wavefold
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Everything posted by wavefold
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After reading that Thom Yorke was listening to them while working on Kid A/Amnesiac (Pulk Pull Revolving doors was one of my fav tracks dehehe) so a friend of mine gave me a copy of EP7 and as soon as Dropp came in my life suddenly changed
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considering your experience, what would be your advice for a (beginner) musician to avoid getting stuck in making a track and find a productive workflow?
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not really too attached to statements about contemporary artists, i mean not to miss the point of the q much, but if people have more options, i expect more outcomes, dunno. yeah we have a handful of modulars, real and unreal, bought and made. yeah we visit Italy almost every time. we've had lots of support from italian people thanks! thank you for replying. concerning modulars, how much do you use them in the studio? because it happens to hear some sounds in your record that make me think: "that awesome sound... must be a modular!" good, that suggests its deep - which is nice because i have a tendency to feel that modulars give deeper results - and the studio right now is all maxmsp. for other older tracks - that depends on which tracks your thinking of like tapr in Draft 7.30, the texture in the background sounds a lot like a modular patch. could it be? to me most of the texture here appears in the foreground. oh yes. I mean, the clicking/percussive sounds. anyway, thanks again and see you soon here in Italy
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not really too attached to statements about contemporary artists, i mean not to miss the point of the q much, but if people have more options, i expect more outcomes, dunno. yeah we have a handful of modulars, real and unreal, bought and made. yeah we visit Italy almost every time. we've had lots of support from italian people thanks! thank you for replying. concerning modulars, how much do you use them in the studio? because it happens to hear some sounds in your record that make me think: "that awesome sound... must be a modular!" good, that suggests its deep - which is nice because i have a tendency to feel that modulars give deeper results - and the studio right now is all maxmsp. for other older tracks - that depends on which tracks your thinking of like tapr in Draft 7.30, the texture in the background sounds a lot like a modular patch. could it be?
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not really too attached to statements about contemporary artists, i mean not to miss the point of the q much, but if people have more options, i expect more outcomes, dunno. yeah we have a handful of modulars, real and unreal, bought and made. yeah we visit Italy almost every time. we've had lots of support from italian people thanks! thank you for replying. concerning modulars, how much do you use them in the studio? because it happens to hear some sounds in your record that make me think: "that awesome sound... must be a modular!"
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"in a world ruled by immediacy and ease , contemporary artists try to deconstruct reality, and reconstruct it in a much complex way, which offers all kinds of prospective and aspects" : do you relate to this statement? another two smaller questions: have you ever used modular synthesizers? what do you think of this kind of instruments? is there any chance to see you live in Italy?
