were playing around with sounds, and that one came up and you said: ”That's it!“ So you built around the sound... Can we play now? Let's give it a try.«

     

    (music: Benga & Coki - Night)

     

    Benga: »Wheel-up, ha ha!«

     

    RBMA: »So glad you wheeled it. So this record has burst out of the dubstep scene, hasn't it? People in Malia are playing it, the grime lot are playing it, it's being played by all sorts of different people. What happened with it?«

     

    Benga: »Well, as far as I know, it first went out to Skepta, from Boy Better Know, and they went out with it to Malia and Ayia Napa, and what I heard was EZ got hold of it, and he played it as his last song. ’Cause he was more on the vibe of 'What is this?', E more played it as something weird at the end of his set, rather than as something that hit him and he was like: ”This is the song!“ But then, it created a vibe like how it is in dubstep.«

     

    RBMA: »Someone was telling me about youtube clips of people who aren't from the dubstep scene going absolutely mental to the tune.«

     

    Benga: »Yeah, I saw that myself, it always shocks me when I see people from different genres going mad for a song. It must make sense because of the hook. When I speak to you all afterwards, that's what you're gonna all be doing to me... catchy.«

     

    RBMA: »There's a funny story, too, about Skream ringing you up to tell you about a bus load of people in Israel going: ”Boo boo boo!“«

     

    Benga: »Ha ha! Yeah, it's a universal language that little noise.«

  4. no, i'm not. all burial's stuff is credited to one william bevan on BMI. now that is also the name of a funeral director so it could be pulling the piss a bit. but i definitely don't believe he is kode9, aphex twin, or the ghost of john coltrane. he's just some bloke. kieran hebden knows him apparently.

  5. fuck this new shackleton is fantastic

     

    joining the dots between PiL and dubstep. i love the skull disco take on things, it's from a different angle. if i wrote for bitchfork i'd be carting out the post-dubstep wagon lol

  6.  

     

    an anonymous ip from croydon keeps removing that from the burial article on wiki

    and i keep readding it

     

    lol excellent!!

     

    the guys got a phd in philosophy!

     

    new found respect for him!

     

    Qualifications

     

    1999, Ph.D in Philosophy, Department of Philosophy, University of Warwick.

     

    1996, M.Phil in Criminology, University of Cambridge.[distinction]

     

    1995, LLB (Hons) with Philosophy, University of Edinburgh.[first class]

     

    Previous posts held

     

    2001 - 2002, Visiting Lecturer in Digital Media, Faculty of Art and Design, University of Hertfordshire

     

    1998, Teaching Assistant, Department of Philosophy, University of Warwick.

     

    student

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