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Sean Ae

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Posts posted by Sean Ae

  1. Several questions all related:

     

    1. When one of you have made a new bit of music - do you call it a "beat" a "track", etc.

     

    ie. Do you say "Hey Rob/Sean, check this new beat I made"

     

    I call them beats due to childhood hip-hop associations.

     

    2. When you are amazed at what you just made but the other half of ae is not around, do you then go to your wife/girlfriend/lady/etc. and say

     

    "Dear love, check this new beat I made"

     

    3. Does said wife/girlfriend/lady/etc. then begrudgedly listen and say "That's nice"

     

    4. According to your mood, do you then think "I'm half of fucking autechre - there are fuckers on the internet who'd be going crazy for this shit right now!"

     

    1. track

     

    2. nah

     

    3. nah cos i didn't play her it

     

    4. nah (see above)

     

     

    What did you guys think of Lynch's Inland Empire?

     

    it's my fave thing he's done

    it's weird cos a lot of my mates slagged it cos of the film quality, but i reckon it appeals to me even more than film cos i like some old video art as well

     

    the way it flows is amazing tho

     

    it's sad that he said he won't do any more, but he's old and i like enough of his music for it not to be a huge deal. but man, he was getting so good there

     

     

    He's certainly not retired yet. There was an article on him in NY Times this year mentioning he's working on a new script, which wasn't denied by Lynch

     

    http://www.nytimes.com/2013/02/24/magazine/david-lynch-transcendental-meditation.html?partner=rss&emc=rss&smid=tw-nytmovies&pagewanted=all&_r=2&

     

    The quote:

     

    A few months later, I reached Lynch by phone at his hotel room in Paris. Bob Roth had told me that Lynch said he was working on a new script and that it was typically dark. When I asked Lynch about this, he paused, annoyed. “Bobby’s got a big mouth,” he said. I asked him if the script was influenced by his work with T.M., and he said no, absolutely not. This will be a David Lynch picture, he said, adding, “I think people would probably recognize it.”

     

     

    YESSS

  2. Is there any sense in which you see your work as a critique of technology, art, or mathematics?

    a la John Zerzan (primitivist philosopher)

     

    ...or do you see it as a fulfillment of any of these?

     

    nah tbh we dunno what we're doing at all

    It was raining yesterday in Memphis, it's rather clear and sunny here today.

     

    What's the weather like over there for you boys?

    rainy, grey, cool

    quite typical for manchester

  3. 3 questions that are really just one :

    Being constantly working / listening to music, do you feel it does still move you as much as when you were young teenagers, discovering everything ?

    Do you think your sensitivity evolved a lot or are your obsessions pretty much still the same ?

    Do you feel more creative now or in your earlier days ?

     

    yeah in a way it's easier to find things now cos there are way more chances, so in terms of it being rewarding it's actually better now than it was then

    yeah obsessions are still pretty locked (i think u can tell really)

    now, but only with the benefit of hindsight

  4.  

    1-bis) Can you name the biggest notable differences in crowd mentalities at Autechre gigs between Europe, Asia, and America?

    *push*

     

     

    probably a difficult question to answer i suppose

     

     

     

    well it's never stable, and to an extent things are evening out with the internets and all

    but back in the day (generally) the rave scene in america was completely different to europe

     

    ah u know what i cba typing all this again, everything i was gonna say is already scattered ITT

  5. CU Ae guys it was a pleasure. Also my Augmatic Pisspot asks for a visit, don't want to go into details though. Have a good life!

     

    cheers sausagewater

     

     

    it's my fave thing he's done

    it's weird cos a lot of my mates slagged it cos of the film quality, but i reckon it appeals to me even more than film cos i like some old video art as well

     

    the way it flows is amazing tho

     

    it's sad that he said he won't do any more, but he's old and i like enough of his music for it not to be a huge deal. but man, he was getting so good there

     

     

    to me Inland Empire is the most Autechrian film ever, if that makes any sense.

     

    well that's a huge compliment

    it def resonates with me in a weirdly deep way

    i mean i was always a massive fan but that was like, times 10 for me

  6. What did you guys think of Lynch's Inland Empire?

     

    it's my fave thing he's done

    it's weird cos a lot of my mates slagged it cos of the film quality, but i reckon it appeals to me even more than film cos i like some old video art as well

     

    the way it flows is amazing tho

     

    it's sad that he said he won't do any more, but he's old and i like enough of his music for it not to be a huge deal. but man, he was getting so good there

  7. Thanks, Rob and Sean, for the inspiration and for continuing to raise the bar with every release. The wealth of information here is tremendous. Thanks for giving us all a little peek behind the curtain for a few days.

