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danshoebridge

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Posts posted by danshoebridge

  1. 5 minutes ago, o00o said:

    just bought this guy for 600 on ebay. any recommendations where to start with tutorials?  I have never used it before but all my friends have one. 

    Elektron Analog Rytm

     

     

    Cuckoo's tutorials are often a good start if you've never used Elektron gear before. The rytm is a great bit of kit but it's approach to sample management / kits / projects / patterns etc. takes some getting used to.

    Definitely worth updating it to version 1.70 before getting started as well, there's been a lot of improvements since it came out and the new firmware from 2 days ago has an interesting Euclidean sequencer option amongst other things.

    • Like 2
  2. 16 minutes ago, BlockUser said:

    I'm still perplexed they played in Grafenhainichen of all places back in 2014. Does anybody know what the venue was like? Was that gig part of some festival?

    Yeah it was Melt festival. They were playing on a stage by a lake about 2am. 

    Good fun, though many festival goers looked extremely nonplussed and the 'lights off' thing doesn't work on open air stages 

    • Like 3
  3. I don't think saying 'give it some time and it might grow on you' (or words to that effect) is condescending at all.

    We've all been there. Some stuff I was initially bitterly disappointed by ended up amongst my absolute favourite music ever.

  4. 9 minutes ago, AnwarAutokino said:

    That's a feeling that I've often had with Ae (and still have from time to time) and that I don't really get with any other artist. Listening to other artists, I usually just hit the skip button and forget about it, but with Ae I somehow always keep returning to stuff of theirs that I didn't like initially. I listened to Quarsitice for maybe a decade before getting into it haha. (It's now one of my fav records of theirs)

    I definitely get this with Autechre, but also the other big 'IDM' names. When you've got artists who've made some of your all time favourite music you're going to give their newer stuff a lot more of a chance, even if you're not feeling it at the time.

    I've been listening to Splesh or TBM2 or something, grimacing my way through and not actually enjoying it at all. With Autechre though I'll often come back to it another time and find something interesting there.

    it's different with, for example, Unreal Square by Squarepusher. That went from 'I think this song's pretty bad' to 'This song absolutely sucks lol'.

    • Like 1
  5. On 9/14/2023 at 4:06 PM, cern said:

    I wonder how Ae's set was.. Must be pre-Confield something right after EP7 

    What a freaking awesome lineup tho! 

    Yeah it was... actually not that great. From what I remember they were on pretty late, 3am or so. Energy was flagging a little and instead of the slamming set required there was an extended version of '19 headaches'. Crowd dispersed, by the end of the set there was definitely plenty of room to dance.  Not one of their best sets.

    • Like 2
  6. I never quite get a lot of these 'composer reacts' videos when they go into electronic music. 

    Occasionally there's something interesting in there, like this video of someone listening to Drukqs in front of a piano, and then transcribing some of the melodies and working out they're in Phrygian or whatever.

    If the guy above took this approach to Cfern I'd be a bit more interested (not sure what he could do with 11 is to be honest).  As it is there's not a lot he's adding here as he's got no experience listening to this sort of stuff and he doesn't really apply the specialist knowledge he does have. 

    Maybe if he listened to the alarm will sound version he could talk a bit more about what the rhythms and melodies are doing.  Instead it's some fairly obvious stuff - no shit the beat skips about and it's a little hard to connect to on first listen. 

     

    • Like 1
  7. Was on the fence on attending and decided against it in the end - mainly because it's fucking Field Day. 

    Been to a couple previously and despite the good line-ups they're always really disappointing - much too quiet due to the Vicky Park noise restrictions and no energy in the crowd whatsoever.

    Was thinking of dropping by the Forwards festival in Bristol instead, anyone check that last year?  Rest of the line-up for Saturday isn't much cop, but it's still got to be better than Field Day.

