solarion

In various places, most prominently Kwikwidetrax.

It's unquestionably the Jetsons' doorbell. He also used the sample in Swet on Chicago, Detroit, Redruth. Maybe a Marxophone or related instrument was used in making the original sound effect - I hear the same repetition of notes (though the tone is very different) and it wouldn't have been a synthesizer at the time The Jetsons was made.

BIG ups to Blackcurrant, who messaged me about this one today. No spoilers - listen through and you'll hear it about three minutes in.

So, whadda ya know...the flute at 0:15 in De-Pimp Act is also Wonka's flute (slowed down to about 60% speed).

"Is this machine recording?" from Same Ol', Same Ol' Recording at 0:57: The flute at the beginning of Special Designer Song: (Sorry about the triple posting...)

"And memories aren't where it's at.", from the start of Lunderneath, at 0:20:

I apparently can't edit my posts anymore (ok) but the version of La Saule I linked above is the wrong tempo (45rpm issues?). Since it's the leading track off this album, have the whole thing.

Amen Andrews - Guilty (I went through half the Plug discography before it clicked).

I really couldn't get into these and I struggle to tell any of the tracks apart. But my first impressions of Recepticon are much more positive; so I've been thinking about it and decided the problem was these are Play-Out Tracks. They're super polished EQ-wise and probably sound excellent on a big system, but are too homogenous to interest my ears for extended home listening. Possibly this is why he didn't release Rave Hop as Wagon Christ - despite being downtempo, it's still meant for the club.

Sorry I Make You Lush and My Lonely Scene at 12:28 - "How'd I ever get into this mess? I do my job. I mind my own business..."

1:12 in this video: "I want to fit the rhythm of the sound and the vision to the pattern of his brainwaves."

I think this is the case too, maybe excluding his releases on Virgin or other major or big indie labels? I remember KD3 couldn't be pressed up more than an X amount of copies because otherwise they could get sued? Which is also why it's not repressed yet? Also what I heard for this (hello a year later) is essentially that Salsoul got a little grumpy about the sample on Needy Feelin' and said basically "yeah okay but you're not repressing that or we'll sue".

It hasn't. Thank you; I'd always wondered about this one. Given the bass sound, I wouldn't be surprised if the main slap riff is lurking on the same album somewhere.

It's not this?

The end of this (1:25) and the beginning of the next track on the album (they go into each other seamlessly but were cut up on CD) is sampled in A Hot One.