     

    I noticed a mention of physical modeling and how you said you can achieve the same sorts of formant / vocal sounds using things like band-pass filters and pulse width modulation. I was listening to "Osla for n" again (incredible) and thought of the formant growling throughout the track, later being gated into more of a 4/4 groove. Is this the type of formant control you were referring to, as something you can do in Max without needing a physical modeling synth, or was much of the formant shaping of the sound already present in the source material? My apologies if I'm interpreting what I'm hearing incorrectly.

     

    Any other question I could think of has already been answered, and I apologize if this was already touched-on. Thanks again, guys! I'll be reading through this thread for days.

     

    Jon B (@RheyneMusic)

     

     

    Rheyne

    http://youtube.com/rheynemusic

     

    er that was a weird method i'd rather not disclose right now

    but nah it's not 'formant synthesis' as it's normally defined

     

    the source was white noise

  8. my questions kinda got skpped earlier but - these I just really want to know -

    1. How much unreleased material do you guys have in comparison to actually released material

    2. I know you mentioned earlier that you guys aren't allowed to release under even your own names - but do you guys work separately sometimes on things that you guys don't agree on and leave them unreleased for the future?

     

    1. already answered this, sorry, long as fuck answer, cba finding it to paste

     

    2. we keep stuff back yeah, depends, not much of that is cos of us not agreeing

  9. Probably last post from me in this thread unless I have a flash of inspiration tonight in the pub.

     

    Are there any cool places you would like to play a gig? Weird locations, cities you have never been too, famous buildings?

     

    They have started doing gigs in the dungeons at Oxford Castle, this would be an awesome ae gig experience. Not sure what the acoustics are like though :emotawesomepm9:

     

    Somewhere like Jodrell Bank would make an epic autechre experience.

     

    Also PLZ get Grischa Lichtenberger or Oberman Knocks (or both) to support you on your next tour. And Rob Hall again.

     

    Cheers thanks

    Feltch out.

     

     

    jodrell bank kind of owns really, that or blue john mines/white scar caves, and a gig inside the untersberg might be a total mindfuck

    cheers

  10. Last question from me, for Sean. Is that Winterbottom I can hear purring away in garbagemx36?

     

    I had a great question yesterday on my way home from work but I forgot it, so I guess that's that :(

     

    Thanks again for this guys, you've gone way way way above and beyond. Appreciate that you've put up with the often ridiculous questions! Looking forward to future ae material with baited breath. Come to London soon :)

     

    no, but he did get onto a track on chiastic

     

    ok wildo

    cheers man, it's been more productive than doing 10 years worth of interviews

  11.  

    This next question is something I've been a bit hesistant about asking. Because you guys might not like it. At all.

     

     

    Years ago (around the Untilted release period I think) I've read an interview in a (dutch?) magazine. The end of the interview got a bit weird, because the journie asked "whats the most extreme thing a fan ever did" or something like that.

     

    You said you were afraid to answer that question. You said you would agree to tell it only if the interviewer agreed not to publish the story. Because you were afraid should that one fan read it, he might get more crazy ideas or something. The interviewer then said you told the story, and he confirmed that it was indeed pretty messed up.

     

     

    So, after all these years, can you tell what that was about?

     

     

    I mean, you probably won't. But I once made a thread about it here, and some said it had something to do with a fake hoax video someone made, that a lot of people thought was real.

     

     

    Fuck, I hope this isn't too much of a downer.

     

    yeah i think i know what this is about, not totally sure tbh cos i can't rem the interview

    but nah i wouldn't talk about (what i'm thinking of) here cos it would fuck someone's reputation and that's kind of totally unnecessary in this context

     

    oh btw its got nothing to do with any video

  12.  

     

     

    This one is probably difficult so just whatever comes to the fore of your minds at first: What are some of your favourite pieces of euphoria inducing music (considering that different things are euphoric for different heads)?

     

    'now this is fun' by depeche mode always gets me in a really up state, but it's not really euphoric in the way most people mean (i.e. 'too many fizzy synths')

    wait, you named someone's left nut Hitler, but shied away from proposing baby names? Clearly you don't fully appreciate the solemn, terrible responsibility inherent in naming someone's balls. Next to that, naming a kid is a walk in the park...