  8. 1 hour ago, monoppus said:

    The idea of the ‘22 set being more accessible than the previous two AE_LIVE sets is quite humorous to me. Huge chunks of ‘22, heck most of it, sound like three or more songs being played at the same time. It’s taken me *a lot* of listens to Helsinki to start to form solid shapes in my mind with this slab of tunes. None of the circulating tapes helped, it seemed like un-bootlegable music.  The previous two live sets were virtually instantaneous comprehension on some level comparatively. For me.

    Of course everyone hears and experiences things differently.

    That said I am immensely enjoying these. All the work I put into Helsinki has paid off and everything is blooming with the added context of the other dates.

    Same for me, there's large sections of this stuff I still find pretty unapproachable even after numerous listens.  That section from 27m to 46m in Helsinki for example is just 'difficult' on so many levels - atonal, aggressive, with very little to cling on to as it just keeps battering away.

    But after that until the end of the set there's some of the absolute best stuff they've done since Exai.  It's crazy, psychedelic stuff, but strangely pleasant to listen to and it sounds entirely unlike anything else I can think of. 

    Ditto the second half of the London B set - sounded pretty cool first time I heard it, but listening to it at 2am while baked was a revelation:  Crushing autechre hip-hop, constantly switching up, with a huge amount of melody buried in there.

    I'm hoping the scarier parts eventually coalesce into something I find easier to listen to, but even if they never do there's some absolutely amazing ground-breaking stuff here.  I didn't enjoy the live show in person *at all* but listening at home with time to take it all in it works so much better. 

    • Like 6
  9. 19 hours ago, jaderpansen said:

    london b 20.00++ gives me dial vibes. proper fuck.

    I'm also getting Osla for N from the last 15mins.

    The 'clanky' section from the other sets even reminds me a bit of Basscadet? 

    • Like 3
  10. 7 hours ago, toaoaoad said:

    Yeah hack was a bit harsh I guess, it's pretty hit and miss though you gotta admit... the elseq art is an abomination. Quadrange with the squares was a joke. Considering what was used for AE_LIVE this should be a no brainer. I can't remember what was on onesix... faded grey bean shapes?  I mean, who cares? Just put out the music already.
    Maybe he's cracking under the pressure now that Sean leaked this info - we know it's all up to Ian now and he's going mad in his studio trying to decide circle or square, black or grey...

    Yeah some are definitely better than others. The elseq art individually looked pretty rubbish but I quite liked that print that put them all together. Quadrange wasn't great but the Quaristice steel box looks amazing. Overall his stuff is better suited to actual objects rather than just jpegs on a digital release I reckon. 

    • Like 1
    • Big Brain 1
  11. I wouldn't call him a hack, some of the tDR Autechre artwork is pretty great. Chiastic Slide in particular. Got a soft spot for the Oversteps and Exai vinyl boxes as well. 

    I'm hoping it's now all pretty much ready to go, and they're just waiting on a suitable release date. The Helsinki set has really grown on me but it did take a LOT of listens, still find it crazy their current live stuff is so dense and weird - there's no way you can properly get your head round most of it on first listen. 

    • Like 2
  12. On 6/2/2023 at 12:00 PM, xyrofen said:

    Rpeg has been my phone's ringtone for well over a decade now, superseding Kraftwerk's "Die Roboter" some time in 2012. I don't even have ring on, but I make sure it's Rpeg. Also LP5 is a wonderful album, a lot of warmth and humanity in a very synthetic architecture.

    Rpeg ringtone crew checking in, definitely the top autechre track to play when you're getting a call IMO. 

    • Like 5
  13. This is definitely his best in a while, and I actually quite like a lot of Death Peak and S/T (hard pass on 'playground in a lake' though).

    After a few listens decided to pick up the vinyl - prices are all over the place.  Bleep is £34 (standard edition) whereas his bleepstore is £11 cheaper at £23.  Bandcamp is £25 but with huge postage, and Norman have it for £35.  Very strange.

    • Like 2
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