     

    i know and hitler? how lazy

     

    you could have called it bobby

     

    cool, bobby it is, let's hope it's not a girl then. Will let you know in 6 mos :nacmat:

     

    thats a bit like my name, anyway bobby's nice for a girl too.

     

    wait

    you're giving birth to a testicle?

  13. Bumpage:

     

    If you were given the option to select one of your tracks to go on a golden record* to be beamed into space, which would you choose?

     

    Record_Space.jpg

     

    *Incomplete without surface noise

     

    yeah this is a variation of the faves question

    i dunno man, fuck, you decide

     

     

     

    Thanks for your answer about recury.

    I finally dare to ask you some words about one track of mine:

    Just because it may be my only opportunity in my life :)

     

    Hi again, just in case you miss this post, i post again, i dont need compliments (i dont care), just words about your feelings by sharing sounds i made.To be very happy to know that my stuff went once to your ears :)

     

     

    yeah its weird its like hearing memories from 20 years ago thru a time lens of now

    are those r8/roland sounds? (some bits sound like it, others don't)

     

    Mainly FS1R and evolver, thanks :)

     

    nice

    extra points for that

  14. This next question is something I've been a bit hesistant about asking. Because you guys might not like it. At all.

     

     

    Years ago (around the Untilted release period I think) I've read an interview in a (dutch?) magazine. The end of the interview got a bit weird, because the journie asked "whats the most extreme thing a fan ever did" or something like that.

     

    You said you were afraid to answer that question. You said you would agree to tell it only if the interviewer agreed not to publish the story. Because you were afraid should that one fan read it, he might get more crazy ideas or something. The interviewer then said you told the story, and he confirmed that it was indeed pretty messed up.

     

     

    So, after all these years, can you tell what that was about?

     

     

    I mean, you probably won't. But I once made a thread about it here, and some said it had something to do with a fake hoax video someone made, that a lot of people thought was real.

     

     

    Fuck, I hope this isn't too much of a downer.

     

    yeah i think i know what this is about, not totally sure tbh cos i can't rem the interview

    but nah i wouldn't talk about (what i'm thinking of) here cos it would fuck someone's reputation and that's kind of totally unnecessary in this context

  15.  

    Thanks for your answer about recury.

    I finally dare to ask you some words about one track of mine:

    Just because it may be my only opportunity in my life :)

     

    Hi again, just in case you miss this post, i post again, i dont need compliments (i dont care), just words about your feelings by sharing sounds i made.To be very happy to know that my stuff went once to your ears :)

     

     

    yeah its weird its like hearing memories from 20 years ago thru a time lens of now

    are those r8/roland sounds? (some bits sound like it, others don't)

  16.  

    no questions left, but endless gratitude for your music that had been following me for years, throught ups & down, days & nights. hugely impressed by what you achieve. thanks a lot for the questions answered, the time spent here & the ID tracking of that Beaumont Hannant tune !! :-)

    cheers

    yeah np at all, massively happy u found Beau, get any stuff of his

     

    basic data manipulation

    sculptured

    texturology

     

    mostly mind blowing - yet, too clean to be so, somehow.

     

    yr welcome,

    Just want to say you guys have made my whole week... really appreciate it.

    Hope to see you in NYC soon.

    ok - like new york a lot. hope so!

     

     

    always really liked these

     

     

  17. This one is probably difficult so just whatever comes to the fore of your minds at first: What are some of your favourite pieces of euphoria inducing music (considering that different things are euphoric for different heads)?

     

    'now this is fun' by depeche mode always gets me in a really up state, but it's not really euphoric in the way most people mean (i.e. 'too many fizzy synths')

    wait, you named someone's left nut Hitler, but shied away from proposing baby names? Clearly you don't fully appreciate the solemn, terrible responsibility inherent in naming someone's balls. Next to that, naming a kid is a walk in the park...

     

    i know and hitler? how lazy

     

    you could have called it bobby

  18.  

     

    what do you think about Terrence Dixon?

    dunno, haven't been played any - detroit guy right? . sorry any good suggestions?

     

     

    his classic releases on Tresor, Background recs

    http://youtu.be/bISOhHbwsMc

     

    and recent are not bad too (as Population One)

     

    http://hardwax.com/69500/population-one/random-variables/

     

    he is kinda voodoo man

     

     

    yeah i can tell i'm gonna like this, gonna do a bit of catchup here

    thanks for this, good pick

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